Guy Debord and the Situationist International: Texts and Documents (October Books)
Average customer rating: 3.5 out of 5 stars
  • ridiculous, pedantic, wrong
  • Revolution in the service of poetry
  • Excellent,long overdue study of this brilliant difficult man
Guy Debord and the Situationist International: Texts and Documents (October Books)

Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0262633000

Book Description

This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.

Guy Debord and the Situationist International supplements both sections. It reprints important, hard-to-find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book The Society of the Spectacle.

Customer Reviews:

1 out of 5 stars ridiculous, pedantic, wrong.......2006-02-14

Skip this book and buy instead "The Situationist International: A User's Guide" by Simon Ford.

Tom McDonough's book embodies the worst aspects of contemporary academic re-appropriation of the Situationist movement. Don't put money into the hands of the people who did this (MIT press in case you were wondering, the providers of pseudo-hip cyber-semiotic fuel for the new glamor class of academia).

You can expect extremely complex scholarly arguments here which ultimately say one thing: "you the self-satisfied reader may rely on us the self-satisfied academics to dismantle and completely wash away any tendencies in the material under consideration which might in any way jostle or disturb the tranquility of your self-satisfaction."

The only interesting piece in this collection is an interview with Henri Lefebvre, author of "Critique of Everyday Life", who was involved with the situationists in the 1960s. In this interview Lefebvre spreads memories around like peanut butter, melding and stretching the past to the surprizing conclusion that he himself, not the situationists, was the instigator of the 1968 uprisings.

4 out of 5 stars Revolution in the service of poetry.......2003-10-30

The Situationist International has retained a certain cache in postmodern thought. Guy Debord's concept of 'spectacle' is now widely bantered about in any discussion on the nature of consumer society. Ironically, in the eyes of the traditional left, the situationists have been seen as variously elitist, nihilistic and childishly utopian. Yet their central focus, on how consumer capitalism affects the most intimate and mundane aspects of our everyday lives, brings us right back to the essence of Marx's theory of alienation.

This book gathers together previously unpublished texts and acts as a useful supplement to 'The Situationist International Anthology' edited by Ken Knabb. Fortunately for the art historian Tom McDonagh (who edits the book) and the other art historians who add complementary blurbs on the back of the jacket, most of these previously unpublished texts were written when the SI still had an enthusiasm for art. Post '63 the political came to dominate their work. This was almost a realization that they were on the defensive, that in the socio-political world of the mid-60's art as a means of authentic experience had been pushed to the margins. 'The poetry of the streets' was the only sure-fire way of taking back everyday life. This form of aggressive poetry eventually culminated in the events of May '68 in Paris.

California it seems was the nemesis of the SI's Latin Quarter. The radicalism that evolved from the Beat Generation in the U.S. is dealt with by nothing but contempt by Debord and his cohorts. Freudian psychology: "We know that the unconscious imagination is poor, that automatic writing is monotonous"p.33; ecology: "...a greater domination of nature, a greater freedom."p.42; and eastern spirituality: "...the mental infirmity of American capitalist culture has enrolled in the school of Zen Buddhism"p.80 This searing revulsion of American hippie culture may have been one of the reasons the SI was so attractive to certain strains within the punk movement from Malcolm McLaren to the Gang of 4 (who's 'Natural's Not In It' is the best distillation of situationist ideas set to music).

What also sets the situationists apart from the radicals within the U.S. was their unbridled enthusiasm for technology. This might seem like evidence of their utopian strain, a throwback to pre-war surrealism. But a belief that technology will eventually relieve us of unnecessary toil is an idea that goes back as least as far as the 18th century. As far as I can deduce from the early texts included here, the most impressive and imaginative of the early situationists was not Debord or even Asger Jorn, but the Dutch painter Constant Nieuwenhuys. His 'A Different City for a Different Life' is fascinating in its vision of a situationist city in a post-capitalist world. New Babylon would be constructed above ground level with most of the traffic condemned below. Moving walls, changeable spaces, climate-controlled communities, neighbourhoods designed for different individual emotions and the creation of a variety of environments to facilitate chance encounters. What could be a greater experimental realization of Marx's dictum that consiousness is shaped by environment?

Constant's early technological optimism contrasts sharply with Debord's later political pessimism. For by the mid-60's it was clear that not only would imaginative and non-alienating uses of technology not be on the horizon, but that a stronger defensive must be made for existing environments that were about to be totally consumed for capitalist techne. One is reminded of New York's Parks Commissioner Robert Moses and his hubristic schemes to run expressways through every borough of New York. When it finally came to running one through bohemian Lower Manhatten, an anti-Moses action group was formed to put a stop to the idea of motorwaying old communal neighbourhoods into the ground. As such maybe 'derives' are still possible in Lower Manhatten?

