Book Description
Points + Lines: Diagrams and Projects for the City is a book of New York architect Stan Allen's writings and projects that propose new architectural strategies for the contemporary city. Organized in the form of a user's manual, it juxtaposes speculative texts outlining Allen's general principles with specific projects created by his office.
The book's title refers to this interplay of practice and theory, evoking not only the points of activity and the paths of movement found in a contemporary city but also the points of speculation and lines of argument in theoretical discourse.
Projects include the Cardiff Bay Opera House, Wales; the Korean-American Museum of Art, Los Angeles; the Museo del Prado, Madrid; and White Columns Gallery, New York. Each project is accompanied by explanatory text as well as numerous drawings, models, photographs, and computer renderings. K. Michael Hays contributes an introductory essay; R. E. Somol writes the postscript.
Customer Reviews:
Misses the Point.......2004-05-06
Stan Allen is one of the self-styled theorists who see architecture and urbanism as an abstract set of geometries, Allen fails to understand that most cities are living organisms and that relationships and form are pointless without comprehending the viltal, human function. Anyone who has experienced the great urban spaces of Italy or Paris will know that urban design is not a graphic exercise. Allen's lacks the mental facility to adress this component of design and his diagrams are more ignorant that one can imagine. This book is rubbish of the very worst sort. - Recommend you read Jane Jacobs 'Life and Death of Great American Cities' instead.
Forcing Form/Forming Force.......2001-02-15
This book addresses a universal question in regards to understanding and, more importantly, presenting an abstract, yet more comprehensible reference between architecture and other contextual elements. Stan Allen proposes that they are all fractions of a common system, the most complex order of `the city' in this case. He has eloquently woven various aspects of these manifold connections through his writings, and validated them in extremely stimulating diagrams. The results are projects that are filters for seeing figures of architecture in exchange with the background of the city. Architecture is complicated; not by itself, but because it is a component in a complicated network. This condition in the city can be manipulated by (and through) architecture--in the form (and force) of a point, other times of a line, but most of the time both.
Forcing Form/Forming Force.......2001-02-15
This book addresses a universal question in regards to understanding and, more importantly, presenting an abstract, yet more comprehensible reference between architecture and other contextual elements. Stan Allen proposes that they are all fractions of a common system, the most complex order of `the city' in this case. He has eloquently woven various aspects of these manifold connections through his writings, and validated them in extremely stimulating diagrams. The results are projects that are filters for seeing figures of architecture in exchange with the background of the city. Architecture is complicated; not by itself, but because it is a component in a complicated network. This condition in the city can be manipulated by (and through) architecture--in the form (and force) of a point, other times of a line, but most of the time both.
Enjoying in Singapore.......2000-06-16
Stan Allenfs gPoints and Linesh explores architectural design methods after post modern and deconstruction. His architectural and urban design in the book clearly show the contemporary problems and his unique approach to the problems. Although many of the theoretical issues are implicated, they are expressed through his design process. In addition, his comprehensive research out of architecture gives us fresh viewpoints. Therefore I think, the book is useful not only for architects and students, but also for people who are interested in cultural issues generally. Even in Singapore whose culture is different from the US, many architects and students are enjoying this book.
potential energy.......2000-06-09
This book contains some of the more useful thoughts published on diagrams to date. Although many architects frequently refer to diagrams as a methodology, Stan Allen has made them one of the focal points of his work. This book and his lectures often excite controversy over the way in which architects use diagrams. Diagrams have a kind of potential energy which can be interpreted in a number of ways to generate a piece of architecture. The book Points + Lines introduces ideas with which every student should be familiar and which each architect should address. Stan Allen makes a refreshingly clear delivery of his ideas in a contemporary architecture culture of overcomplication, vacant formalism, and thoughtless commercial production. We can only hope that the author's relatively young age will privelege us with the production of more written work.
