Book Description
This book's aim is to submerge the reader in the world of illustration. The first section ranges from how to start to draw a human figure to the techniques to stylize and synthesize it. This section provides a large amount of figures in different poses, as well as hands and feet-often the most difficult parts - in diverse postures and angles. However, in the field of fashion it is also essential to know how to draw fabric, and even more important to know how to draw the folds of clothing. The items of clothing are presented as much in technical drawing as in figures in movement, and forming light and shadow is also explained, as this gives quality to the illustration.
The second part of the book revolves around color and the different techniques with which one can work: watercolor, wax, pastel, and so on. All the drawings that appear constitute a brief exhibition of the changes that the fashion world has experienced and with this in mind a path has been laid which starts in 1900, illustrated in watercolors, and finishes in 2000, illustrated in pencil. The goal of this volume is to uncover the reader's desire to paint and to provide him with some of the secrets that will encourage him to do so. After all, experience is the most effective way to learn, whatever the subject.
Customer Reviews:
not a fashion illustrator.......2007-07-10
I'm not in the slightest interested in being part of the fashion industry, but I love this book. It's the best one I've found on the market for learning to draw people. A lot of drawing books are for pencil sketchers and I was looking for ink and finished line drawing work. This book is excellent for that.
very good book.......2007-05-25
Great new poses for people that already have knowledge of fashion drawing, needs a little detail when it talks about creating a fashion pose different to the frontal..
Overall great book for reinforcing what you already know..
Great Quality.......2007-03-12
Very happy with our order. Thanks. We will be placing another order with this seller...Good job
Great Book.......2007-02-11
I bought this book along with other fashion design books for my daughter who is aspiring to be a fashion designer..she enjoys the book a lot and gets great ideas from the book..thank you.
Book Description
A comprehensive reference with techniques for drawing fashions.
This book describes techniques for illustrating fashion details (referred to as flat or technical drawings). The details cover jackets, overcoats, trousers, skirts, shirts, blouses, dresses, knitted styles, accessories, foot wear, hats, bags, and sport shoes, with special attention to how clothing hangs, moves, and folds when being worn. Each chapter starts with an introduction, followed by images and explanatory captions for each illustration or series of illustrations. With a focus on shape and form, the book illustrates drawing with fine marker and hard pencil.
Book Description
Learn how to draw posed figures for fashion illustration
This comprehensive reference provides hands-on techniques for created posed figures for fashion illustration. The first section illustrates various examples of nude and semi-nude poses (male and female). Later chapters illustrate the same poses wearing sportswear, sleepwear, dresses, suits, trousers, and casual and evening wear. The poses in each chapter are organized to show a progression including seated model (crossed legs, straight legs, seated on chair, seated on the floor); standing model (frontal view, three-quarter view, side-view from the back with crossed legs and straight legs); and moving model (running, walking, dancing). Each chapter begins with an introduction which is followed by images with detailed explanatory captions. With a focus on shape and form, the content covers marker and pencil techniques for a complete range of illustrated poses.
Average customer rating:
- I was expecting something better
- A Big Disappointment
- wrong book cover!
- A Really Good Start
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Essential Fashion Design: Illustration,Theme Boards, Body Coverings, Projects, Portfolios
Janet Boyes
Manufacturer: B.T. Batsford
ProductGroup: Book
Binding: Paperback
 Fashion Design
| Commercial
| Graphic Design
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
Textile & Costume
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
General
| Fashion
| Arts & Photography
| Subjects
| Books
Commercial
| Fashion
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
General
| Job Hunting & Careers
| Business & Investing
| Subjects
| Books
Fashion
| Crafts & Hobbies
| Home & Garden
| Subjects
| Books
General
| Crafts & Hobbies
| Home & Garden
| Subjects
| Books
Textile Arts
| Crafts & Hobbies
| Home & Garden
| Subjects
| Books
ASIN: 0713476990 |
Customer Reviews:
I was expecting something better.......2002-04-26
The Fashion Design ideas here are for a very extravagant type of people.
A Big Disappointment.......2001-11-13
I expected more info on how to put your portfolio or presentation boards together. This book is full of pictures and seemed more of a display item. If you are looking to find out more on how to create presentation boards or portfolio's, this isn't the book you should look for.
wrong book cover!.......2001-11-08
Dear Editor,
Just an FYI: the jpg book cover you have here is different book from the one you are promoting by Janet Boyes. Please look closely and you'll see : )
Elaine
A Really Good Start.......2000-05-18
This is a really good book for beginners, hoping to take up Fashion Design as a hobby or proffession. Although it doesn't take the place of a good course or class, it is great for home use, and it has plenty of clear, easy to interpret illustrations. Filled with projects and excersises that help your skill grow, I think that this is a really good book for anyone interested in Fashion Design.
