Italian Villas and Their Gardens (Classical America Series in Art and Architecture)

Customer Reviews:

FYI - Original illustrations in color still are!.......2001-01-24

I am a lucky owner of the 1904 original edition. I bought this reissue so that I could enjoy reading the text without worrying about damaging my 1904 edition. Comparing the two, the orignal's Parrish color and black & white illustrations are all there in the reissue. Please note that several were NOT color in the original too. The only difference is that the reissue has the color prints situated in a group in the center of the book, whereas (in the original) they are sprinkled throughout and have tissue paper protection. The color print quality is not as crisp as the original, but it is color. The b&w print quality is just as un-crisp as in the original.

FYI - Maxfield Parrish illustrations are not in color.......2000-06-13

I bought this book looking for Maxfield Parrish illustrations. I kept this book because Edith Warton is an incredibly soothing writer.

It should be of note that the text was so wonderfully written that it kept me from returning the book.

Imagine, however, what an incredible book this would be if the Parrish illustrations were not in black and white.

intellectually stimulating garden history.......1998-09-13

I was very excited to find this book and nab a copy of it. (I'm a garden writer and I wanted to get Edith Wharton's perspective on garden history).

Italian gardens, as it turns out, are places for walking, thinking, conversing and relaxing. Their most common elements are paths, hedges, arcades, fountains, pools and grottos. They very seldom utilize color (a feature that is often ofterdone in American gardens), instead concentrating on foliage texture, stone and statuary. Usual plantings are trees, shrubs and vines.

What is most instructive is the layout of these Italian gardens, including the idea of garden rooms and the use of water features (both of which have become immensely popular here in the US, in the last few years). The architecture of the garden is everything, and is an extension of the house. Order, logic and function are paramount in the Italian garden.

Product Description

26 full page illustrations by Maxfield Parrish (13 in color), color frontispiece, 6 plates illustrated by C.A. Vanderhoof, Vernon Howe Bailey, Ella Denison, and Malcolm Fraser, and 6 photographs.

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Italian Villas and Their Gardens
Edith Wharton and Maxfield Parrish
Manufacturer: CENTURY CO
ProductGroup: Book
Binding: Hardcover
ASIN: B000VFL5GM

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Italian Villas and Their Gardens
Edith Wharton
Manufacturer: Da Capo Press
ProductGroup: Book
Binding: Paperback

ITALIAN VILLAS AND THEIR GARDENS. Pictures by Maxfield Parrish. New edition with essays by Henry Hope Redd & Thomas S. Hayes

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ITALIAN VILLAS AND THEIR GARDENS. Pictures by Maxfield Parrish. New edition with essays by Henry Hope Redd & Thomas S. Hayes
Edith. Wharton
Manufacturer: Da Capo Press,
ProductGroup: Book
Binding: Paperback

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Excellent Guide to Glass Painting - Allan and Barry, thanks for sharing your 20 years of experience!

Excellent book for beginner to intermediate

A FURTHER MESSAGE FROM THE AUTHORS

Good but far from complete

More than you'll ever need to know about glass painting!!!

The Complete Guide to Glass Painting: Over 80 Techniques with 25 Original Projects and 400 Motifs
Alan Gear , and Barry Freestone
Manufacturer: Collins & Brown
ProductGroup: Book
Binding: Paperback

General | Instructional & How-To | Arts & Photography | Subjects | Books
General | Crafts & Hobbies | Home & Garden | Subjects | Books
Glass & Glassware | Crafts & Hobbies | Home & Garden | Subjects | Books
Painting | Crafts & Hobbies | Home & Garden | Subjects | Books
Pottery & Ceramics | Crafts & Hobbies | Home & Garden | Subjects | Books
Similar Items:

