Graffiti Brasil (Street Graphics / Street Art)

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Graffiti Heaven

Vivid Photography and Smart Commentary

Since when is Brasilian Graff JUST Sao Paulo?

melton magidson

Graffiti Brasil (Street Graphics / Street Art)
Lost Art , Caleb Neelon , and Tristan Manco
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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Street Logos

ASIN: 0500285748

Book Description

A firsthand survey of the most original graffiti scene to emerge in the past decade.

From the startlingly distinctive achievements of the internationally renowned twin-brother painters Os Gemeos to the visual powers of the ubiquitous daredevil Pichadores, Brazil's graffiti captivates with entirely fresh ideas, techniques, and messages. Whether one's taste is for the extraordinary creative extremes generated amid urban deprivation or for crafted murals at their most elaborate, Graffiti Brasil offers both stunning photography and in-depth history and insight.

Graffiti Brasil is the result of collaboration across three continents. Tristan Manco is from England, and is the author of the best-selling Stencil Graffiti and Street Logos. Caleb Neelon (SONIK) is an artist and writer from Boston, who has been traveling to and painting in Brazil since 1997. Ignacio Aronovich and Louise Chin are "Lost Art," and have for many years documented the streets of Brazil from their home city of São Paulo.

With graffiti worldwide becoming more homogenized, this book is a reminder of the strengths of creative independence and the rich fruits of cultural diversity. 440 color illustrations.

Customer Reviews:

Graffiti Heaven.......2006-06-27

The absolute be all and all for information on the capital of contemporary street art graffti style. From the hi to the lo, this book covers the anthropology of this growing art form.

Vivid Photography and Smart Commentary.......2005-12-25

Great book that shows a cross section of the Street Art scene in some of Brazil's cities. The author interviews some of the artists, and is able to talk to the history and techniques used, so it is more then just pretty pictures.

Since when is Brasilian Graff JUST Sao Paulo?.......2005-10-31

This is a nice book and all - the photographs are of high quality and the writing is relativley on point - but there is one glaring problem with the book. Considering that the title of the book is "Graffiti Brasil" I find it at the same time strange and disconcerting that all it ammounts to is a circle jerk for the Sao Paulo graff scene.

Although littered with great shots of murals, throwups and pichacao from all over SP there are only a handfull of photos from Rio, Salvador, Minas, Curitiba or any of the other large cities in Brasil that sustain their own very unique scenes. And, to add insult to injury, the pictures collected of cities that are NOT Sao Paulo are shots of some of the most widley seen graffiti in each city. Hell, the one shot of any Bahian graffiti is a small piece of a huge mural in the middle of the tourist section of old town Salvador. Good job Tristian Marco, way to really go looking for new, unknown and unique pieces.

If you're a Paulista or are afflicted with the notion that Brasil doesnt exist outside of SP, this book should be great. But, if you want to actualy LEARN anything about Brasilian graff, you'd be better off saving the money from buying this book and putting it towards a plane ticket.

melton magidson.......2005-10-30

Tristan Manco did it again, i think he is a writer that tells it
straight, and he is so easy to read and comprehend. I loved the book.
thanks a lot,
Melton

Amazon.com

Like many white South Africans of his generation, Rian Malan fled his country to dodge the draft. He felt incredibly guilty for this act, but would have felt equally guilty for not doing it: "I ran because I wouldn't carry a gun for apartheid, and because I wouldn't carry a gun against it." Malan, the product of a well-known Afrikaner family, returned to South Africa and produced My Traitor's Heart, which explores the literal and figurative brutalities of apartheid. Death is a constant presence on these pages, and the narrative is driven by Malan's criminal reportage. This acclaimed book intends to illuminate South Africa's poisonous race relations under apartheid, and few books do it this well.

Book Description

A classic of literary nonfiction, My Traitor's Heart has been acclaimed as a masterpiece by readers around the world. Rian Malan is an Afrikaner, scion of a centuries-old clan and relative of the architect of apartheid, who fled South Africa after coming face-to-face with the atrocities and terrors of an undeclared civil war between the races. This book is the searing account of his return after eight years of uneasy exile. Armed with new insight and clarity, Malan explores apartheid's legacy of hatred and suffering, bearing witness to the extensive physical and emotional damage it has caused to generations of South Africans on both sides of the color line. Plumbing the darkest recesses of the white and black South African psyches, Malan ultimately finds his way toward the light of redemption and healing. My Traitor's Heart is an astonishing book -- beautiful, horrifying, profound, and impossible to put down.

