Book Description
Now split so as to better pair with the textbook volumes, the Study Guide will help the students not only remember the information presented in each chapter but also process it on a higher level. It focuses on critical analysis of the subject through a workbook section and self-quizzes along with prompts to explore the chapter's images and topics through the ArtStudy 2.0 CD-ROM, Web Site, and WebTutor? supplements.
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Study Guide for Kleiner/Mamiya's Gardner's Art Through the Ages: Western Perspective, Volume II, 12th
Fred S. Kleiner , and
Christin J. Mamiya
Manufacturer: Wadsworth Publishing
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Gardner's Art Through the Ages: The Western Perspective, Volume I (with ArtStudy CD-ROM 2.1, Western)
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Study Guide, Volume I for Kleiner/Mamiya's Gardner's Art Through the Ages: The Western Perspective, Volume I, 12th
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Creating a Christian Lifestyle (Companions for the Journey)
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Man's Search For Meaning
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Algebra with Trigonometry for College Students (with CD-ROM, Make the Grade, and InfoTrac )
ASIN: 0495006629 |
Book Description
The perfect way to prepare for exams, this Study Guide for GARDNER'S ART THROUGH THE AGES: THE WESTERN PERSPECTIVE, VOLUME II makes studying efficient and easy. It includes a critical analysis of each subject as well as self-quizzes and a guide to the online and CD supplements-perfect for test prep!
Book Description
• Twelve classic design motifs make composition simple • Six variations on a design theme for each motif, plus ten artist examples in styles from realistic to abstract • Great for beginners, illuminating for pros
Composition is one of the great puzzles of watercolor painting. Watercolor by Design solves that puzzle! Author Marianne Brown shows artists how to create innovative paintings using twelve classic design motifs, grouped by type: cruciform, horizontal bar, and vertical bar; checkerboard, asymmetric, and staggered grids; radial, cantilever, and pyramid; and frame in frame, allover pattern, and floating shapes. The properties and impact of each motif are explained, then reinforced with six variations on a design theme for each motif, followed by at least ten creative examples by different artists working in different styles from realism to abstract to illustrate the possibilities. Packed with ideas and information, Watercolor by Design lets both new and experienced artists make composition work for them.
Customer Reviews:
looking at watercolour by design.......2007-01-15
Much of the material was valuable but the illustrating pictures were somewhat disappointing.The subject was very wide but the aspects selected were the ones most often met.
Comprehensive and Inspiring.......2006-08-31
This book is written with intelligence, artistic experience and talent. I learned a great deal from the author. It's a must have for every artist, from beginner to advanced.
Cheryl Mazer
Amazon.com
Without question Claude Monet is best known for his garden-scapes of ponds, lillies, and blankets of radiant flowers. This period of the artist's life reflects the 40 years that he spent at his country home in Giverny, a beautiful retreat nestled on the Seine in northern France. Collected within this edition are 81 paintings from these years, accompanied with a fascinating narrative on Monet's life, loves, and influences. Recounting Monet's development from an Impressionist to an innovative abstractionist, the book is both informative to read, and exquisite to look at.
Customer Reviews:
"Metaphor for a Mood".......2000-11-13
Claude Monet lived in rural Giverny from 1883 until his death in 1926. Many of the paintings that we most closely identify with his oeuvre were done on his property or in the neighborhood. Following his death, the property deteriorated until its restoration was completed in the 1970s with the help of Lila Acheson Wallace, of Reader's Digest fame. This book was created to in part to honor that restoration and the show that commemorated it. The show marked the beginning of a resurgence of interest in Monet that continues to grow. My only reservation about recommending this book is that it would have benefited from larger sized pages so that the reproductions could have been larger.
Giverny is located to the north of Paris, and is connected to Paris by the rail line from Gare St. Lazare (which Monet painted several times). The view of nature we get there is a reflection of Monet's very French focus on creating gardens, a lily pond, and walkways that bring natural beauty into our controlled grasp.
