Future Cinema: The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice)

Book Description

Throughout the history of cinema, a radical avant-garde has existed on the fringes of the film industry. A great deal of research has focused on the pre- and early history of cinema, but there has been little speculation about a future cinema incorporating new electronic media. Electronic media have not only fundamentally transformed cinema but have altered its role as a witness to reality by rendering "realities" not necessarily linked to documentation, by engineering environments that incorporate audiences as participants, and by creating event-worlds that mix realities and narratives in forms not possible in traditional cinema. This hybrid cinema melds montage, traditional cinema, experimental literature, television, video, and the net. The new cinematic forms suggest that traditional cinema no longer has the capacity to represent events that are themselves complex configurations of experience, interpretation, and interaction.

This book, which accompanies an exhibition organized by the ZKM Institute for Visual Media, explores the history and significance of pre-cinema and of early experimental cinema, as well as the development of the unique theaters in which "immersion" evolved. Drawing on a broad range of scholarship, it examines the shift from monolithic Hollywood spectacles to works probing the possibilities of interactive, performative, and net-based cinemas. The post-cinematic condition, the book shows, has long roots in artistic practice and influences every channel of communication.

Future Cinema: the Cinematic Imaginary after Film.: An article from: Parachute: Contemporary Art Magazine

Average customer rating:

Future Cinema: the Cinematic Imaginary after Film.: An article from: Parachute: Contemporary Art Magazine
Stefan Jovanovic
Manufacturer: Parachute Contemporary Art
ProductGroup: Book
Binding: Digital

General | Performing Arts | Arts & Photography | Subjects | Books
ASIN: B0008201GS
Release Date: 2005-07-31

Book Description

This digital document is an article from Parachute: Contemporary Art Magazine, published by Parachute Contemporary Art on January 1, 2004. The length of the article is 745 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Future Cinema: the Cinematic Imaginary after Film.
Author: Stefan Jovanovic
Publication: Parachute: Contemporary Art Magazine (Magazine/Journal)
Date: January 1, 2004
Publisher: Parachute Contemporary Art
Issue: 113 Page: 140(2)

Distributed by Thomson Gale

Average customer rating:
Ways of Drawing Hands: A Guide to Expanding Your Visual Awareness

Manufacturer: Diane Pub Co
ProductGroup: Book
Binding: Hardcover

General | Architecture | Professional & Technical | Subjects | Books
ASIN: 0788152262

Average customer rating:
Way Of Drawing Hands

Manufacturer: Ramboro Books PLC
ProductGroup: Book
Binding: Hardcover
ASIN: 7215963136

Average customer rating:
Ways of Drawing Hands (Ways of Drawing)
Victor Ambrus
Manufacturer: Cassell Illustrated
ProductGroup: Book
Binding: Hardcover

General | Instructional & How-To | Arts & Photography | Subjects | Books
Drawing | Instructional & How-To | Arts & Photography | Subjects | Books
ASIN: 0289801621

Average customer rating:
Kaulana na Pua: An Hawaiian Album, 1890-1930
James Kimo Campbell , Pete Thompson , and Aleen Vorhies.
Manufacturer: Pueo Press.
ProductGroup: Book
Binding: Paperback

General | Photography | Arts & Photography | Subjects | Books
ASIN: 0917850017

Product Description

A visual survey of real Hawaiian people in their natural setting. 67 black and white historical photos.

Kaulana na Pua: An Hawaiian album, 1890-1930

Average customer rating:

Kaulana na Pua: An Hawaiian album, 1890-1930

Manufacturer: Pueo Press
ProductGroup: Book
Binding: Unknown Binding

General | Photography | Arts & Photography | Subjects | Books

Book Description

When Henry James chose to, as he did in The Princess Casamassima, he could write about the political turbulence of his era with astonishing excitement and directness. The London underworld of terrorist conspiracies that entangles his hero, Hyacinth Robinson, comes alive under his pen with a violence that seems, 100 years later, only too familiar.

Download Description

Hyacinth Robinson is a hard-working bookbinder whose moral philosophy begins as an inelegant, ill-considered radicalism. He was born of Florentine Viver who murdered her husband, Lord Frederick, Hyacinth's father. She is doomed to a life in prison, and Hyacinth cannot assume his father's title because of her felonious act. He is adopted by a generous seamstress Amanda Pynsent. His profession and his comrades provide an education of revolutionary convictions, and his sympathies cause him to defend the underprivileged by making a vow with his fellow anarchists that he will kill any aristocrat they name. As he lets this commitment smolder inside his heart, he and his girlfriend Millicent Henning attend the theatre where he meets Captain Sholto who introduces him to the beautiful Princess Casamassima. She is American born and married into her title. Her husband was an Italian Prince who is now distanced from her. Hyacinth is presented to the upper class by the Princess, and he realizes the advantages and charm of this new social realm. He had been told pessimistic things about the aristocrats from his lower class associates, but he suspects that their rancor is stirred by envy. He now has only contempt for his mother and her socioeconomic station while he begins to feel respect and appreciation for his father. He also understands that he is heedful of the Princess and deluded by her. With all these psychological conflicts uncovered he sees that the promise he made to his radical friends is no longer possible for him to keep. He purposefully resolves the conflicts of renouncing his birth mother, honoring his father, and loving his adopted mother.