Customer Reviews:

An insight into the tortured soul of a typical liberal wooftah.........2007-02-28

White liberal draft-dodger hard at work. He's a good writer and the book's a painful look into the heart of a white liberal. My admiration goes rather to those who fought to defend their country.... but it's an insight into the tortured soul of a typical liberal wooftah. Why people put themselves thru all this inner torment I have no idea - have a beer and get over it, bloke! If you'd just done your time in the armed forces like pretty much every other south african had to do instead of taking the chicken run, you wouldn;t be going thru all this turmoil.

memoirs of an Africaaner-1970-1990.......2006-02-24

Before a recent visit to S. Africa, this book was recommended as an introduction to the political climate in S. Africa, especially after Apartheid. This very personal account told by Rian Malan, whose ancestors were directly responsible for the formation of the Apartheid society, traces his teenage rebellion against Apartheid, his career as a liberal newspaper reporter and his ultimate rejection of the violence that the new government has spawned. Be prepared for graphic descriptions of violence committed by both whites and blacks.

A good introduction to the complicated history of S. Africa and leaves the reader with questions regarding the future of that sad country.

A Rare Look into the Afrikaner Mind..........2006-01-27

I really enjoyed this book, although I do have some problems with it. First and foremost I will recommend it because I think it offers amazing insight into the psychology of Afrikaners and should be read-by any serious student of South African History. It is a valid historical document in that sense, because it is an honest and well-written, and sometimes deeply moving, biographical account of a "liberal" Afrikaner who has to struggle with his progressive ideals and his residual prejudices.

Rian Malan is a fascinating individual who fully accepts the humanity of all his fellow men and loves people of all colors-but in a way he has also rather unapologetically bought into the idea of some deep and maybe unsurpassable "cultural differences" between "us and them". This involves repeating a traditional refrain about how outsiders "don't understand" how "they" really are. While I agree that outside observers tended to see things in only one dimension, I also think that Malan is somewhat won over to the colonial discourse of "Darkest Africa", that place where savagery reigns.

What about white savagery? Although Malan talks about some white atrocities and even explicitly says they are savage-e.g., a white man forces a black man to castrate himself at gunpoint and then flicks the testicles away with a stick-and although he suggests the Afrikaner is also "savage", he never seems to make this part of "white" South African character. It is always that the whites are acting from fear, because they are "swamped". But clearly the countless cases of white human rights atrocities cannot be attributed to fear. Somehow the violence of "natives" becomes assimilated to their "culture" in his mind-some ancient "African" culture outside observers can't understand, but white inhumanity, no matter how many instances of it there are, and there are countless, is not portrayed the same way, as an offshoot of "culture" that is somehow independent of environment. Whites are always granted a context for their actions; Zulus are simply doing things the way Zulus "always have".

Still, I do think it's a beautiful book in a number of ways, despite these serious flaws, and if you want to know how some Afrikaners think, I think this is a book to look at. I recently talked to a white South African and found his discourse to be similar to Malan's-talk of fear, talk of "strange cultural rites", talk of profound differences that are unbridgeable, upsetting things I generally disagree with, but this discourse is part of the white South African self-understanding. And although poverty and crime are very real in South Africa, I still believe that white South Africans often have a self-justifying ideology that simply refuses to look at what they've done to bring about the problems of modern South Africa and prefers to look at the problems they are faced with, as if they emerged from a vacuum. (Obviously, I'm not excusing anyone's violence of any kind here, just making a point).

This is only human that people prefer to avoid examining their own consciences, and Malan has more humanity, kindness, compassion and insight than most people do anywhere, but you will see what I mean about his essentializing of difference if you read the book, and you should. He loves these "native" men and women, he jokes with them, he finds some brilliant, and at the end of the book he accepts that he has to let go of his fear if he wants to move forward. But he has somewhat convinced me prior to these last pages that he isn't really ready to make that leap, and that his faith in building a new nation could be easily shattered, as of course it will be, if you think in terms of black and white.

Magnificent, brooding work.......2004-12-24

This book came out when I was working in South Africa. It explores in an uncompromising way two rival phenomena: the hopes of 'white liberalism' and some harsh realities of South Africa's 'African-ness' which many urban liberals at that point seemed to pretend either were not there or were somehow only a function of apartheid.

The passages on Creina Alcock, a 'white' South African who stepped far away from her background to live as a Zulu are are especially poignant, even stunning. I visited Creina in her remote hut on the strength of this book and was astonished by her courage and wisdom. Rian captures this extraordinary story in a moving if (for the average reader?) pessimistic way

This book has universalist insights for anyone interested in whether Civilisations really do Clash. Rian Malan was on to something very profound in this book. It is vivid and appalling in places, and not always easy reading. So what? These issues are as difficult as anything we face. Read it, lots of times.

