Book Description
Le Corbusier Venice Hospital
Edited by Hashim Sarkis
This volume explores an unbuilt yet iconic project by Le Corbuiser and its visual representation. The Venice Hospital is the uncontested epitome of the mat, or carpet, building type a low sprawling structure developed in the late fifties and sixties that is making a strong comeback in contemporary architecture.
Product Description
The classic book on drawing horses! Sam Savitt shares his secrets and techniques in ths book, entertaining as well as instructive.
Customer Reviews:
Draw Horses review.......2007-01-05
I haven't actually used the book yet but it looks like it will be good for me. There seem to be many horses I would like to draw and they are detailed enough that I think they will be helpful in teaching me the finer details I need to draw horses well.
Amazing!.......2004-05-29
This book is so amazing, The first day that I had it I was drawing horses better than I ever thought I could! If you are interested in horses, conformation, breeds, and drawing, this is the perfect book! It gives you page by page instructions and examples, plus sketching from photographs. If you have any doubts about this book, don't worry, it's great!
This book is Great!.......2003-02-08
My daughter loves to draw and loves horses. She has never been able to get them right. The first day the book came in she drew the body of the horse unbelievably well. Just by following the guidelines in two of the pages. Of course the legs need some work but there's lots of help within the book for that. A real keeper!
Wonderful drawing book!.......2002-06-26
This book is a perfect guide for learning to draw horses. Sam Savitt's artwork is excellent, and he captures horses in a amazing way. Great book for anyone who loves drawing!
capturing spirit of horse.......2000-04-04
I familar to Sam Savitt; I say he best Artist who can trully capture the horse at their best form. I suggest this book to any person who studing horse to artist form to motion the horse. This is a must for any Equine lovers' collection.
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Lenk's Video Handbook: Operation and Troubleshooting
John D. Lenk
Manufacturer: McGraw-Hill Professional
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ASIN: 0070376166 |
Book Description
No matter what your level of skill--from electronics engineer and technician to advanced hobbyists and student--this practical guide gives you all of the vital information you need to understand, service, diagnose, and repair today's state-of-the-art video equipment. Best-selling electronics author John D. Lenk clarifies the inner workings of modern video equipment and provides expert guidance and hands-on techniques for testing, adjusting, and troubleshooting. Now greatly expanded, this classic illustrated reference contains important new information about digital video technology, with new chapters and sections on digital video, laser discs, and the latest VCRs and camcorders.
Book Description
Tamsin and Kitsune's use of the skeleton key gets them further into trouble when a giant cat relocates to their suburban home. This triggers a series of events that lead to lost friendships, revealed secrets, and the production of counterfeit money.
Average customer rating:
- THIS WAS THE BEST BOOK I HAVE EVER READ!!!!
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A Preface to Orwell (Preface Books)
David Wykes
Manufacturer: Longman Group United Kingdom
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Binding: Paperback
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ASIN: 0582351936 |
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THIS WAS THE BEST BOOK I HAVE EVER READ!!!!.......1998-04-29
GEROGE ORWELL WAS THE COOLEST GUY IN 1949!!! YOU ALL SHOULD READ THIS BOOK IT REALLY IS A CLASIC. THIS BOOK IS ABOUT A MAN IN THE EARLY 1900'S AND HE IS SECREATLY FALLING IN LOVE WITH HIS GIRLFRIEND JULIA AND HIS LIFE IS BASED AROUND THE GOVERMENT AND HE KNWOS EVERYTHING IS CHANGING AND HE IS AFRAID OF THE FEAUTURE. I THINK THAT EVERYONE SHOULD READ THIS IT TRULY IS A GOOD BOOK. P.S. NOT THIS BOOK IS THE GAYEST BOOK IN THE UNIVERSE. GEORGE ORWELL MUST HAVE BEEN INSANE TO PUBLISH SUCH A BORRING BOOK!!! I RECOMEND NO ONE TO READ THIS! NOT EVEN 'ANIMAL FARM' THAT IS GAY TOO I DONT KNOW WHERE HE THINKS THESE THINGS UP!!! JUST DONT READ IT YOU WILL FALL A SLEEP... FAST!!!
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- It is a work of a genius!!!
- A classic autobiography
- 'Feelings can only be described in terms of their effects'
- How to understand your life-- the best autobiography ever written
- The authenticity of a personal fiction
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Confessions (Oxford World's Classics)
Jean-Jacques Rousseau
Manufacturer: Oxford University Press, USA
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Reveries of the Solitary Walker (Penguin Classics)
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Candide and Other Stories (Oxford World's Classics)
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Emile: Or, On Education
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Jacques the Fatalist (Oxford World's Classics)
ASIN: 0192822756 |
Book Description
'No one can write a man's life except himself.' In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence.