Customer Reviews:

The Princess Casamassima and Determinism.......2006-08-15

When Henry James wrote THE PRINCESS CASAMASSIMA in 1886, he left the polite, drawing room society of effete and erudite snobs pontificating endlessly at one another for the decidedly lower class world of thugs, anarchists, and terrorists. Europe, then, as the Mid East is now, was full of internal dissension, with Marxist anarchists dreaming of plots that would soon reach fruition in Russia in 1917. The intellectual clime was also rife with a sense of deterministic fatalism that suggested that man was a pawn of a cobwebbery of political, social, and economic events totally beyond his control. There was little one could do, its proponents argued, but to meekly go with the flow. It was against this twin background of anarchy and determinism that James wrote this book.

Hyacinth Robinson is a child born of an illicit romance between a French prostitute and an English lord. After his birth, his mother kills his father with a knife and is sentenced to life in prison. At birth, then, Hyacinth is consigned to a lower class existence with his world view eminating from the ground up. He is raised by a good-hearted Miss Pynsent, who senses in the boy a chance to rise above his station in life. As he matures, he finds a female playmate, Millicent Henning, who, later in life, will love him unreservedly, but he, in turn, will reject that love. Hyacinth tries to find his niche in the world, and for one of his low caste, becoming a bookbinder will do well enough.

The problem with Hyacinth is that the more he struggles to overcome his humble origins, the determinism that gripped the philosophers of the day sought only to prevent him from climbing out of his rut. Hyacinth, even at an early age, began to intuit that the only way to rise above his station was first to destroy it. Eventually he meets the Princess Casamassima, a lovely but bored wife of a wealthy prince, who is the means by which he can elevate himself and in so doing crush the grubby underside of a society to which he yet belongs. She plays along with him, but to her, Hyacinth is only one whose lowly background matched hers prior to her marriage. For the moment, he occupies her attention. Soon enough, however, she dumps him for Paul Muniment, a revolutionary hustler who does not mind mixing the business of revolution with the pleasure of the bedroom. Muniment entices an all too willing Hyacinth into a presposterous scheme to assassinate an unnamed capitalist. When finally, Hyacinth learns that he has abandoned his former world of drudgery and poverty for the unobtainable world of the now unavailable Princess, he does not belong in either, and in desperation shoots himself.

THE PRINCESS CASAMASSIMA is not one of Henry James' best books. It is preachy and today's readers do not connect readily with the concept that one's fate is predetermined. Yet, in the fate of Hyacinth Robinson, James starkly depicts a man unhappy with his environment which he determines to alter. The fact that he fails does not negate the intensity of his effort.

Taming His Inner Anarchist.......2006-01-10

The Princess Casamassima is fascinating for the way it takes James out of his comfort zone to depict the social world of workingmen, dressmakers, shopgirls, pub goers and (most improbably) underground revolutionaries in late Victorian London. I've heard the novel criticized for James's knee-knocking in confronting the 'social question': uneasy about the inequality it was built upon, his privileged world glittered too brightly for James to ever really denounce it.

But in the person of his "little bookbinder" Hyacinth Robinson, he gives it a valiant try, along the way bringing a lot more complexity--if not much documentary accuracy--to social problems than you get in many other writers, then or now, who take on the disadvantaged as their subject. No book's made me understand the British class system more sharply than this one. James's subtle eye reminds you how much was said by the cut of a glove, the smoothness of a hand, or the slight drop of an 'h' in England c. 1885. He's also sensitive to the way charity can be an expression of power (especially to those on the receiving end) and how mixed the motives can be when well-meaning fortunates "take up" the cause of the poor. The idea of the poor itself gets complicated as James delves into the various shades separating bookbinders from theater fiddlers from chemical experts from impoverished but titled aristocrats.

I think James was picking a bone with himself in this novel, since the same question--whether equality (what we'd probably call "social justice" today) should be achieved at the expense of the beauty and grace wealth provides--comes up over and over again. Kind of like the school busing question writ large. I think the frustrating thing about the novel is that James didn't know how to answer, so just kept writing new scenes. In the end, he falls back on the "religion of friendship" I think he calls it somewhere, a determination to see people, whatever their station, as individuals first and put their personalities above abstract theories. But he's also sharp enough to realize the personalities he likes most are the exceptional ones with intelligence and taste, not the "average" that reigns when everybody's equal. It's a muddle, but one that James tackled with his usual love for detail and appreciation for the complexities of human relationships. After the first few chapters, I had trouble putting it down.