Disturbing.......2004-02-29

This book is an investigation into the attitudes of a liberal who was raised in South Africa. In the book, Malan tells us that his original charge was to write the history of his racist ancestors, who were among the first Boer settlers in the region. But when Malan began his project, he found he needed to first explore and develop his own perspective on race in South Africa before he could begin. And once he began doing this, he never really got around to the history project.

The book is divided into 3 sections. In the first, Malan describes his own childhood and adolescence, leading up to his forced flight from South Africa, with a major focus on his youthful love for Blacks (especially in the abstract). The second part of the book details a number of violent murders that Malan investigated upon his return to South Africa in 1986 to write this book. In this section, Malan describes the intense violence that was occurring in South Africa at the time, and how all Whites, even doctors providing humanitarian services in the townships, became targets for Black rage. He also explores violence between rival Black political groups. In the closing section, Malan visits a White woman named Creina Alcock, who lived on the border of Msanga, a tribal homeland, where she and her husband had struggled to build a sustainable rural development project with the local Blacks. The woman was widowed after her husband was killed while trying to negotiate peace talks during a tribal disturbance in Msanga.

The book doesn't have a strong narrative thread- -instead it seems that Malan was trying to communicate some of his own confusion and ambivalence about racial questions by presenting so many stories and sides of the picture, and flipping rapidly from one to the next. The loose organization is effective to some degree; the reader slowly comes to understand the enormity and complexity of South Africa's problems. Yes, many Whites provoked anger from Blacks by their abominable behavior and laws. Blacks in turn responded with violence that was so overwhelming that even those Whites who tried as hard as they could to do the right thing were in mortal danger. And the worst and most senseless violence seemed to occur in Black communities that had no White involvement at all. The entire society was so focused on violence that as one White living on a farm in a rural area told Malan "The guy with the bigger stick wins." In closing with Creina Alcock's story, Malan tries to leave us with a little hope. He argues that Alcock's and her late husband's love for their community has made a marginal difference in the social structure, despite the ongoing attacks on them and thefts of their property by children they had adopted and raised as their own, and even the murder of Alcock's husband. With the infinitesimally small improvements that the Alcocks managed to make in their community by giving their entire lives over to the project, how many millions more Alcocks would it take to turn such a country around, and where might they come from?

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A World With a Human Face: A Voice from Africa
Njongonkulu Ndungane
Manufacturer: Pilgrim Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0281054398

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That you rise with the angels Mr Gahern

A window into a fast disappearing world

The brilliance is in the simplicity and accuracy

Rural Idyll, beautifully paced book, curiously empty

Gentle reminder of the past

That They May Face the Rising Sun (A People's History of South Africa)
John McGahern
Manufacturer: Faber & Faber
ProductGroup: Book
Binding: Hardcover

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ASIN: 0571212166

Customer Reviews:

That you rise with the angels Mr Gahern .......2007-08-19

I was so sad to hear of the death of this gentleman last year. I read this book, and his earlier books too. wrt:/'That they may face the rising sun', I agree with other reviews that now't happens in this book that you could recount to anyone, but the prose, the mood, etc makes it one of my favourites. Life affirming, gentle, genuine. Being irish myself I think I can relate to that disappearing world of decent, friendly humble and genuine people who built our country, like my own parents. For me, this book was an absolute joy to read, and profoundly moving, although I don't know why. It's on my favourites list, but once again I was genuinely gutted that the author passed on suddenly last year. May you rest with the angels Mr McGahern.

A window into a fast disappearing world.......2006-06-14

This wonderful book is a delicate and honest snapshot of rural Irish community life on the brink of extinction. The young have moved on and the countryside is home to the ageing remnants of a people that survived hardship and poverty only to find that the modern world has no place for them. This is not a bitter book, but rather a requiem for a way of life that McGahern knew intimately. His prose style is understated and beautifully lyrical and its apparent lack of plot perfectly catches the circular nature of life. A haunting and beautiful read, I loved it.

The brilliance is in the simplicity and accuracy.......2004-05-13

As someone who was growing up in rural Ireland in the same period the novel is set I keep getting this feeling that McGahern was there with me at the time. Each carachter contains traits and elements of people I personally knew.Joe and Kate are left to remamin in the background as though they are the stage on which the others play . If you really want to know what life is like, and was like 10-20 years ago in rural Ireland this is the book. As someone who normally does not like novels without a fast moving plot or excitement I was amazed at how I was so drawn into the simple little plots. If you want to understand how people in rural Ireland think... this is the one... What Tarry Flynn was to its era this is to ours.