I have had the pleasure of visiting Monet's home at Giverny several times since it was restored and highly recommend that you make this journey as well when you are in Paris. Your concept of Monet's work will be changed by seeing his working conditions. The grounds are primarily an extension of his studio, for making observations of nature easier. First time visitors will be shocked to realize that the lily pond was dug and expanded at great effort and expense by Monet. Without his persistence, we would be missing many of our favorite Monet paintings.
Throughout the time that Monet lived in Giverny, his eyesight deteriorated . . . mostly due to cataracts. As an artist friend of mine points out, that eye affliction greatly improved his painting by making it freer and less detailed.
He also pioneered many techniques of al fresco paining, such as creating an artist's studio in a boat for his famous river scenes. This enabled him to capture many unusual perspectives from the water to the river bank. Similarly, one purpose of the Japanese bridge over his lily pond was to give him a similar point of perspective.
The book contains a map of Giverny and Monet's property (purchased in 1890 after he originally rented it), and 81 works that he created in the area.
Missing from these reproductions are the famous water lily paintings that he gave to the French nation which are now housed in the basement of the Orangerie. Be sure you see them when you next visit Paris. Many people go to the Orangerie and never make it to the basement. These are among the greatest jewels of Impressionism.
You will be pleased to see the 25 works from the Musee Marmottan in Paris. These masterworks are also often missed by those who visit Paris because they do not know about this small gem of a museum and its superb Monet collection.
The reproductions are organized around themes: (1) river scenes (from the boat) (2) haystacks [sic] (3) poplars (4) river and fields (5) morning on the Seine (from the boat) (6) the Japanese footbridge (7) the Garden Path (8) early water lilies (9) the late series (my favorites are the rose trellises over the garden path) (10) pond subjects, and (11) late water lilies.
The end of the book also has a chronology of Monet's life and works that will help you integrate this show into his entire work.
You will come away with a new excitement and respect for nature from these images. You will also feel more connected to and with the beauty of nature. Your mood will be lifted, just as Monet intended. What you see will be uniquely yours, also just as intended. Monet pays you the ultimate compliment here of letting you participate in the creative process by arranging the work in your mind to fit your mental needs and perspective.
After you enjoy these images, I suggest that you come away inspired to make what you do more accessible to others. How can you make your life and your work easier for others to participate in?
Live in beauty!
The perfect introduction to Monet--at an affordable price!.......2000-07-09
Whether you have appreciated Monet's works for years or you are just discovering him for the first time like me, this book is a beautiful, informative collection of his best.
Beyond the absolutely vivid and beautiful quality of the paintings displayed in Monet's Years at Giverny, I greatly appreciate the style of language used throughout the book. Unlike many major art books which often seem to forget about the layman reader, this book reads more like a beautiful story of his life providing great insight into his works.
In college, I was fortunate enough to see a collection of his Water Lilies in Paris. Although at the time I was amazed to see them, through Monet's Years at Giverny I came to fully appreciate them---Not only the paintings, but the man himself.
Excellent addition to any collection!
A stunning achievement in art literature.......2000-03-10
Unlike most art books, this small volume has been in print continuously since 1978 & when you read it, it isn't hard to see why: superb reproductions and an extremely elegant design (plus its small size - very unusual in art publishing) offer the reader a wonderful experience wandering in Monet's vision of a carefully constructed alternate reality. In Monet's Giverny, natural forms respond instantly to light. The images produce a peculiar sense of floating in the viewer - many of the pictures lack a horizon line or any indication of where the viewer is in relation to the picture. As a result, we seem to hover in flight, poised above a constantly shifting panorama of woods, water, fields, and lilies. Interestingly, no human figures are visible in these works (Monet was never really a figure painter) producing a peculiar sensation of isolation and contemplation in the spectator - we wander through this magical land alone, or with whatever companion we desire. A superlative achievement which has found few imitators in the world of art publishing.
Fabulous!.......1998-12-13
This book takes an in-deapth look at one of the greatest impressionist artists of all time. Go out and buy it today.
Amazing!.......1998-02-12
This book is fantastic! It captures the essence of Monet's painting better than any other book I've seen. The color printing is accurate. The plates are large and plentiful. There are complete series like the Japanese Bridge and Lily Pads as well as select paintings that are rarely found in other Monet books. And the inclusion of some unfinished late canvases shows how far Monet went into the future of Western art. You won't find many better than this!