Book Description
A comprehensive guide for the student sculptor who wants to learn about clay and wax modeling, wood carving, stone carving, ceramics, moist clay products, and mold making, casting, and enlarging. Addresses all aspects of the use and function of sculpting tools and materials used in traditional sculpture. Each chapter concludes with a troubleshooting section which answers questions most frequently asked by the student and those troublesome areas experienced by the sculptor. Also explains how tools are made. Charts on proportional requirements of materials, weights and measures, plus an extensive glossary of terms are provided. A key word technique can be used to easily explore a topic.
Customer Reviews:
Dated...but useful for ideas when in a jam..........2006-08-26
Rather boring lay-out, but it does provide info useful to help when looking for ideas not currently thought of when setting up projects. We use it in a fossil preparation laboratory for general review, but again, there are probably other texts that might fit the bill. Nevertheless I am glad our lab has it...too many young "creators" forget the obvious and this book helps remedy this problem.
Very Helpful.......2005-08-17
As a beginning rock sculptor, I found this book very helpful. I would have liked more information on the "how" the tools are used and more information on which tools were best for which materials, but it really helped me to get started on my rocks. I would recommend this book for anyone getting into rock sculpting.
What? NO PICTURES?.......2004-10-17
This book contains some nice little tidbits of info but it is sorely lacking due to its lack of pictures. The 18 page long list of tool dimensions and weights gives you no real info without pics to show what they're talking about. With only 5 images in the entire book (including the front cover) I feel that 80% of the potential value of the book is missing.
Without pictures, this book is simply an expanded glossary of sculptural terms.
No fluff, just the facts!.......2002-05-14
I took up sculpting several months ago, and I've found my "niche" with polymer clay doll-making. I've dabbled in ceramic and terra-cotta medium, but I'm also willing to try different methods of creations in the 3D World. I bought this book to give me some insight into different techniques, and that's just what it contains. Unlike so many books that try to be everything to everyone, this book gets down to the facts quickly, giving the reader a good idea of what a venture into a new sculpting medium will mean in terms of equipment and expertise. There are plenty of books that will walk a reader through every little step to create a clone of what the writer or artist has created. This book guides the reader towards the tools and different methods, without incringing on the reader's own creativity. I hope to find other books like this one on subjects like painting and photography, although sculpting is quickly becoming a passion and consuming most of my "art time". Bravo to the writer(s) and publishers of this book, and thank you!!
Product Description
This second edition, now with more than 90 images of sculpting tools, is a comprehensive guide for the student sculptor who wants to learn about clay and wax modeling, wood carving, stone carving, ceramics, moist clay products, and mold making, casting, and enlarging. Addresses all aspects of the use and function of sculpting tools and materials used in traditional sculpture. Each chapter concludes with a troubleshooting section which answers questions most frequently asked by the student and those troublesome areas experienced by the sculptor. Also explains how tools are made. Charts on proportional requirements of materials, weights and measures, plus an extensive glossary of terms are provided. A key word technique can be used to easily explore a topic.
Customer Reviews:
A disappointment.......2007-08-06
I purchased this with the thought it would help educate me on different sculpting products (clays and tools) by discussing their various properties, etc. It did do very brief overviews of different clays (plasters, plastilinas), but nothing in detail and no mention of specific brands or their product lines. I really don't know much more about clays/tools now than I did before I read through the book, other than how plastilina is made (interesting, perhaps - but of no practical use).
It covers sections on tools (with some pictures) and accessories, and provides (again, brief) overviews of mold making (it does NOT give instructions or recommendations or tips on any mold making process or material), casting materials and tools/materials used in stone and wood carving. However, don't expect to read this and be able to make any kind of informed decision on what would be the best materials for mold and casting your sculpture.
At the end is a rather limited reference section of books on sculpture, and absolutely NO supplier references (ie, websites or company info for purchasing any of these materials/supplies), or links to foundries, art schools/etc., that would be of use. At the end was a long list of tools, no pictures, listing their weights and dimensions - I'm not sure what purpose this is supposed to serve; I found it absolutely useless information. What matters to me is how it feels in my hand and how well it does the job I want it to do.