Rural Idyll, beautifully paced book, curiously empty.......2003-12-30

First the book, then the author.
this book is a description of ordinary, Irish rural life, set in the 1980s. There is very little by way of plot, it reflects the effect of the changing seasons on rural life and is interspersed with random events that do not form `plot points' but more resemble the happenings in real life. The beautiful descriptions of the changing face of the countryside, through the seasons, is the main draw of the book for me (but what is sedge?). The characters range from the strange yet endearing to the the hostile and repulsive. I think that both the central characters - Joe and Kate, and some of the more peripheral characters lack depth and credibility. Joe and Kate, are the perfect couple, accepting, living the rural `good life', having withdrawn from the sophisticated urban lifestyle.
The book itself has a curious emptiness, a passage describes Joe as believing his current contentment and absence of pain is what he will remember as happiness in the future, if and when, things take a turn for the worse. With the
core emptiness, comes a foreboding about the future. The character best drawn, in my view, in a simpleton - Bill Evans - who calls to Joe and Kate each day on his way to the well. Bill lives in the eternal present, neither reflective nor judgemental. I believe he is the metaphor for the book as a whole.

John MaGahern, is the last of the Greats. His early work, featuring clear eyed
descriptions of the abuses which were a hidden part of Irish life, were banned
in Ireland in the 1950s. Such was the power of the banning that MaGahern lost his teaching job and spent many years in hardship. His early work has been described (in retrospect) as the clarion call to honesty in the face of the unacceptable, which is the basic function of literature (think Solzhenitsyn).
Through the ordeal of his life - relative poverty, official rejection - he has maintained
a lack of bitterness towards official Ireland (church and state) which can either be
regarded as the product of brain-washing or magnanimity of a Mandela. This book has been described as his attempt to indicate how Irish society may work out a
reconciliation between its tradition and its reality, i.e. the traumas of modernisation and the revelation of official corruption have dethroned officially-defined church and state, and yet nothing has replaced the need for community spirituality. It has been said that this book is MaGahern's proposal in this regard.

Gentle reminder of the past.......2002-10-23

I was given this book as a present and not sure what to expect. As I read it I could relate to many of the images and idiosyncracies of the people. I initially was disappointed with the book but as I reflected on it, I thought in fact that I was the problem and not the book. In this age of fast living and hustle and bustle, this book is a superb gentle reminder of easy living and what life is all about. It captures rural living exactly as it is and was many years ago, and all in all an enjoyable reflective read. Life will not pass you by reading it.

In face of fear;: Michael Scott's challenge to South Africa

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In face of fear;: Michael Scott's challenge to South Africa
Freda Troup
Manufacturer: faber and faber
ProductGroup: Book
Binding: Unknown Binding
ASIN: B0006D6Z28

Africa South - here Africa of the Past and Africa of the future come face to face

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Africa South - here Africa of the Past and Africa of the future come face to face
Harm Blij
Manufacturer: Northwestern University
ProductGroup: Book
Binding: Hardcover
ASIN: B000IOTT9Q

The Changing Face of South Africa (Changing Face of...)

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The Changing Face of South Africa (Changing Face of...)
Tony Binns , and Rob Bowden
Manufacturer: Raintree
ProductGroup: Book
Binding: Library Binding

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ASIN: 0739849689

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A city that changed its face
Ray Ryan
Manufacturer: McKerrow Atkins Publishers
ProductGroup: Book
Binding: Unknown Binding
ASIN: 0620050357

Durban: A pictorial history : a photographic record of the changing face of the city of Durban, with emphasis on its buildings

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Durban: A pictorial history : a photographic record of the changing face of the city of Durban, with emphasis on its buildings
Ian Morrison
Manufacturer: Struik Publishers
ProductGroup: Book
Binding: Unknown Binding

Southern Africa | Africa | History | Subjects | Books
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Face of South Africa
Chris Jansen
Manufacturer: Purnell
ProductGroup: Book
Binding: Unknown Binding

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Face of the Gods: Art and Altars of Africa and the African Americas (African Art)

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SO good!
A Stellar Publication of Relgious Art from African Diaspora

Face of the Gods: Art and Altars of Africa and the African Americas (African Art)
Robert F. Thompson
Manufacturer: Prestel
ProductGroup: Book
Binding: Hardcover

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ASIN: 3791312812

Customer Reviews:

SO good!.......2006-07-04

This book is SO GOOD! I've had it for about five years, but every time I take it off the shelf I learn something new. Highly recommended for any Orisa devotee, a follower of African traditional religions, or anyone interested in the African diaspora. It would be a great gift even to the illiterate, as the photographs are amazing. I think this book sold for about $500 originally, and even at that cost it would have been worth every penny.