In Mustapha Khayati's 'Captive Words', there seems to be a slight acknowledgement of some structualist arguments that were bandied around at the time, "Power resides in language, which is the refuge of its police violence."p.174 Detournement - the situationist subversion of the signifier - was probably the most powerfully striking method of conveying dialectical conflict in the later 20th century. Khayati looks back to the dadaists in whom "the innocence of words was....consciously attacked."p.175 The situationists sought to challenge traditional signifieds by constant subversion of popular signifiers. This attack on comfortable images provoked an immediate questioning of received meanings. Their natural artistic sympathies were with the European avant-garde but they also disavowed much of it due to its often political ambiguity and its sometime outright reactionary nature. In the words of Greil Marcus "The situationist program....came down to Lautreamont and workers councils."p.14

Of the essays on the SI, Jonathan Crary's 'Spectacle, Attention, Counter-Memory', proved to be more than a little contentious, if all the more illuminating for it. He takes a sentence from Debord's 'Comments on the Society of the Spectacle' written in 1988 in which he states that when he wrote the original back in 1967, the spectacle was barely 40 years old. Crary then theorizes on what Debord meant by placing the beginning of the spectacle in 1927 or around the late 20's. He gives a number of insightful reasons, including 1: 1927 saw the technological perfection of television; 2: 'The Jazz Singer' premiered in 1927 and saw the birth of synchronized sound; 3: The rise of facism in the late 20's and its emphasis on using all available mediums to propogate its ideas.

I leave you with Theo Frey's vision of our Internet future written in 1966(!) "Henceforth a universal communication network supresses the distance between things while increasing the distance between people, the future solution will consist in making people circulate less and information circulate more. People will stay at home, transformed into mere audiovisual 'receivers' of information."p.170

5 out of 5 stars Excellent,long overdue study of this brilliant difficult man.......2002-09-26

Guy debord,progenitor of the extraordianry Situationist Internationale, was brillaint, autocratic,difficult,syncretic genius who took his own life. He first came to "notieriety" with the Letterist Internationale,the forerunner of the situationists. His greatest known work, still, is THE SOCIETY OF THE SPECTACLE, a post-modern,post-marxist analysis of modern society,which in his terms, had gone form a commodity based to spectacle based. Difficult to read, even harder to catorgorize, Debord later wote{20 years later} COMMENTS ON THE SOCIETY OF THE SPECTACLE,which further[in his mind] established the spectacle based modern capitalist society]Now This book, gorgeously if expensively produced by MIT Press, places Debord front and center.It Starts with an introductory essay by the volume editor, Tom Mc Donough, which attempts to introduce the cast of characters, sch as they were[are]. Next, a brilliant essay by Greil Marcus, who with his book Lipstick Traces brought the situationists back[for the first time to many] into view. the essays that follow are by Debord[the first 6 are}then one by Michele Bernstein[former memeber,the SI disbanded in 1972]others by the brilliant,poeticlly inclined Raoul Vaneigem[who was proably nearer to Debords intellectual level than many of the others]t j clark,libero anderotti[architecture and play, a suerb essay] among others. The book itself is very well produced,which is nice considering the price.Though incomplete[it is a reprint of the magazine OCTOBER issue on the SI} it helps fill in the missing pieces with this vital thinker and his times. Though not as complete as I would have liked{no Ralph rumney,for example,who has such interesting things to say in his book, THE CONSUL} it is another in the growing interst to the SI.Well doneIntroduction: Ideology and the Situations Utopia
The Long Walk of the Situationist International 1
The Great Sleep and Its Clients (1955) 21
One Step Back (1957) 25
Report on the Construction of Situations and on the Terms of Organization and Action of the International Situationist Tendency (1957) 29
One More Try If You Want to Be Situationists (The SI in and against Decomposition) (1957) 51
Theses on Cultural Revolution (1958) 61
Contribution to the Debate "Is Surrealism Dead or Alive?" (1958) 67
In Praise of Pinot-Gallizio (1958) 69
Extracts from Letters to the Situationist International (1958) 75
Editorial Notes: Absence and Its Costumers (1958) 79
Editorial Notes: The Meaning of Decay in Art (1959) 85
A Different City for a Different Life (1959) 95
Editorial Notes: Critique of Urbanism (1961) 103
Editorial Notes: Once Again, on Decomposition (1961) 115
Comments against Urbanism (1961) 119
Editorial Notes: Priority Communication (1962) 129
Editorial Notes: The Avant-Garde of Presence (1963) 137
Editorial Notes: All the King's Men (1963) 153
The Situationists and the New Forms of Action in Politics or Art (1963) 159
Perspectives for a Generation (1966) 167
Captive Words - (Preface to a Situationist Dictionary) (1966) 173
The Situationists and the New Forms of Action against Politics and Art (1967) 181
The Practice of Theory: Cinema and Revolution (1969) 187
Asger Jorn's Avant-Garde Archives 189
Architecture and Play 213
Situationist Space 241
Lefebvre on the Situationists: An Interview 267
Angels of Purity 285
Difference and Repetition: On Guy Debord's Films 313
Dismantling the Spectacle: The Cinema of Guy Debord 321