The Glass Painting Book

Art Nouveau Glass Painting Made Easy

Painting on Glass

Quick & Easy Glass Painting

Simple Glass Painting

ASIN: 1855859505

Amazon.com

Perhaps the definitive book on glass painting, this comprehensive volume explains everything beginners need to know in order to find great success with the craft. But it also overflows with great ways for more experienced glass painters to broaden their repertoire. Extensive step-by-step directions and hundreds of clear color photos cover all the basics (outlining and its many variations; pattern transfer; painting with many types of paints and applicators) as well as numerous alternate effects (including layering, marbling, embedding, metal leafing, and stenciling). Related methods are also shown (etching; glass cutting; using different kinds of glues). The 25 projects range from patterns painted on existing glass forms (glass-fronted key cupboard, small table, vases, bottles, serving platter, lamp) to more elaborate shapes cut and glued together after painting (art deco clock, gilded box, suncatchers); some are suitable for the novice, while others are more advanced. In addition to complete pattern templates for every project--and sometimes even alternate designs too--the authors provide a few hundred other motifs so readers can take off on their own. An excellent overview of materials and a list of suppliers round out this wonderful package. --Amy Handy

Book Description

“Dazzling full-color photographs instruct and inspire... you will learn every step of this beautiful craft covering everything from basic outlining to special paint effects, from cutting glass to stenciling and stamping color....in addition to a comprehensive guide to the different paints.... A motif library of of 400 designs...offers unlimited potential.”—Glass Craftsman.

Customer Reviews:

Excellent Guide to Glass Painting - Allan and Barry, thanks for sharing your 20 years of experience!.......2006-03-04

Since I am a beginner to glass painting and have one book on the subject I was looking for something more comprehensive that covered other techniques. After reading the review and previewing from amazon's "look inside", I had to buy the book. "The Complete Guide to Glass Painting, is just what it says, it is a good start for beginners and and provides lots of projects, techniques and motifts for the more advanced glass painter. There are so many techniques I never though of that was not covered in my one glass book. When the book first arrived in the mail, I glanced through it quickly; now I am reading the book word for word so as not to miss a great tip. Each page is well designed and layed out for easy reading and understanding with visual direction. You can't go wrong. For those who have more knowedge, this book has 400 motifs to use or combine to create fantastic glass paintings and projects that spark ideas. If you must have a glass painting book, this will be the only one you will need. Allan and Barry, thanks for sharing your 20 years of experience, this is a great book. If the authors ever collaborated to produce anther book; I will be looking out for more of them.

Excellent book for beginner to intermediate.......2004-11-20

If you just are getting one book about glass painting to try the hobby out then this is a good choice. It has a good overview of the materials available, step by step instructions for different techniques and templates to trace over (glass is perfect for tracing ;-) so you can get started on some small projects. The color pictures are plentiful and pretty, and the price is not too high as one might expect with color pics. Even if you are just into crafts and later find that glass painting isn't your thing the templates and pics can carry over into other crafts.

This is a good book if you know you want to try glass painting out.

A FURTHER MESSAGE FROM THE AUTHORS.......2004-02-20

We have been so excited with the continued success of this, our first book. Worldwide sales of this title have now exceeded 50,000 which we think makes it the best selling book on glass painting. Don't miss our other books and our new book, The Complete Guide to Stamping is published in March 2004. If you have access to broadband internet, you can see our regular TV show, Alan & Barry's Craft Choice and a host of other shows on www.createandcraft.tv. We can also be seen regularly on HGTV in the United States.

Good but far from complete.......2003-04-20

The techniques presented in this book is good enough for a beginner like me to get started. However, the projects given in this book was not enough to motivate me to try them. I've found that the book was not organised enough for a beginner to go through the projects and progress from there.

Having said all this though, I still think that the book is a good reference to have and coupled with other books like Glass Painting (The Art of Crafts series) by Naazish Chouglay, you could learn more and appreciate the art as well as the techniques behind glass painting.

More than you'll ever need to know about glass painting!!!.......2001-12-14

Whew! I'm a busy gal, so if I take a minute to write a review, trust me it is a great book! I usually do stained glass, but sometimes life is too busy for that- it is very time consuming. If you crave simple, yet, beautiful art projects in glass, this is the book for you! From etching beautiful holiday glasses, to painting "modern-art" type vases. The details are excellent. You will know the right paint to buy for the project you are working on. No guesswork. Even the least crafty would be amazed at the results you can obtain with this delightful book. There are enough projects to keep you busy for at least a year if you do projects on the weekends.