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An autobiography of tortured honesty that set the stage for Romanticism and revolution.
Customer Reviews:
It is a work of a genius!!!.......2007-04-08
There will never be another Jean-Jacques Rousseau and since he lived in a period without radio and television, he is talking to us through his books. While being hailed as one of the intellectual fathers of modern democracy, Rousseau also has a very interesting personality.
I highly recommend Confessions, many lovely short stories are so vivid that a reader almost feels being there with Rousseau.
A classic autobiography.......2007-03-11
Prior to the appearance of Jean-Jacques Rousseau's 'Confessions,' there existed very few real autobiographies. The few that did exist were like St. Augustine's 'Confessions,' designed to impart a religious or moral lesson instead of to exhibit or try to justify one's life. By the time Rousseau came along, however, people had begun to see themselves as individuals, not members of a society governed based on religious or monarchical precepts. So though writing one's autobiography may be old hat now, this was a revolutionary thing in the 18th century. This autobiography is also special in that Jean-Jacques reveals himself warts and all. He doesn't gloss over faults or embarrassing incidents; he exhibits all of himself, both the good and the bad.
This book was highly recommended by the wonderful History of the Enlightenment professor I had my senior year of college, and I was thrilled to find a copy (for only 50 cents!) about 5 years later. I'd been eager to read it based on the professor's lurid descriptions of it. He told us that, among other things, Rousseau revealed that he liked to be spanked, he described his sex life, and he had a very interesting problem centered in his midsection, manifested in how he had urinary problems that always seemed to crop up whenever he was about to be integrated into society, such as one time when he was going to be given some money by the king to further his writing, but his problem struck, and he excused himself and went out into the hall, where he ended up urinating on the floor, unable to hold himself, and was laughed at by the servant-women. I was kind of disappointed that the book didn't turn out as spicy as my professor had made it out to be, but I still loved every moment of it just the same. My professor's teasers of what the book contains were just the tip of the iceberg. Among many other fascinating stories and tidbits, we also learn about such things as his extreme shyness with women he was attracted to, how he was a late bloomer who didn't lose his virginity till he was in his early twenties, how several of the women he was attracted to and had relationships with were older women (among them his first lover, Mme. de Warens, who was far more than just a lover but also his teacher, his mentor, and his patron), how he was beaten horribly by the man he was apprenticed to in Geneva as a teenager, the real story behind why he gave all 5 of his kids away to foundling hospitals, the increasing persecutions and exiles he endured, how he engaged in self-gratification, and how, as a young man, he had advances made to him by two other men (one of them a priest). Although one wonders how much paranoia might have played into these growing conspiracies against him he laments. While there is ample evidence that a number of his former friends turned against him (to say nothing of how he was thrown out of a lot of places he tried to find refuge in after 'The Social Contract' and 'Émile' were banned), it also seems kind of weird that so many people would form all of these vast far-reaching conspiracies against him out of nowhere. Still, Jean-Jacques comes across as such an interesting likeable person, whom just about anyone can relate to, that this obsession with these alleged conspiracies can be overlooked. One wishes that the book covered his whole life and not just from 1712 to 1765, since he's just such an interesting character!
My translation is the one by J.M. Cohen, which is over 50 years old now, but gets the job done in spite of a few dated spots. The basic story remains the same in spite of some dated phrases and language (e.g., does anyone under the age of 100 still use diminutive words like "authoress" or "patroness" anymore?). I also wish there had been an index, particularly since what with so many people coming and going in Jean-Jacques's life (he knew so many famous and prominent people in Enlightenment Europe!), it can be kind of hard to keep track of just who's whom. Still, minor quibbles aside, he was a truly fascinating person, and this classic work of autobiography and the Enlightenment is not to be missed.
'Feelings can only be described in terms of their effects'.......2007-01-04
My feelings when reading this unusual autobiography was one of identification with the writer - I suspect that there are behavioural and biological reasons for this, not ones that can be explained by psychology. The effect on me of the feelings Rousseau generated are indeed strange. I have immense sympathy with the man and yet I have a total lack of understanding of how he could give up his five children shortly after their births - and impose that on his partner too! He certainly fails to provide a satisfactory explanation for me. (Unless, of course, there simply weren't any children but he was unable to confess to that!)
I also felt (feelings again!) that at times Rousseau was quite paranoid. Repeatedly the disasters he presaged were less troubling than I had feared. Over and over we come across what he describes as some of his best times of life. He did have a remarkable way of holding on to the light, even when regrets and threats existed, which tended to lighten some of the darkest times.