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Ripley's Giant Book of Believe It or Not
Robert Le Roy Ripley
Manufacturer: Warner Books
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ASIN: 0446378917 |
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Ripleys Giant Believe It Or Not
Lowell Thomas
Manufacturer: Random House Value Publishing
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ASIN: 0517494663
Release Date: 1988-02-24 |
Amazon.com
Aspiring screenwriters don't need another book on how to write a screenplay, says Karl Iglesias. What they need is a book on how to be a screenwriter. Voilà: The 101 Habits of Highly Successful Screenwriters, featuring interviews with 14 screenwriters, arranged by subject. The result reads like a panel discussion, touching on such subjects as collaboration, schmoozing, discipline, Hollywood, and story pitching. The dream of winning a Hollywood jackpot has lured everyone and his gardener into the screenwriting game. Still, despite the unencouraging odds, "all you need to do is write a good script," says Scott Rosenberg (Beautiful Girls). Some of the book's best advice concerns one of the screenwriter's most formidable hurdles: getting a screenplay read. Submit it to film festivals and screenwriting competitions, or follow Tom Schulman's (Dead Poet's Society) advice and hire an entertainment attorney. After all, "most of them know a lot of agents." --Jane Steinberg
Customer Reviews:
A Must Read.......2007-05-14
This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.
The truth you need to hear before pursuing your dreams.......2006-04-10
I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.
This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.
Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.
Yes, I am tired of reading old reviews on Screenwriting Books too........2006-03-06
I always find it frustrating when I go to Amazon and look at the reviews that are posted and find that they are at least 2 to 3 years old. So I decided to at least make a more up-to-date review.
First and foremost, this book is NOT a `How to Write a great Script' book. This book is about screenwriters and their knowledgeable insight on the practice we all know as Screenwriting. These established screenwriters ( Akiva Goldman: A Beautiful Mind, A Time to Kill, and the up coming The Da Vinci Code Steven E. de Souza: Die Hard, 48 Hours.) reference their past experience on what works, what does not work, and what habits you need to establish to have a successful career in the shark infested waters of Hollywood. Not sure how many hours you need to write day in day out? Thinking that you are the only one with a spouse and kids, fearing that you will not have enough time to write? Arrived at Hollywood lost with no plan of action on how to get your script read? Worried that you born yesterday and began sending inquiry letters to agents and producers? Fear of rejection (it is inevitable) from everyone? All these topics are discussed and more in this book.
This book is required reading for all serious screenwriters. I also suggest Breakfast with sharks by Michael Lent, The Art of Dramatic writing by Lajos Egri, Story by Robert Mckee, Making a good script Great by Linda Seger, and The Writer Got Screwed by Brooke A. Wharton.
A Must Have For Aspriring Screenwriters.......2005-11-28
This is one of thost books that you absolutely must read if you are an aspiring screenwriter. It's a goldmine of quality information to help you go from being a decent or lousy writer to a great one. Fourteen of Hollywood's most successful screenwriters share their secrets and tips to writing and selling your scripts to Hollywood. It's like getting private lessons from the pro's. Don't pass this book up, it will make a big difference in your writing career.
A good "dip-in" book for the isolated writer.......2004-12-20
Think of this book this way: it's you having a cup of tea with a bunch of good and not-so-good (but working) screenplay writers. This is not a formula for greatness, but rather a list of suggestions and experiences that you can greatly benefit from if you are so inclined.
Don't be put off by the cover. This is a good book. The best thing about it is it creates a sense of community and exchange of knowledge in what is essentially an isolated (and some might argue isolating) occupation.
This is a "dip-in" book which I find useful and refer to often.
Book Description
Everybody Dance puts the rise and fall of Bernard Edwards and Nile Rodgers, the emblematic disco duo behind era-defining records "Le Freak", "Good Times," and "Lost In Music," at the heart of a changing landscape, taking in sociopolitical and cultural events such as the Civil Rights struggle, the Black Panthers, and the U.S. oil crisis. There are drugs, bankruptcy, uptight artists, fights, and Muppets but, most importantly, an in-depth appraisal of a group whose legacy remains hugely underrated.