A Stellar Publication of Relgious Art from African Diaspora.......1997-03-18

This book, the companion piece to the exhibition of the same name, is a blessing. Thompson, professor & head of the department of African Art at Yale, directed this incredible exhibition in 1993 at NYC's Museum of African Art. From Ifa in Nigeria, to Santeria in Puerto Rico, to Obeah in Jamaica, to Vodun in Haiti, he and his companion scholars and curators have contributed in a healing circle across the Middle Passage. Shattering damaging, racist mythologies of these religions, _Face of the Gods_ fosters an understanding for these misunderstood religions while maintaining a respectful distance. Complete with analyses, interviews, and color photographs.

Book Description

Covering every move the Pink Panther has ever made in the last 40 years - this is the ultimate guide to the coolest cat in town...

Customer Reviews:

Not a bad deal.......2007-02-17

I bought it after groing up going to the theater and watching all of the Pink Panther cartoons brfore the main attraction. As a fan of animation just loved watching all these cartoons and laughing all over again.

The Pink Panther RULES!!!! .......2007-01-04

This book tells of much information about The Pink Panther. It gives many historical information and how The Pink Panther cartoon/movies progressed, and it is VERY detailed. I think you should buy this book if you're a Pink Panther lover. He is definitely an all-time favorite and classic.

BECK BOOK BRIMS WITH B STRING BOMBS.......2006-08-28

While many recall "The Ant and the Aardvark", few may remember "Roland and Rattfink" or "Super President" as parts of the DFE animation canon. "R and R" were an ill-advised Jay Ward ripoff and "S P" played like 'what if JFK had been an indestructible superhero who didn't resemble or sound like himself?' Jerry Beck unearths just about everything one needs to know on the now near-forgotten but once highly regarded DFE studio's output. IMO, the shocking crudity of the DFE house design comes as a rude re-awakening to the low standard of animation in the 1960's. Even the design work in the wretched early 1990's talking Pink Panther series looks more polished, though those cartoons remain utterly unwatchable. Yes, it's indeed a pity that the book doesn't have legal rights to the stellar images and adroit animation poses by Ken Harris at the Richard Williams Studio done for the main title of 1975's "The Return of the Pink Panther" but that movie can still be found on DVD in remaindered bargain bins for around eleven bucks. It's a Universal DVD release, despite having been originally made for United Artists. That particular title sequence puts everything else in this book (and I mean everything) to shame, including Shag's whole career as a too hip for the room postapocalyptic pseudo cartoon designer mostly getting Ed Benedict wrong for overpriced, volume marketed cocktail napkins. Forget that [...] Buy Jerry's fine Pink Panther book and learn a few hard animation facts that should be etched onto your brainpan.

Good but Not Complete.......2006-02-06

This is a very good book on the Pink Panther in films and art. However, it is not complete. It ignores and does not even metion the RETURN OF THE PINK PANTHER film. Yet, it is the best book on the subject to date.

PINK PANTHER ROCKS.......2006-02-02

The Pink Panther is among my all time favourite cartoon characters that I grew up with.I bought my copy of this book at Chapters Bookstore yesterday.It was definetly worth it.This is the best book I've ever seen on my favourite panther.His complete history is completely detailed in this book.As one poster wrote,it goes from the 1960s all the way to the current decade.Not only that,but every Pink Panther/Inspector Clouseu movie(except for Return Of The Pink Panther)is fully detailed too.Plus all of the panther's cartoon costars,The Inspector,The Ant & The Ardvark,Mister Jaws etc..,are fully detailed as well.

Pink Panther Ultimate Guide/ultimate Sticker Book 18-copy Display

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Pink Panther Ultimate Guide/ultimate Sticker Book 18-copy Display
DK Publishing
Manufacturer: DK CHILDREN
ProductGroup: Book
Binding: Paperback
ASIN: 0756612594
Release Date: 2005-11-21

Book Description

An all-inclusive method for the first-time player. Features both audio and video backup tracks on the CD and DVD. Package comes shrink-wrapped with the CD in the book, and the DVD in a protective amaray case.

Book Description

Ad Hoc Arabism is a revealing look at advertising and consumer culture in Saudi Arabia. Through careful study of the marketing strategies and hidden meanings behind the advertisements featured in a leading Saudi women's magazine, Roni Zirinski examines the process whereby international advertisers strip products of any cultural overlay, and then reattach them to local historical symbols. Each chapter is devoted to a specific family of products, such as watches, cars, food items, cosmetics, and electronics. This book provides an invaluable exploration of the inner workings of global advertising through a deep understanding of the cultural economics of the Middle East.

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