I found it to be a waste of $22, personally. Go to your local sculpting supply store - you'll get much more practical and useful information there (for free, too) and can see the products and materials and decide which will be good to try for your needs. Worked for me.
A Sculptor's Guide to Tools and Materials.......2007-04-11
A Sculptors Guide to Tools and Materials is an essential volume in an artist's reference library, particularly for a beginning sculptor or anyone studying sculpture. This recently published second edition incorporates dozens of additional images which make the book even more "user friendly" than the first edition. The volume is organized by chapters, and includes several appendixes with valuable information, such as Specialty Items and Tool Weights and Dimensions. The glossary at the end of the book is particularly helpful to anyone working in the field. I keep this book within arm's reach of my desk!
Product Description
This book shows you how to handcolor black-and-white photographs using the widest variety of coloring media including oils, watercolors, pencils and more. Over 80 clear and concise photographs illustrate each technique in easy-to-follow step-by-step sequences. Everything is right here from toners and dyes to handcoloring media to tips for final presentation. Order today and get started!
Customer Reviews:
Vague Technical Information ~ Better Books on the Market.......2004-12-06
This book covers many different type of photo coloring techniques, however it provides little detail for these techniques. If you are interested in using photo oils, this is not the book to purchase. Better technical information on photo oils can be found in books by Kreb or Dorskind, with a lot more useful illustrations and step-by-step instruction. If interested in pastels or water color (which I was not), this may be a book to utilize. However, I would recommend looking it at the library first, before making a purchase. I was very disappointed with this purchase.
Good Intro to Handcoloring. Covers Nearly Every Medium........2004-10-26
"Handcoloring Photographs" is an excellent introduction to handcoloring for the hobbyist. It covers most methods of handcoloring, including several inexpensive media which may be convenient to start out with. The book's Introduction is followed by 10 instructional chapters. All chapters include information on how to prepare your print and how to apply (and remove) the color, accompanied by many colorful examples.
Chapter 1, "Getting Started" explains what supplies you will need, how to make cotton-tipped bamboo skewers, set up your workspace, and choose a photograph suitable for coloring. Chapter 2, "Toners & Dyes", discusses techniques for changing the base color of your print before coloring, including how to mask a print for selective dying/toning. Most people won't want to tone their print before coloring, but this is an interesting technique if you are trying to emulate antique photographs. Chapter 3, "Oil Paints & Pastels", discusses this most popular coloring media. Oil paints, oil pastels, and Marshall's photo oils, as well as some other less common oil media, are explained. Chapter 4, "Watercolors", addresses watercolor paints and other water-soluble media, such as liquid watercolors and water-soluble pencils and crayons. Chapter 5, is dedicated to "Colored Pencils", one of the easiest handcoloring media to use. Included are product recommendations, instructions for sculpting pencil tips, applying and smoothing the color, and mixing colors. Chapter 6, provides basic information about "Other Media" you may want to try. Retouching dyes, markers, acrylics, inks, and gouache (poster paint) are defined and examples provided, but there is no detailed information on how to use them. Chapter 7 provides guidelines for "Mixing the Media", such as how to mix oil and water-based media in the same photograph. Chapter 8 includes useful "Handcoloring Tips" on how to best approach coloring your photo. Chapter 9, "Color Theory", discusses the merits of realistic and unrealistic colors and how best to achieve them. It includes instructions on how to mix, lighten, darken, and dull pigments to meet your needs. Chapter 10, "Presenting Your Artwork", gives advise on how to avoid fading and general deterioration through spray-on finishes, proper storage, cleaning, displaying and protecting your prints. Appendix B is a convenient chart of the advantages and disadvantages of the various coloring media discussed in the book. There is also a Glossary of terms and an index.