His love of women was truly extraordinary - perhaps it was generated by his own childhood experience of being propositioned by a man; perhaps not. It was certainly love - if we believe these are true confessions - and not lust, despite what was going on in the French high society he hovered around.
Perhaps the most interesting thing for me is that a very gifted philosopher can be wracked by self doubts and uncertainties.
Other recommendations:
'Diaries' - Alma Schindler (Mahler-Werfel)
'Memoirs' - Hector Berlioz
'Memoirs of a Revolutionist' - Peter Kroptkin
'Memoirs of the Author of a Vindication of the Rights of Woman' - William Godwin
How to understand your life-- the best autobiography ever written.......2007-01-01
Maybe you read Rousseau in college and your teacher mentioned EMILE. If you were lucky, he or she mentioned this, perhaps the greatest autobiography ever written. I read it when I was in my early twenties; it helped me to understand my feelings of loneliness, helplessness, and alienation. Years later, when I went to work for a large corporation, we had weekly meetings nominally about legal and regulatory issues, but the real "issues" on the participants' minds were the things they were talking about with each other before and after the meetings. I started reading excerpts from this book at our meetings. Everyone wanted to know what I was reading from. This was way before "book groups" became fashionable.
Rousseau was one of the most influential philosophers of the "Enlightenment", but he was also a humanitarian in the sense that he always looked for the good in others. Sometimes he found it. You will feel this when reading this wonderful book. My copy from thirty years ago has my handwritten notes in the back that I have trouble reading now,
but I know what the notes refer to, still recall the feelings I had when I made those notes, and remember how I wondered if I would ever understand how to live my life, how to relate to friends and family, how to figure out what is going on, most importantly how to deal with feelings. This book will not give you the answers, but it will give you the reassurance that your wonder and bewilderment are normal for thinking, sensitive persons. And that helps a lot. All this from one of the greatest literary artists since Plato.
You will want to read passages to your friends. Just as I did all those years ago. And compared to some celebrated "coming of age" novels, this is
the "Holy Bible".
The authenticity of a personal fiction.......2006-11-30
In his essay "On Rhetoric", Stanley Corngold addresses the rhetorical signs of autobiographical elements, and the use of language to create disruption, confusion, clarity or a sense of authenticity in the text, whether or not it actually is autobiographical or "a fictive chronicle of memory". Written elements of fiction can still function as an authentically constructed memory, and here Corngold makes a distinction between the lie and the fiction; an all important distinction for reading autobiographies like Rousseau's The Confessions. Figurative writing that refers to certain authentic emotions or personal imaginations of the writer, is considered fiction, whereas the conscious addition of a written element that does not belong to the memory or experiences of the author, is a lie.
Corngold considers the imagination to be superior over fulfillment. However, when a text is confessional in nature, the justification of the own identity and self by showcasing its sincerity and integrity, and thus its contrast to the imagination, is at stake. Corngold states that the rhetoric as Rousseau uses it in his Confessions, promises a truthful description of emotions. Corngold points out that abstractions like emotions and sensations are impossible to accurately describe in words, especially when one considers the possibility of the narrator's own memory deceiving him. He discusses the Rousseau's intent when he wrote his autobiography, and concludes that the question of whether this was a cognitive or confessional intent is problematic but can be analyzed by studying Rousseau's use of rhetoric.
Rousseau focuses mainly on his memories of moods in his autobiography The Confessions. One of the defining personal aspects that guide him in this is a sense of self-loss, and Rousseau seems to attempt to find and present himself by as accurately and truthful as possible describing his past actions and the sensation that caused and were caused by them.
An air of a self-indulgent narcissitic, yet apologetic and insecure personality surrounds Rousseau's autobiography, but nevertheless it is this underlying sense of this personality that the reader gets from this work that may very well be the most truthful autobiographical element of The Confessions.
Rousseau makes a distinction between his moods at the time of writing his autobiography and the past emotions he describes in his work, but doesn't openly acknowledge the likely possibility of the present mood influencing the memory of past sensations. However, I do value Rousseau's autobiography as authentic, as the emotions that he describes in his work were indeed descriptive of the sensations he must have felt while writing down his memories. In this regard, I think that the authenticity I perceive in Rousseau's work may not be the authenticity he intended to be perceived by a reader. In my opinion, it is impossible to narrate one's memories and past emotions as they actually were, without any influence of the present perceptions and moods of the narrator, and without taking into account that moods and moments sometimes last only seconds. However, I do agree with Corngold when it comes to prioritizing the imagination over the actual fulfillment and am convinced that Rousseau's imaginations about himself were not lies, but authentic fictions of and about himself.