Customer Reviews:
At Last-- A Biography Of Chic.......2005-01-20
In the wake of the recent serious disco music histories such as *Last Night A DJ Saved My Life* and *Love Saves The Day* are coming some more specific coverage of individual artists. This book covering Chic and the upcoming review of Sylvester's career are providing the information that many of us have been wading through old periodicals to find. The author of this Chic book has certainly done his homework. He tracked down virtually all of the Chic members who were living at the time, as well as relatives, business associates, and affiliated artists. He has put together an impressive amount of new material from interviews and research and he has assembled a wide sampling of the magazine articles from the 70s and afterwards. Kudos to Easley for his archiving and interviewing efforts.
*Everybody Dance* gives a fairly complete accounting of the origins of the band and each member, the career of Chic and its off-shoot groups, its struggles after 1985, and how it negotiated the revival of interest in dance and disco musics. Easley has also included a number of photos from the four decades.
The book reads compulsively in its first half, detailing the young Nile Rodgers and Bernard Edwards, to the extent possible. Rodgers' fairly haunting background comes as a surprise and explains much about his personality. The early chapters of the book grab the reader because the author captures the spirit of yearning and the trials of the nascent group to accomplish its goals. As a reader, I became absorbed in the story, some of which was already familiar to me from previous interviews with the band members.
Unfortunately, Easley's agenda for incorporating the "Politics" of the subtitle is not well-integrated into the book, particularly after the first half dozen chapters or so. In fact, after Chapter 5 Easley gives up the introductory paragraph in which he recounts the current events of the day. It is not until Chapter 13 that he resumes this device, and with each succeeding chapter it is decreasingly successful in its attempt to set a context for the music. Rote citation of statistics about oil prices and presidential maneuvers is not enough to embed the social aspects of citizens and their entertainments. This is not a major flaw for the book necessarily, except that the subtitle IS "The Politics Of Disco."
Easley tries to punch up the dynamics of the group, apparently to create suspense in the portions of the tale covering the heyday of Chic. He stretches to do this, overstating the tensions and underplaying the accomplishments of the 80s in the effort to tell a tragic tale that is not, actually, all that tragic. There was great music created and much success during the 1980s for the group and its members.
Overstatement is a weakness that better editing would have minimized. The author is fond of using superlatives in his reviews of the group's playing and the recordings-- to the extent that he ends up contradicting himself about which track is the "strongest use of strings" or the "best bass playing." His fondness of using the term "arguably" arises several times in each chapter of the second half of the book. Proofreading would have caught this stylistic tic, as well the rampant grammatical errors such as missing apostrophes in possessives, misplaced commas, and unattributed quotes. The publisher let Easley down in the editing department.
Despite the shortcomings, the book represents a much-needed resource about the group, and the author has clearly put much legwork into his look at Chic. His love of the music is apparent and his enthusiasms are often infectious. Although he was "preaching to the choir" with this reader, I nevertheless found much of interest in the book and recommend it.
THIS IS THE DEFINTIVE CHIC BIBLE, PEOPLE!.......2004-12-11
As a lifelong fan of Nile Rodgers' & Bernard Edwards' prolific songwriting & production skills & musicianship, this book was long overdue for me but well worth the wait. This quality wordy tome has interviews from all the main people who knew & worked with Nile & Bernard. Using more recent interviews interspersed with archive ones, the reader is able to totally get a feel of the era from Chic's early days & beyond. You feel excited sharing the "Good Times" & feel despairingly sad when you "Flashback" to some of the episodes which led to broken friendships & the demise of Chic.
You feel incredulous at the prejudice perpetuated by record company policy or radio programmers to their music, or even to the idea of them producing white artists like David Bowie.
You feel immense pride when after being cruelly put down by so-called experts & critics for being a "disco act", they then become the most sought after producers throughout the 1980s. From producing Diana Ross to Madonna & ABC, via David Bowie, INXS, Robert Palmer & Rod Stewart to name just some. There's also a chapter on the now infamous "lost album" recorded with Johnny Mathis entitled "I Love My Lady".