The instructions in "Handcoloring Photographs" are easy to follow, They are reasonably detailed, but could be improved by more specific discussion and illustrations on applying and blending paints. So many different handcoloring media are discussed that everyone can find one to match his or her tastes and budget. The only handcoloring technique that is not discussed here is airbrushing, which requires specialized equipment and a lot of practice. "Handcoloring Photographs" packs a lot of useful information into a short book, and it gives the reader a lot of choices. If you find that Marshall's photo oils are your preference, "The Art of Handpainting Photographs" by Cheryl Machat Dorskind provides more detailed instructions on using photo oils, with an emphasis on portraiture. Unfortunately, there is no one book that contains every bit of useful information on handcoloring photographs, but "Handcoloring Photographs" is a good one.
Well covarage; poor technical information.......2000-06-01
This book covers most popular hand colouring techniques. Thus, it is a good material for getting to know the alternatives. However, as most of hand colouring books currently in the market (as far as my knowledge) this book is very poor in technical information, such as pigment and colour dye nature, their interaction with the silver image, effects to contrast and picture integrity, picture and colour durability etc. Methods are not very clearly identified, either, still leaving a lot of questions in your mind. It is a good advertisement for the American consumer market though. You will get to know which particular brands and their products will work best (! ) for you, ignoring all about the basic (raw) material knowledge. It is amazing that neither this nor any other book in the subject will discuss lightfastness of the colours. In my opinion, this book works fine for people who want recipes and where-to-buy lists.
A Must for Those Wanting to Learn Handcoloring Photographs.......2000-05-20
Handcoloring Photographs Step by Step
by
Sandra Laird & Carey Chambers
Sandra Laird, a commercial and fine art photographer who teaches handcoloring, and Carey Chambers, a technical writer, teamed up and competently produced a very helpful and knowledgeable book for those interested in learning the art of handcoloring photographs. Every step is described and illustrated in detail. You just can't go wrong. Chapter one introduces you to the supplies needed and media available for handcoloring photographs. How to set up your workplace is discussed as is how to choose and prepare the photograph you want to color. Part of the preparation for the photograph is the correct printing of the photograph, print size and paper choice. These considerations are fully discussed. Then you make your choice of media. You can choose oil paints and pastels, watercolor paints, colored pencils, markers, acrylics or gouache. Chapter two introduces you to toners and dyes. "Toning or dyeing can help you achieve a better handcolored result," the author suggests. A before and after sample print shows the difference sepia-toning a print before coloring can make. The results are indeed, pleasing. Each step of the toning and dyeing procedures are clearly illustrated and explained. Again, sample prints illustrate the effect each process has on a print. Selective toning or dyeing (a method of toning or dyeing only a portion of a print) is also described. You are introduced to oil paints, pastels and other oil-based media in greater detail in chapter three. How to choose the medium best for your project and preparing the print for the particular media you choose is covered. Again, clear illustrations and text allow you to follow the artist through the steps taken to handcolor a specific photograph using each oil-based medium. Laird and Chambers take the same care going into detail in chapter four. This chapter covers all you need to know to get started using watercolor paint to color your photographs. Clear explanations and instructions accompany the step-by-step illustrations. Types of watercolor (liquid, tube or cake) are discussed as are brushes. Chapter five talks about using colored pencils and chapter six discusses all other media. Can you mix the various media when coloring one print? You bet. Examples of such prints are shown with suggestions and instructions on how to do it in chapter seven. Chapter eight ties all the loose ends together, and answers any questions you still may have before tackling your project. Chapter nine is a quick course in color theory, mixing pigments and choosing the best colors for your particular photograph. The last chapter tells us how to finish the print and prepare it for showing. Subjects such as spray finishes, matting, framing and displaying your print and archival considerations are covered. Appendix A lists manufacturers and suppliers for the various products needed for handcoloring photographs. Appendix B follows with a guide to the advantages and disadvantages of the different coloring media. A glossary and index end the book. I found this book thorough, clear and complete. Well illustrated with attractive and well- done photographs, simple instructions in easy-to-understand text takes you through each step of the processes. I really can't find anything to complain about where this book is concerned. This is an excellent book for a beginner and may even give pros an idea or two they can put to use.