Book Description

Drawings (including thirty-two pages in color), captions, and verse showcasing Gorey’s unique talents and humor. “The Glorious Nosebleed,” “The Utter Zoo,” “The Epiplectic Bicycle,” and fourteen other selections.

Customer Reviews:

Great, Also.......2006-12-03

This compilation, being the third in the series, is naturally the weakest of the lot, but it still contains some absolutely enchanting bits of morbidity, including The Blue Aspic, The Glorious Nosebleedand The Loathsome Couple.

Deadworry.......2006-04-03

Edward Gorey is probably best known for the animations that precede Mystery, on PBS. His cartoons have appeared in a wide variety of magazines, and he has published a massive number of books. His Amphigorey series (Amphigorey, Amphigorey Too, Amphigorey Also) collects his works in omnibus form.

Amphigorey Also is the third in the series. It is a perfect introduction for those not familiar with Gorey's work. The book contains seventeen chapters, which are as follows:

The Utter Zoo
The Blue Aspic
The Epileptic Bicycle
The Sopping Thursday
The Grand Passion
Les Passementeries Horribles
The Eclectic Abecedarium
L'Heure bleue
The Broken Spoke
The Awdrey-Gore Legacy
The Glorious Nosebleed
The Loathsome Couple
The Green Beads
Les Urnes Utiles
The Stupid Joke
The Prune People
The Tuning Fork

Each section is comprised of Gorey's lovely, macabre and often startling cartoons, and his brilliantly clever captions. Gorey has a dark sense of humor. We are talking here about gallows humor. Death pervades his work. Subjects that run through his oeuvre are infanticide, madness, murder, death in general, rain, umbrellas, revenge, and endless word play.

Gorey seems obsessed with his own name. I find it fascinating that he constantly plays about with creating anagrams of Edward Gorey. A few that I counted in Amphigorey were: Dogear Wryde, G.E. Deadworry, Awdrey Gore, E.G. Deadworry, Waredo Dyrge, Deary Rewdgo. There are also near anagrams such as Regera Dowdy. But then, these shouldn't really count.

Gorey's word play builds itself into the structure of some of the chapters. Several chapters are odd alphabets. The first of these is "The Utter Zoo". Each panel and caption describes an animal, whose name begins with a successive letter of the alphabet. These animals exist only in the warped mind of our author. He has imagined animals much stranger than anything to be found in a real zoo. These creatures range from the neat Ampoo to the tragically extinct Zote.

The best of Gorey's alphabets is "The Glorious Nosebleed". Each caption contains a different adverb. The illustrations are glorious, dark, and sinister. The captions are often strikingly funny, and a bit weird: "The creature regarded them balefully", "He exposed himself lewdly", "It was in the trunk presumably". These little vignettes are beautiful, and stunning, as well as being likely to offend a large section of the public.

"The Prune People" is a strange little series of drawings, sans captions, which depict people who have prunes in place of their heads. I honestly can't think of more to say about except this: you will find yourself drawn back to these drawings again and again. I least, I was.

The best of the chapters is "The Loathsome Couple". In this macabre tale Harold and Mona kill children for amusement. The couple were both abused as children. They find each other as adults. They find themselves incapable of sexual relations, and instead turn to murdering children for recreation. This is not a tale for everyone. Most will find themselves deeply offended by this story. But, for those who can recognize the stark beauty, and the deeper meaning in Gorey's words, this is a gem. It is a story to rival anything from the Brothers Grimm (I speak here not of the sanitized fairy tales, but of the gore soaked original's). Gorey's drawings are at their best here. One panel depicts Harold luring a child to his doom. Gorey has no sympathy for any of the characters in this picture (of course, he does have sympathy for all of his characters, it is simply that he chooses not to portray it in this drawing). He creates them was worn, lined, ugly beings who are part of a dreadful and ugly world.