All the former band members conribute too-Karen Milne former violinist of the Chic Strings has contributions from her tour & recording dates diary which makes for fascinating reading.
With a lot of pictures & memorabilia featured from my own collection also, the contributions from so many credible sources serve to mark this book with the desrved tag of, "The Chic Bible". It truly is wonderful & I can't recommend it highly enough.
Excerpt from the book and an interview with the writer!.......2004-11-22
This book is amazing. If anyone wants to read an interview with the writer, done by Glen J. Russell (see above) and an excerpt from the book, please visit: http://www.chictribute.com/glens/texts/text06de.html
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Peasants, Populism and Postmodernism: The Return of the Agrarian Myth (Library of Peasant Studies, 17)
Dr Tom Brass
Manufacturer: Routledge
ProductGroup: Book
Binding: Paperback
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ASIN: 0714680001 |
Book Description
Tracing the way in which the agrarian myth has emerged and re-emerged over the past century in ideology shared by populism, postmodernism and the political right, the argument in this book is that at the centre of this discourse about the cultural identity of 'otherness'/ 'difference' lies the concept of and innate 'peasant-ness'. In a variety of contextually-specific discursive forms, the 'old' populism of the 1890s and the nationalism and fascism in Europe, America and Asia during the 1920s and 1930s were all informed by the agrarian myth. The postmodern 'new' populism and the 'new' right, both of which emerged after the 1960s and consolidated during the 1990s, are also structured discursively by the agrarian myth, and with it the ideological reaffirmation of peasant essentialism.
Although the economic breakdown of traditional agrarian structures in the Third World by postwar capitalist development has been accompanied by a discursive re-essentialization of the peasantry, it is argued that perceptions concerning the kind of political action (resistance-not-revolution) undertaken by peasants have changed. Following the rediscovery of 'popular culture' by postmodern theory, there has been an analogous shift in development debate about agrarian transformation, from 'peasantness'-as-economic-alienation to 'peasantness'-as-cultural-empowerment, leading in turn to an epistemological fusion between 'new' populist and 'new' right discourse.
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Will the Real Martian Please Stand Up?: Uncle Simon (Twilight Zone (Genius))
Peter Mark Richman
Manufacturer: Genius Products
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Binding: Audio CD
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ASIN: 1594440522 |
Books:
- Symbols, Signs and Signets (Dover Pictorial Archive Series)
- Tattoos from Paradise: Traditional Polynesian Patterns
- The 100 Best Small Art Towns in America: Discover Creative Communities, Fresh Air, and Affordable Living
- The Art of Frederick Sommer: Photography, Drawing, Collage
- The Art of Teaching Art: A Guide for Teaching and Learning the Foundations of Drawing-Based Art
- The Artful Journal: A Spiritual Quest (Watson Guptill)
- The Colors of Learning: Integrating the Visual Arts into the Early Childhood Curriculum (Early Childhood Education, 85)
- The Complete Idiot's Guide to Scrapbook Projects Illustrated (Complete Idiot's Guide to)
- The Feminism and Visual Culture Reader (Sight: Visual Culture)
- The Forgiveness Parade
Books Index
Books Home
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- The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
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- The Secret: Unlocking the Source of Joy and Fulfillment
- View with a Grain of Sand: Selected Poems
- The Truth About Cats & Dogs
- The Dance of Leadership: The Art of Leading in Business, Government, And Society
- The One Show, Vol 27: Advertising's Best Print, Design, Radio, and TV
- The View from Delphi
Study Guide Gardner's Art Through the Ages, Volume I (Chapter 1-18), 12th
Gardner's Art Through the Ages, Volume II (Chapters 19-34)
Gardner's Art Through the Ages (with ArtStudy Student CD-ROM and InfoTrac )
Gardner's Art Through the Ages, Volume I, Chapters 1-18 (with ArtStudy Student CD-ROM and InfoTrac )
Student Test Packet for Gardner's Art Through the Ages, Volume I (Chapter 1-18), 12th