By far, the best choice to learn handcoloring!.......2000-01-10
After looking at other books on the subject, Handcoloring Photographs, Step by Step, offered the most examples and visuals. In my opinion, this book clearly is the best choice for anyone new to the area of handcoloring photographs. If you have to buy one book, this is the one.
Customer Reviews:
Comics Junkie.......2007-07-31
This author look on life is great. Showing us (humans) with all our warts and problems. If you like the movie, you will certainly like this collection. Thank you so much for a great collection.
Average customer rating:
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Forgive Us Our Press Passes: The Memoirs of a Veteran Washington Reporter
Myron S. Waldman
Manufacturer: St Martins Pr
ProductGroup: Book
Binding: Hardcover
 General
| Sociology
| Social Sciences
| Nonfiction
| Subjects
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Media Studies
| Social Sciences
| Nonfiction
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Journalism
| Writing
| Reference
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General
| Foreign Languages
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Journalists
| Professionals & Academics
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ASIN: 0312059922 |
Average customer rating:
- A comprehensive textbook of associative learning
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The Psychology of Associative Learning (Problems in the Behavioural Sciences)
David R. Shanks
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Paperback
General
| Psychology & Counseling
| Health, Mind & Body
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Cognitive Psychology
| Behavioral Sciences
| Professional Science
| Professional & Technical
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Cognitive Science
| Behavioral Sciences
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Cognitive Psychology
| Behavioral Sciences
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General
| Behavioral Sciences
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ASIN: 0521449766 |
Book Description
It is hard to think of any significant aspect of our lives that is not influenced by what we have learned in the past. Of fundamental importance is our ability to learn the ways in which events are related to one another, called associative learning. This book provides a fresh look at associative learning theory and reviews extensively the advances made over the past twenty years. The Psychology of Associative Learning begins by establishing that the human associative learning system is rational in the sense that it accurately represents event relationships. David Shanks goes on to consider the informational basis of learning, in terms of the memorization of instances, and discusses at length the application of connectionist models to human learning. The book concludes with an evaluation of the role of rule induction in associative learning. This will be essential reading for graduate students and researchers in psychology and the behavioral sciences.
Customer Reviews:
A comprehensive textbook of associative learning.......2000-08-01
Don't hestitate to buy this book. It will save you 200 hours of literature research and is a good graduate level reading for connectionist/associative learning seminars.
Average customer rating:
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Homespun memories,
Edith H Shank
Manufacturer: Waverly Press, Inc
ProductGroup: Book
Binding: Unknown Binding
United States
| World Literature
| Literature & Fiction
| Subjects
| Books
| 18th Century
| 19th Century
| 20th Century
| African American
| Asian American
| Classics
| Collections & Readers
| Drama
| General
| Hispanic
| History & Criticism
| Humor
| Jewish American
| Letters & Correspondence
| Native American
| Poetry
| Short Stories
| Women Writers
ASIN: B0007GQ4XO |
Average customer rating:
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Human Memory: A Reader
Manufacturer: A Hodder Arnold Publication
ProductGroup: Book
Binding: Hardcover
Memory Improvement
| Self-Help
| Health, Mind & Body
| Subjects
| Books
Neuropsychology
| Psychology & Counseling
| Health, Mind & Body
| Subjects
| Books
General
| Psychology & Counseling
| Health, Mind & Body
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Memory
| By Topic
| Psychology & Counseling
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Intelligence
| By Topic
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Cognitive Science
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Cognitive Psychology
| Behavioral Sciences
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General
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ASIN: 0340691948 |
Book Description
This reader makes available in a single volume, a collection of some of the most important articles on human memory from the last two decades. The readings have been chosen to provide a broad and up-to-date reflection of the main issues currently occupying memory researchers, with an emphasis on theoretical problems. This book is divided into eight sections and each is introduced by Shanks with a contextualising discussion and suggestions for further reading.