Average customer rating:
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Propaganda and other photographs
Simpson Kalisher
Manufacturer: distribution by Light Impressions Corp
ProductGroup: Book
Binding: Unknown Binding
General
| Photography
| Arts & Photography
| Subjects
| Books
ASIN: 0891690077 |
Book Description
When Another Chance to Get it Right debuted on The Oprah Winfrey Show in 1993, Dark Horse was deluged with phone calls as people clamored to buy the book. Now, nearly a decade later, Dark Horse is proud to offer an updated edition of the acclaimed collection of short stories, poetry, and allegory. This new edition boasts an all-new, never before published Vachss-penned prose story called "La Corazón del Niños," along with illustrations and a magnificent new cover by Geof Darrow (The Matrix I, The Matrix Reloaded, and The Matrix Revolutions). The beautiful drawings add a different dimension to this celebration of the potential of parenting, a dimension that's rarely seen in the genre, making it as much inspirational as it is instructional.
Customer Reviews:
Wonderful, honest, challenging.......2003-02-13
This is a simple book, with a simple premise and wonderful illustrations. It is written in the clear and honest prose for which Vachss is so well known. It also hits home with every story. If you want to know what honor, courage, and love look like, this is your book. Most books, I lend; this one, I buy multiple copies and give them away, over and over again.
Every parent should read..........2000-07-18
Every person who ever wants to have children of their own by blood, or the more saintly act of adopting those children who need the love of someone who cares... needs to read this book. I have given a copy to everyone I know who has ever had children, including my Mother.
Having met Mr. Vachss and told him my acts of spreading his insights, wisdom, and warnings, he was delightfully pleased at my efforts.
Every word in this book is placed perfectly. Not a phrase can be misconstrued. In its execution of prose, there is none in literature refined more to an essence of purpose than in these 64 pages. Each vignette is more poignant than the last.
The artwork is extremely appropriate and offers enough to attract you, draw you in , and keep you connected to each story or lesson. Each artistic compliment has a specific merit to the story they accompany. Pay special attention to the "artistic focus effects" from Geof Darrow (Pgs 26-43). They are a masterpiece than should be studied.
My personal favorites in thew collection of prose and pencil/pen are pgs 8-10, and 48-51. One speaks on the philospohical scale of children as a future and past; and the other is far more personal to the author and reader. Both will leave the interested reader with a great deal of introspection. But the lessons learned within will affect how the reader thinks and acts around children. Those they know and love, and those they will never know, and never suspect, are hurting.
Lyrical and moving.......2000-04-02
This book is a beautiful set of stories and essays about how to protect children from abuse. Given the subject matter, it would be easy to pass this book by. It's easy to hold the preconception that there is nothing more that can be said about child abuse, or that there is nothing we can do to stand against it.
Nothing can be further from the truth, and Mr. Vachss proves it with prose so clean and direct that it reads like the sparest poetry. I've read this book with my own children, and it has given them an understanding and sympathy that will serve them well all their days. DON'T MISS OUT ON THIS BOOK!
Beautiful Content Presented Beautifully.......1999-11-19
Read anything by Andrew Vachss--novels, short stories, comics--and you get the picture: Vachss is the antithesis of the Sensitive New Age Guy. It's a sure bet the latest book review will contain some variation of 'Vachss makes [fill in favorite 'noir' or 'hardboiled' author here] look like [Emily Post...a sewing circle...the minutes of a Cub Scout meeting...etc. etc. etc.].'
Another Chance to Get it Right--a 'children's book for adults'--is an altogether different literary critter.
In a series of vignettes (with illustrations by noted graphic artists including Paul Chadwick, Geof Darrow, Gary Gianni and others), Vachss presents truths both blunt and bright about the common experiences--and the great diversity--of children and childhood.
If you think Vachss is 'too dark,' this is the perfect starter book to blast your preconceptions. The text is concise and eloquent, and shows a tenderness perhaps unexpected to fans of the Burke novels, while the accompanying art provides an occasionally whimsical, always powerful complement.
If you have the chance to get this book...DO IT.