Another story of note is "The Blue Aspic". It is the story of Jasper Ankle. Jasper is an opera fan. Perhaps too much of a fan. He murders to place his favorite singer in a starring role. He ignores his responsibilities until he losses his job. He is placed in an asylum, where he has no access to a turntable on which to play his beloved opera records. As he escapes, his beautiful records are broken. It ends badly. We would expect no less. And, it rains a lot.

Those are the only hints I will provide. I fear that I may be spoiling the stories that I have discussed, and do not wish to spoil the rest. This is a book that must be discovered page, by lovely page. Gorey manages to amaze, surprise, and shock again and again. Most people will, I fear, close this book after the first few pages. They will shudder, restrain revulsion, and try to wipe it from their memories. But for a select few of us, this book will delight for years.

I highly recommend Amphigorey Also. However, I offer this caveat: those with weak stomachs, puritanical outlooks, prudish demeanors, and easily offended sensibilities should beware. If you can't laugh at death, then don't bother* You have been warned.

Brilliant ideas spoiled by tiny pictures.......2006-03-23

The books in this series (Amphigorey, Amphigorey Too and this one) benefit from the warped wit of Gorey, but the size of the images is so small that it becomes difficult to make out the fine details. I like to read them to my kids (ages 9 and 12) but we have to be all scrunched together to make out the visuals.

Perhaps the most consistently entertaining of the Gorey anthologies.......2005-11-29

AMPHIGOREY ALSO is another compendium of Edward Gorey's stories in the form of pen-and-ink drawings with pithy captions. While it doesn't contain his most notorious book--THE GASHLYCRUMB TINIES in the first AMPHIGOREY, I found this to be the most consistent amusing of his three anthologies.

The works here are of several different styles. You have relatively substantial stories, such as THE BLUE ASPIC. This tells the tragic love of the deranged fan Jasper Ankle for the diva soprano Ortenzia Caviglia and is full of jokes that will delight opera cognoscenti while probably eluding all else. Also in this category is THE LOATHSOME COUPLE, a delightfully droll tale of a man and woman who fall in love and discover their mutual passion is murdering children, and THE GREEN BEADS where an impoverished child meets a madwoman who turns out to be his long-lost grandmother.

Another style is that of drawings on some theme. The first book in the anthology, THE UTTER ZOO, is such a work, a collection of twenty-six drawings of imaginary creatures somewhat in the vein of Borges' BOOK OF IMAGINARY BEINGS. Then there's THE BROKEN SPOKE, purporting to be a collection of postcards about cycling, which is wickedly funny.

One will also find writings of totally random humour that explain the rumour that Gorey hit the bottle pretty hard. These include THE PRUNE PEOPLE, a collection of drawings where people go about their daily business and the only off thing is that they have prunes on their necks instead of heads. Also in this vein is LES PASSEMENTERIES HORRIBLES, where various people concentrate on some task unsuspecting that a gigantic passementerie is sneaking up behind them.

This is probably the best anthology to start with in uncovering Gorey's work--although I feel THE OTHER STATUE available on its out from Harcourt is the best introduction to this droll author. This anthology is certainly no collection of dead weight, and the quality of the reproductions is higher than in the other two.

Gorey and ghastly.......2004-05-12

The much-lamented Edward Gorey specialized in intricate, ominous pen-and-ink drawings. Doomed Victorian opera singers, alligators, time-bending bicycles, and plenty of creatures strange and grotesque fill "Amphigorey Also," a collection of Gorey's quirky work.

Included is the cute "Utter Zoo" ("The Ippagoggy has a taste/for every kind of glue and paste"), the tragic "Blue Aspic" (a crazed, impoverished man stalks an opera diva), the amusing "Sopping Thursday" (Bruno the dog looks for his master's umbrella), and the delicious revenge fairy tale "The Tuning Fork." The highlight is the "Awdrey Gore Legacy," a deliciously warped murder mystery.