Customer Reviews:
Shanks for the Memories.......2000-02-26
David Shanks has knocked one out of the park with this one. If there is a flaw to this concise and skillfully constructed collection is that the selected writers lack Shanks' fearlessness in taking risks and his genius for organization. Covering the entire spectrum of stored experience, the book is extremely accessible, often chatty memoire of the human mind. Some low points include the often maudlin treatment given to Alzeimers disease and one can't help but roll their eyes at the chest pounding bravado with which the authors claim to be able to chart human existance in the furrows of the brain. But for their minor faults, they can't undo the great work of Shanks in creating this book, which as a whole, is nearly flawless. A kind of narrative develops in the flow between articles, ending with a final article (I won't reveal the details and ruin the thrill of discovering it for youself) that is both an insight to the working of the mind and a rousing an epiphanic may of looking at the mind that comes as close as any to truly defining the human condition. A perfect book for the beach.
Average customer rating:
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Shanks For The Memories
Manufacturer: Privately Printed
ProductGroup: Book
Binding: Paperback
ASIN: B000H2C4EQ |
Product Description
SMALL BOOK OF CARTOONS BY STAN WYATT
Product Description
A book of golf quotes by golf pros.
Average customer rating:
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Shanks for the Memory
Keith
Manufacturer: Robson Books Ltd
ProductGroup: Book
Binding: Paperback
General
| Biographies & Memoirs
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Soccer
| Biographies
| Sports
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General
| Football (American)
| Sports
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General
| Soccer
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ASIN: 1861051743 |
Book Description
This digital document is a journal article from Acta Psychologica, published by Elsevier in . The article is delivered in HTML format and is available in your Amazon.com Media Library immediately after purchase. You can view it with any web browser.
Description:
In judgment and decision making tasks, people tend to neglect the overall frequency of base-rates when they estimate the probability of an event; this is known as the base-rate fallacy. In causal learning, despite people's accuracy at judging causal strength according to one or other normative model (i.e., Power PC, @DP), they tend to misperceive base-rate information (e.g., the cause density effect). The present study investigates the relationship between causal learning and decision making by asking whether people weight base-rate information in the same way when estimating causal strength and when making judgments or inferences about the likelihood of an event. The results suggest that people differ according to the weight they place on base-rate information, but the way individuals do this is consistent across causal and decision making tasks. We interpret the results as reflecting a tendency to differentially weight base-rate information which generalizes to a variety of tasks. Additionally, this study provides evidence that causal learning and decision making share some component processes.
Book Description
This digital document is a journal article from Journal of Memory and Language, published by Elsevier in 2006. The article is delivered in HTML format and is available in your Amazon.com Media Library immediately after purchase. You can view it with any web browser.
Description:
A single-system model of repetition priming and recognition memory is presented, which is conceptually similar to signal-detection theory. Key assumptions of the model are (a) that the same memory source contributes to both priming and recognition performance and (b) that variance of the noise associated with priming measures is greater than recognition. To test the model, four experiments were conducted examining the effects of a manipulation of attention at study on priming and recognition performance. The model predicted that (1) effects of attention will be observed on priming and recognition, albeit larger for recognition, (2) the magnitude of priming will not exceed recognition in any condition, and (3) priming and recognition performance will be weakly correlated. Predictions (1) and (2) were confirmed by the experiments, and some evidence for (3) was obtained, providing support for the model.
Books:
- Private Landscapes: Modernist Gardens in Southern California
- Proceed and Be Bold: Rural Studio After Samuel Mockbee
- Richard Meier Architect, Vol. 3 (1992-1998) (Vol 3)
- Roberto Burle Marx: The Lyrical Landscape
- Site Engineering for Landscape Architects
- Skyscraper: The Making of a Building
- Smart Guide: Trim: Step-by-Step Projects (Smart Guide)
- Some Place Like Home: Using Design Psychology to Create Ideal Places
- Space Planning Basics
- Space Planning for Commercial and Residential Interiors
Books Index
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