Spectacle, Attention, Counter-Memory 455
Why Art Can't Kill the Situationist International 467
Letter and Response 489

RELATED TITLES

* Comments on the Society of the Spectacle (The Verso Classics Series) by Guy Debord

* The Situationist City by Simon Sadler
* Situationist International Anthology by Ken Knabb
* Lipstick Traces: A Secret History of the 20th Century by Greil Marcus * The Tribe by Jean-Michel Mension, Donald Nicholson-Smith (Translator)
* May '68 and Its Afterlives by Kristin Ross
* Considerations on the Assassination of Gérard Lebovici by Guy Debord, Robert Greene
Revolution of Everyday Life
by Raoul Vaneigem)
* Beneath the Paving Stones: Situationists and the Beach, May 1968

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Guy Debord and the Situationist International: Texts and Documents
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    Manufacturer: The MIT Press
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        4 out of 5 stars Relaxing read while passing the time.......2002-11-12

        I read this book while visiting Bobobudur over 4 days. It perfectly suited the relaxing atmosphere of my vacation.

        The first few sections are devoted to the history and the archaeology of the site. Each successive chapters are devoted to the bas reliefs which tell 3 major stories of Buddhist texts.

        Personally, I found the latter sections on the stories harder to follow since the books only gives bits and pieces of the story (and sometimes the photo illustrations, which are in great abundance, do not follow the text) and I am not at all versed in these stories. I would have much preferred
        a more detailed book on the history and archaeology of the monument. But perhaps that is more difficult to come by because it is not a deeply studied area.

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        5 out of 5 stars Golden Tales of the Buddhas.......2000-05-01

        An excellent book that summarises Borobudur's past and archaeological symbolism. It is a light and informative read of the ancient Buddhist monument in Central Java. The photography is excellent, with lots of close ups of the reliefs. Very often you get whole pages of pictures which tell a story of their own. It's really worth buying this because you'll definitely read it more than once.
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          3 out of 5 stars A Compact Introduction to Borobudur.......2000-04-17

          This well-illustrated book on Borobudur serves only as a light introduction to a more in-depth study on the Buddhist temple. Each chapter spans two-pages long, and considering that the book measures only 9x6," each chapter goes by quickly. Think "Borobudur in 10 minutes."

          Because the author has perhaps chosen to limit each chapter to two pages (including the photographic illustrations), he could only go so far on the number of symbolism in the temple's reliefs and the history of the temple. Still, the book provides a light and wonderful introduction to the majestic Prayer in Stone" by Soekmono, Casparis, Dumarcay (ISBN 2878680049), and "Borobudur" by Nou and Frederic (ISBN 0789201348.) Both are filled with photographs, but the latter has more text and a catalog of all the reliefs in the temple.

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                            Frank Herrmann. Low Profile: a Life in the World of Books.(Book Review) (book review): An article from: Papers of the Bibliographical Society of Canada
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                              Title: Frank Herrmann. Low Profile: a Life in the World of Books.(Book Review) (book review)
                              Author: Marie Korey
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                              Average customer rating: 5 out of 5 stars
                              • Amazing!!
                              Homesteading on the Kenai
                              Shirley McJunkin
                              Manufacturer: PublishAmerica
                              ProductGroup: Book
                              Binding: Paperback

                              GeneralGeneral | Biographies & Memoirs | Subjects | Books
                              GeneralGeneral | Regional U.S. | Biographies & Memoirs | Subjects | Books
                              WomenWomen | Specific Groups | Biographies & Memoirs | Subjects | Books
                              MemoirsMemoirs | Biographies & Memoirs | Subjects | Books
                              GeneralGeneral | Women's Studies | Nonfiction | Subjects | Books
                              ASIN: 1591291003

                              Customer Reviews:

                              5 out of 5 stars Amazing!!.......2002-03-29

                              This is A Great Book about mordern day homesteading....Its about a Couple and a Brother traveling to Alaska in The 50's because of the homesteading act...It Tells the trails and tribulations the couple and brother had will suriviving in wildness like people experianced in the 1800s....I DEFINATLY WOULD GET THIS BOOK!!!!...
                              Homesteading in the Kenai-Homer area of Alaska
                              Average customer rating: Not rated
                                Homesteading in the Kenai-Homer area of Alaska
                                Walt Pedersen
                                Manufacturer: W. Pedersen
                                ProductGroup: Book
                                Binding: Unknown Binding
                                ASIN: B0007JWI5Y

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