Some of the offerings are kind of befuddling, like the disjointed conversation between a mustachioed man and a woman with a geisha hairdo, or the "Eclectic Abcedarium" with its too tiny pictures. But most of them, like "Les Passementeries Horribles" (in which embroidery and tassels act ominous) or "The Prune People" (which is pictures of people with prunes for heads) are amusing even if they make no sense.

Edward Gorey's delicate pen-and-ink illustrations would be fun even if he didn't possess the morbid whimsy that fills almost every story. Okay, if you are easily offended, then the "Loathsome Couple" will offend you with a pair of crazy killers lure, photograph and murder small children ("They spent the better part of the night murdering the child in various ways"). But he did so in the best of bad taste.

His slightly warped sensibilities were also shown in the chilly skies and barren-looking outdoors, cute children and haughty adults in Victorian attire. There are occasional splashes of color (like the blue backdrops of "L'heure Bleue"), but even then it tends to be a bit eerie and faded like old photographs.

The eerie whimsy of Edward Gorey's work is alive and well in "Amphigorey Also." A few of the works are duds, but overall it's a strange and wonderful ride.

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Amphigorey Also
Edward Gorey
Manufacturer: CONGDON & WEED
ProductGroup: Book
Binding: Hardcover
ASIN: B000OL8A2K

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Amphigorey Also
Edward Gorey
Manufacturer: Harcourt
ProductGroup: Book
Binding: Paperback
ASIN: B000OJ3NAG

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Amphigorey Also
Edward Gorey
Manufacturer: Harvest Books
ProductGroup: Book
Binding: Paperback
ASIN: B000OJR5M8

Book Description

His skates were too small. Or they didn't match. Or they were that ultimate humiliation for a boy trying to play hockey--girls' white figure skates. Add to young Bruce McCall's shabby equipment his pencil-thin wrists, weak ankles, and, as he puts it, "a fruit bat's metabolism with a tree sloth's reflexes," and you'll understand why he failed so dismally in the cold, rough world of neighborhood hockey in Toronto. Bruce's catastrophic career as a rink rat epitomizes the youth he recounts in this funny, moving, sometimes disturbing memoir. In fact, Thin Ice examines a boyhood so filled with failure and disappointment that the comedy and insight its author/survivor wrests from it--like his subsequent career as one of America's most admired humorists and illustrators--seem like miracles.

Bruce McCall's father, T.C., was an inaccessible tyrant. Bruce's mother, Peg, drank to blunt the effect of her husband's rages and to dodge the duties of taking care of six children. Still, Bruce did know some moments of pleasure as a child, especially in the small town of Simcoe, before T.C. moved his family to the dreary outskirts of Toronto: The Second World War offered its awesome matériel and its heroic men, milk bottles grew top hats of cream, and grapes hung free for the stealing in Mrs. Klein's backyard. But his parents' demons took their toll on Bruce, and the move to Toronto set the stage for academic and social disasters: He flunked out of high school and took dead-end graphic-design jobs, all the while envying the full-color culture and high-octane energy of Canada's muscular neighbor to the south.

That envy, combined with Bruce's passion for reading and drawing--one of the few positive bequests from T.C. and Peg McCall--became his refuge and then his salvation. His precocious reverence for The New Yorker magazine led him to invent entire comic worlds of artistic and literary creation. Ultimately, he read, wrote, and drew himself out of pennilessness and despair. Bruce McCall may not have been destined to glide around Madison Square Garden holding the Stanley Cup aloft, but as Thin Ice demonstrates, perseverance and talent can turn crummy ice skates--and even dashed hopes--into dreams come true.

From the Hardcover edition.

Customer Reviews:

Sad, bitter, depressing.......2000-06-19

Wanting to know more about Canadian perspectives on the United States, and attracted by quotes indicating that P. J. O'Rourke and Peter Jennings found it very humorous, I bought this book. Unfortunately, I was once again reminded not to attribute too much credit to quotes from reviews printed on a book's cover. This is a far from humorous work; rather, it is a painful read.