Book Description
What do you need to make money making movies? The answer, according to cult hero, creator of the sexploitation film, and the man the Wall Street Journal once dubbed the King Leer of Hollywood, Russ Meyer, is: “big bosoms and square jaws.” In the first candid and fiendishly researched account of the late cinematic instigator’s life, Jimmy McDonough shows us how Russ Meyer used that formula to turn his own crazed fantasies into movies that made him a millionaire and changed the face of American film forever.
Bringing his anecdote—and action—packed biographical style to another renegade of popular culture, New York Times bestselling author of Shakey Jimmy McDonough offers a wild, warts-and-all portrait of Russ Meyer, the director, writer, producer, and commando moviemaking force behind such sexploitation classics as Faster, Pussycat! Kill! Kill!, Vixen, and Beyond the Valley of the Dolls. This former WWII combat photographer immortalized his personal sexual obsession (women with enormous breasts, of course) upon the silver screen, turning his favorite hobby into box-office gold when this one-man movie machine wrote, directed, and produced a no-budget wonder called The Immoral Mr. Teas in 1959. The modest little film pushed all preexisting limits of on-screen nudity, and with its success, the floodgates of what was permitted to be shown on film were thrust open, never to be closed again. Russ Meyer ignited a true revolution in filmmaking, breaking all sex, nudity, and violence taboos. In a career that spanned more than forty years, Meyer created a body of work that has influenced a legion of filmmakers, fashionistas, comic book artists, rock bands, and even the occasional feminist.
Rich with wicked and sometimes shocking observations and recollections from Meyer’s friends (such as colleague Roger Ebert and fellow filmmaker John Waters), lovers and leading ladies (some of whom played both roles with equal vigor), a cadre of his grizzled combat buddies, moviemakers inspired by him, and critics and fans alike, Big Bosoms and Square Jaws tells the voluptuous story of Meyer’s very singular life and career: his troubled youth, his war years, his volatile marriages, his victories against censorship, and his clashes with the Hollywood establishment. In his new biography of a true maverick, Jimmy McDonough blows the lid off the story of Russ Meyer, from beginning to his recent tragic demise, creating in the process a vivid portrait of a past America.
The picture is midnight black. An imperious, testosterone-heavy voice intones: “Ladies and gentleman, welcome to the world of violence . . . While violence cloaks itself in a plethora of disguises, its favorite mantle still remains sex . . . Let’s examine closely then, the dangerously evil creation, this new breed, encased and contained within the supple skin of woman—the softness is there, the unmistakable smell of female . . . But a word of caution: handle with care and don’t drop your guard. This rapacious new breed prowls both alone and in packs . . . Who are they? One might be your secretary, your doctor’s receptionist . . . or a dancer in a go-go bar!”
Cut to an eye-popping triad of outrageous, impossibly built women shimmying with frenzied abandon. A swaggering, bargain-basement Tom Jones–style voice belts out a number on the soundtrack. Cut! Close-ups of gyrating, disembodied breasts and hips. Cut! A shiny, alluring jukebox. Cut! Leering, predatory faces of cigar-chomping manimals impotently cheering the women on. Cut! Cut! Cut! Each new shot seems to add another crazy angle, another fabulous detail.
Cut to raven-haired, black-gloved Varla—one of the dancers—head thrown back and cackling maniacally as she hammers the gas pedal of a gleaming Porsche. Vrrrrooom! The Porsche screams down a Mojave desert highway at the head of a menacing trio of bisexual go-go superwomen, itching to annihilate any man who gets in their way. Faster, Pussycat! Kill! Kill! screams the title. And this is just the first two minutes of the picture.
—From the Introduction of Big Bosoms and Square Jaws
Customer Reviews:
An Excellent Biography.......2007-07-02
I was impressed with the quality of the research that went into this book. Neither a puff-piece nor a hatchet job, this is as solid a bio as we can expect of someone who was as erratic as Meyer. The author was able to move from Meyer's bizarre family of origin through his fixation on World War II, his remarkably limited sexual experience, his almost-impenetrable emotional life, to his final years of dementia. Along the way we get a surprisingly human view of many of the people he worked with and against.
Those who consider Meyer a pornographer probably will not like this book, but they would probably benefit by reflecting on the war between Meyer and Charles Keating, who, as the author observes, spent years protecting Midwestern Americans from Meyer's movies, while stealing their pension funds.