Product Description
"The anonymous translation into English of 1783 & 1790 revised and completed by A. S. B. Glover, with an introduction by Mr. Glover"
Book Description
When Rousseau first read his Confessions to a 1770 gathering in Paris, reactions varied from admiration of his candor to doubts about his sanity to outrage. Indeed, Rousseau's intent and approach were revolutionary. As one of the first attempts at autobiography, the Confessions' novelty lay not in just its retelling the facts of Rousseau's life, but in its revelation of his innermost feelings and its frank description of the strengths and failings of his character.
Based on his doctrine of natural goodness, Rousseau intended the Confessions as a testing ground to explore his belief that, as Christopher Kelly writes, "people are to be measured by the depth and nature of their feelings." Re-created here in a meticulously documented new translation based on the definitive Pleiade edition, the work represents Rousseau's attempt to forge connections among his beliefs, his feelings, and his life. More than a "behind-the-scenes look at the private life of a public man," Kelly writes, "the Confessions is at the center of Rousseau's philosophical enterprise."
Customer Reviews:
Great edition of this classic.......2000-04-04
What can one say about The Confessions? I would recommend this particular edition because of the inlusion of the letters to Malesherbes, which can shed some light on the process Rousseau's writing of The Confessions. We can also see where the text differs from what actually happaned: there are some discrepiences in his re-telling of the same event. There is as well an excellent introductory essay.
Customer Reviews:
A very revealing autobiography!.......2005-08-29
This is a long autobiography, but well worth the effort to read. There is a reason why it is one of the most widely read autobiographies ever written, and apparently, it was George Elliot's favourite book. Since I am a very huge fan of George Elliot, this was enough to get me to read the book. The book is set up in two parts. Part 1 deals with Rousseau's life up until he was about 30 years of age. Not only is Rousseau a good writer, he has a very sly wit that keeps cropping up in these pages. You have to read carefully to catch his wit because it is so understated. The book is a really good picture of the people that lived during Mr. Rousseau's lifetime. (1712-1778). He holds nothing back when he describes what these people did and how they lived. The book is very sensual, if not licentious, and Rousseau holds nothing back. It is truly an intimate look at Rousseau and the many people that he came in contact with during his lifetime. We get a first-hand and very intimate at him - his life, his loves, his sins, his friendships, his enemies and his many hardships. A truly great man, and a truly great autobiography
The contemptible genius .......2004-11-24
Rousseau was a great genius, and one element of that genius is present in this work. He seems to be more honest in confessing his faults and sins, more relentlessly petty in finding faults in himself than anyone had ever been before. He concentrates on himself without that dimension of connection to higher questions and realities that Augustine has. He also reveals himself to be in many incidents most especially in relation to the mother of his children and his children a quite contemptible human being. For me the most memorable incident in the Confessions is when Rousseau wagers with himself and wins the wager not by throwing the rock at the tree from the distance as he was originally to test himself by doing, but rather by going up to the tree and making sure he does not miss. The Rousseauian wager that is one conducted in fundamental dishonesty with a goal of pettily promoting one's own self- interest. And this is the writer who most historians believe did more than anyone else to bring about the French Revolution.
Product Description
The book narrates the ups and downs of Rousseau and follows his life from streets to stardom.
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The Confessions of Jean Jacques Rousseau Volume 1 (Large Print)
Jean Jacques Rousseau
Manufacturer: ReadHowYouWant.com
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Binding: Paperback
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ASIN: 1425026125
Release Date: 2006-11-01 |
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The book narrates the ups and downs of Rousseau and follows his life from streets to stardom.
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Rousseau: Confessions (Landmarks of World Literature)
Peter France
Manufacturer: Cambridge University Press
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ASIN: 052131500X |
Book Description
This new textbook series is ambitious in scope. It will provide concise and lucid introductions to major works of world literature from classical antiquity to the twentieth century. It is not confined to any single literary tradition or genre, and will cumulatively form a substantial library of textbooks on some of the most important and widely read literary masterpieces. Each book is devoted to a single work and provides a close reading of that text, as well as a full account of its historical, cultural, and intellectual background, a discussion of its influence, and a guide to further reading. The contributors to the series give full consideration to the linguistic issues raised by each text, and, within the overall framework of the series, are given complete freedom in the choice of their critical method. Where the text is written in a language other than English, full account is taken of readers studying the text in English translation. While critical jargon is avoided, important technical terminology is fully explained and thus this series will be genuinely accessible to students at all levels and to general readers.
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Autobiographical Quests: Augustine, Montaigne, Rousseau, and Wordsworth
Elizabeth De Mijolla
Manufacturer: University of Virginia Press
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ASIN: 081391468X |
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