McCall's memoir is a bitter reflection on his childhood in Canada. His depiction of the Canada in which he was raised seems to arise from inductive reasoning: since his was a poor, emotionally uncommunicative, and disfunctional family he attributes those same attributes to the entire nation. Since McCall's personal life only took an upturn upon his immigration to the United States in retrospect everything American in his youth was bright, colorful, luxurious and exciting; things from Canada on the other hand were grey, utilitarian, and boring. Americans were fun and vigorous; Canadians dour and laconic.

McCall's memoir constitutes an unrelenting denunciation of his parents' rearing of their children. His mother is depicted as a tragic, downtrodden, alcoholic who withdrew into alcohol as an escape from the burden of six children and a domineering, unsupportive husband. His description of his father is severe: mean, tyrannical, selfish, belittling. The denunciations are so excessive that about two thirds through the book the one wonders whether McCall doesn't regret missing the opportunity to drive a stake through his father's heart. He describes a stark childhood entirely devoid of love, happiness, or material comforts and attributes all his failures and personality quirks and those of his siblings to their upbringing.

This was a hard book to plow through, much less finish. It is a sad, depressing memoir which would have been better kept within the McCall family; the writer makes an apt observation in the beginning of the book when he expresses concern about how his siblings will receive this recollection of their childhood.

I really regret buying this book and the time I invested in reading it. Under no circumstances would I recommend it to others.

I hope there's a sequel soon!.......2000-06-19

It helps to appreciate this memoir if you have an idea of who Bruce McCall is. The best way of doing that at one stroke is to read his cartoon collection, _Zany Afternoons_, which is out of print. _Thin Ice_ is a tale of a joyless family ruled by a loveless, inconsiderate father, seen from the viewpoint of the artistic child. By all rights, I should dislike this book, as I think giving one's parents the "Mommy Dearest" treatment is ungrateful, unless they were downright abusive. As the psychiatrist said to the centaur, "Stop blaming your parents." Yet he recreates his childhood homes and family climate so winningly that the story overcomes such resistance, and we are transported back with him. All those witty zingers about how dull Canada was are entertaining, too. The book ends just as he is on his way to revive his career in the States. Since that is where, by his own definition, the "good part" of the story lies, let's hope he produces the next installment soon.

A very funny, but painful trip back to my childhood.......1999-08-22

Thin Ice is one of the best books I have ever read. I also grew up in a large, dysfunctional family in southern Ontario in the fifties and sixties with a tyrannical, alcoholic father in a tense, cold emotion-starved environment. It wasn't until I was in therapy many years later for an anxiety disorder that I even realized that my childhood was far from normal, and all the feelings of inadequacy and inferiority I had carried all my life stemmed from my childhood.

Thin Ice was a very painful book for me to read, because it is a tearful, emotional trip back in time, but a journey that was necessary for me to understand what happened to me and to finally stop blaming myself. Thin Ice is also uproariously funny, and I am reading it a second time. I, too, yearned to leave Canada behind and move to the United States. I left Canada over a decade ago to raise our children here and have never looked back. After therapy and Bruce's book I can finally leave it emotionally behind, also.

Canadians get very upset when they are poked fun at, and Bruce does it like a pro. If you are a Pierre Burton nationalist, prepare yourself to be indignant. Bruce "tries to create a time when things were very different indeed - a time when a Canadian, certainly this Canadian, felt himself to be two thirds American, with the other third composed of a grayish ball of chaff: hockey/plaid/butter tarts/earmuffs/CBC/Mounties/toques/wheat/fish/lumber/God Save the King/Queen".

I bought Thin Ice to be entertained and I not only laughed until I cried, I also really cried and gained a priceless insight into my complex childhood and the key to my personality today.

I LOVED this book.......1999-04-22

As a Canadian coming of age in Canada, with all the small town yearnings of the U.S. in all it's glory, I could certainly relate to Bruce McCall's book, but I would have loved it anyway. I am buying copies for friends.

An amazing book.......1998-11-14

This book was one of the best i've read in years. Bruce McCall is so great at his craft. he pays attention to every word. Making it impossible to read this book fast. it would not be doing it justice. You need to sit back and savor every single word.

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