Phenomenal ! ! !.......2006-10-31
To sum things up, this is a fascinatingly written book about a fascinating topic.... despite its somewhat voluminous 400 or so pages (only a fraction of A CLEAN BREAST of course) I found it impossible to put down in light of the great stories and great writing. Jimmy McDonough proves himself not only a great fan of Meyer, but also one who's learned well from his "fast cut" style of directing... The book reads with the intensity of Meyer as a film director at his best (say Faster Pussycat or Super Vixens.)
At times hillarious, the only sad part is the ending which also offers an explanation to the big question of why Russ's films are so hard to find... and one is left with an ironic impression of his legacy: one in which the general public still wants more, but if the author's (researched) allegations are true may not get to see for a long long time.
Ironically, as I read the final page of the book, I didn't feel it was a final chapter, but was left wanting to know more about a film director with a strange fetish who unintentionally changed the world we live in... and considering Russ's flare for perpetuating his own myth and surrounding himself with some amazing people who's stories have simply yet to be told my hope is that this book is only the begining !
Master of Disaster.......2006-07-24
I found that what worked in McDonough's spectacular biography of filmmaker Andy Milligan (THE GHASTLY ONE) is exactly what doesn't work here. What McDonough does so well on Milligan's behalf, for example, the careful and painstaking description of films that are often difficult to come by, and then an analysis of them which shows us why they have a certain value--is nearly missing here entirely. Was there just too much material of all sorts to bother describing films like BLACKSNAKE or UP? I have no idea what the plot of either is, I just get the feeling that McDonough abhors them.
Maybe, like many biographers, he began work on this project admiring the man, and wound up disliking him? The last half of the book is an unadulterated look into a disaster, as Meyer's personal and professional lives come falling apart, accelerated by his dementia and his general greediness and bad manners. Melissa Mounds, a stripper whom Meyer befriended, and Janice Cowart, a bookkeeper who wound up taking over Meyer's affairs, become the villains who provide Meyer with his just deserts.
The experience of reading BIG BOSOMS AND SQUARE JAWS is like stumbling across some unknown masterpiece by Balzac, told in a hipster dialect from the early days of Rolling Stone magazine. It is incredibly affected and annoying, but it must have been fun for the author to write. He's so in the mood that every sentence becomes a little display of hyperbole: "Russ Meyer and Erica Gavin: a clash of wills the likes of which had not been seen since Meyer and Tura Satana locked horns." Like Meyer's huge sadness, Jimmy McDonough has written a book strangely atune with a hateful glamor. Some readers will love it, I wound up admiring it but throwing it in the Bay.
I Knew The Man.......2006-07-15
I had the sheer pleasure of working with Russ Meyer on the two films he produced and directed at 20th Century Fox in the early 70s. I was witness to how much of himself Russ poured into each of thosae two films, knew his passion, his extraordinary to detail no matter how small.
Mr. McDonough, who has an impressive track record doing books of this type, was deligent enough to track down the people who knew RM best and do extensive phone interviews to get the true story behind this anmazing film-maker. I was honored to be on that list.
Jimmy has done a first class job of capturing not only what is generally known about Russ, but bits and pieces of his life that very few people know about.
If you want a grade "A" look into the life of a man who had a MAJOR impact on how films are made when in the hands of a skilled director, master camerman, inventive film editor and true marketing genius, do yourself a favor and order this book!
Manny Diez
Brilliant: as much for the writer as for the subject.......2005-10-11
I don't recall ever seeing a Russ Meyer film. Sure, I knew the name, but was never interested enough to see one of his movies. Now, after reading Jimmy McDonough's "Big Bosoms and Square Jaws," I don't think I have to: McDonough's biography tells me all I need to know.
I wasn't familiar with Jimmy McDonough either before picking up this book. Now I am. McDonough writes like the late Hunter S. Thompson on one his better days. The prose is intensely personal, highly driven, with the feel of a first-person memoir. I suspect that if Russ Meyer weren't an egocentric, self-centered guy who made movies with bare breasts when it was considered "dirty," the book still would have been interesting. McDonough is that good.
I still have no great desire to see a Meyer film. But the guy's story as told by McDonough is interesting. McDonough doesn't get into film criticism as an effete sport. Rather he delivers his opinion of Meyer's work, buttressed by reviews. His interviews with survivors of relationships with Meyer crackle. He's done a marvelous job of weaving other people's recollections (always properly attributed) into the narrative.
Meyer coems across as a guy who pursued his dreams. Personally he seems to have been a large ego who really didn't care a whole lot for or about other people. There is literally a cast of thousands of supporting players who played a role in making Meyer whatever he became. The women he used as his "stars" are treated beautifully and sensitively by McDonough. Many, if not all, were strippers. It would have been easy to depict them as airheads. Much to McDonough's credit, he doesn't. He treats them as human beings.
Meyer never really failed. He determined on what he was going to (worship the female breast, essentially, and make movies) and did it. Meyer will never be a nominee for a Nobel Prize and its likely that his work will fade from memory over time. McDonough, however, does an excellent job of describing Meyer's technique, his contributions to filmaking and his not inconsiderable role in broadening the accpeptability of all manner of "artistic expression" in the United States.
McDonough is very understated in his description of Meyer's decline. It would have been easy, I think, to have allowed a sense of outrage to show, but much to McDonough's credit, he holds himself in.
Overall, even if you have little or no interest in Russ Meyer or his films, this biography is worth reading simply to gain a sense of Jimmy McDonough.
Jerry
Book Description
This digital document is an article from Cineaste, published by Thomson Gale on December 22, 2005. The length of the article is 5903 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Big Bosoms and Square Jaws: Russ Meyer, King of the Sex Film.(Book review)
Author: Joe Bob Briggs
Publication:
Cineaste (Magazine/Journal)
Date: December 22, 2005
Publisher: Thomson Gale
Volume: 31
Issue: 1
Page: 20(7)
Article Type: Book review
Distributed by Thomson Gale
Book Description
Still only in his mid-forties, Simon Rattle is a musician for the new century, equally at home conducting Beethoven symphonies, the twentieth-century repertory with which he made his reputation with the City of Birmingham Orchestra, new works he has commissioned, jazz by Ellington and Bernstein, or baroque opera. Nicholas Kenyon charts the whole of Rattle's career as this master musician prepares to take on the music directorship of the Berlin Philharmonic, perhaps the most prestigious position in all of classical music, and looks ahead to the challenges that await him in Berlin.
Customer Reviews:
More than a biography.......2004-01-08
This book is a continuation of a previous book also written by Nicholas Kenyon. The previous book was written earlier in Rattle's career and was in need of an addendum considering Rattle's enormous progress as a conductor.
Those looking for a book that reads well and provides one with the detail and information about the rise of Simon Rattle's career will find it here. It begins with his present postion as chief conductor of the berlin Philharmonic and covers his birth and musical upbringing, citing the influences that led Rattle to his career as a conductor. It also outlines both the triumphs and defeats (though few and far between in the "defeats" coumn) of his ascent.
While all this is of course interesting and fascinating, I found the greatest strength of this book is the attempt at explaining what makes Rattle a conductor sought out by the world's top orchestras. There is a careful analysis of his method of studying a score (courtesy of his old teacher John Carewe), his thinking about programming, and his approach to rehearsing an orchestra, as well as his loyalty to the City of Birmingham orchestra despite the calls from much larger and more prestigious orchestras. This is a book that is much more than a mere biography. It has something to share with the casual reader and the professional musician.
Conductors will find this particularly interesting reading.
Average customer rating:
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Rich and Famous in Thirty Seconds: Inside Secrets to Achieving Financial Success in Television and Radio Commercials
Batt Johnson
Manufacturer: Writer's Showcase Press
ProductGroup: Book
Binding: Paperback
Acting & Auditioning
| Theater
| Performing Arts
| Arts & Photography
| Subjects
| Books
General
| Theater
| Performing Arts
| Arts & Photography
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
General
| Television
| Entertainment
| Subjects
| Books
Performing Arts
| Industries & Professions
| Business & Investing
| Subjects
| Books
ASIN: 0595130372 |
Book Description
This book is filled with inside secrets and in-depth interviews with successful actors, teachers, agents, and casting directors. Special chapters on broadcasting, modeling, and kids in commercials.
Books:
- Exploring The Elements of Design (Design Exploration Series)
- Fashion: From Concept to Consumer (8th Edition)
- Frankenthaler: Works on Paper 1949-1984
- Frederic Remington Art Museum Collection
- Ghastly Terror!: The Horrible Story of the Horror Comics (Primal-Spinal Comix History)
- Giorgio Morandi: The Art of Silence
- Go to Your Studio and Make Stuff: The Fred Babb Poster Book
- Graffiti Brasil (Street Graphics / Street Art)
- Guide to Fake & Forged Marks
- HARLEM RENAISSANCE, THE: Hub of African-American Culture, 1920-1930 (Circles of the Twentieth Century)
Books Index
Books Home
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