A Jamesian Curiosity, overlong but beautifully written.......2005-08-30

I liked this book, but I notice that all the critics seem to hate it. It did take me more than a year of picking at it on and off. I picked it up because Walter Laqueur referred to it in one of his books about terrorism. Written in 1886, it suggests that there is a pan-European anarchist underground, which the protagonist gets mixed up with. It is interesting in its depiction of liberal guilt among the wealthy, who support a political movement that would lead to their own extinction. The prose is wonderful, as is the depiction of the subtleties of the characters' personalities, if you have the taste for that sort of thing. All in all, it was worth reading and it passed the most important test for a novel: I finished it with regret. I had previously read and liked Portrait of a Lady, which is a superior novel. As much as I liked it, I would have to say do not start with Princess as an introduction to James. Incidentally, I have a theory about the omniscient narrator in James' books being a malign demiurge, but I will spare you that theorizing here.

Casamassatastic.......2003-10-05

This is my favorite book over 500 pages. I haven't finished it yet, but when I do, I think I'll like it even more than I do now. Hyacinth is funny. He gets to ride around with rich people all day and work for the anarchists when he wants to. I think it's sad that he had to be given up because his parents were in trouble with the law. If he had the right upbringing, he probably wouldn't have gotten into the trouble he gets into. I think that James wants readers to realize how important it is to have a good family. Without proper parents, you might end up in trouble like Hyacinth. Also, the Princess is beautiful.

James Tackles Political Terror...sort of.......2002-08-12

I turned to Henry James having only read one other of his works (Portrait of a Lady) not because I relished a return to a novel of manners and drawing room banter but because I was surprised to learn James had written something dealing with the political upheavals of the late 19th century, a time in terms of radical terror that makes more contemporary aspersions rather pale. Imagine a decade or so where four heads of state were assassinated, two of them from leading democracies. James' day was gripped by fears of social revolution and political upheaval and I was curious to see James perspective.

I do admire James' writing. He has a genious for conversation and the drawing out his characters' complex natures through repartee. This serves him well in slowly unveiling the complex interplay of personalities and emotions that usually leads to tragedy - at least so far as I've ascertained from reading two of his longer works. Reading James is like tracing a broad circle that moves ever inward towards a single point in the center. You arrive eventually at the climax, where action replaces words at last, but only after a long drawn out, fascinating in its way, story sustained only by the badinage of the characters and the occasional changes of scene from country manor to London to Paris, etc.

I was a little surprised by the editorial review of this book, that claims "the London underworld of terrorist conspiracies...comes alive under his pen with a violence that seems, 100 years later, only too familiar." I wonder if the reviewer read the book? There are no real conspiracies here, much less any violence. You read, or at least I did, waiting for one, praying for one, but the only thing approaching one comes at the end, and then only as a plan that leads to the final tragic act. I don't want to be too hard on the Princess Casamassima. It was in its way a brilliant work, in its Jamesian way I suppose. If you relish good conversation (and in this James rivals Oscar Wilde; I think James should have concentrated on plays) and undeniable genius in molding characters and slowly and laboriously, but lovingly, weaving out their fate, then James, and the Princess, is for you. If you're coming looking for some explosions and political intrigue it's not to be found here. James doesn't even really treat the social, economic, or political issues behind this growing rift in the social fabric with any seriousness, but treats of it only through the shifting, vague, often cynical opinions of his characters. But then Henry James is not primarily concerned with "the social problem", and treats of political philosophy and such only in a cursory manner, as dressing to brilliant conversation. And what's life about but good conversation? James, as I said, I take primarily as a novelist of manners, which means of people, individual persons, not "the people". This is not a shortcoming. I think James must have thought social issues rather vulgar. You can only treat with refinement the fine lines of the individual character. You can't make art in the factory or the streets (so I imagine him thinking). The tragedy here then is the tragedy of an individual, Hyacinth Robinson, drawn into something, and ultimately destroyed by his choices, due to the ideosyncracies of his own character and his own past. It's not about the revolutionary or anarchist movement per se, but about the struggles going on within a single human soul. Hyacinth had committed himself to a noble, idealistic, if single-minded, death before he had yet had time to consider the many facets life might take. In the end it is not socialism vs. capitalism, but East End on a winter's day vs. St. Mark's square at dusk, as Hyacinth's youthful, spontaneous, unrefined, and ill-considered radicalism gradually reaches its showdown with his more matured, compromising and balanced outlook. But he has arrived at these new insights too late, or has he?

Average customer rating:

The Princess Casamassima: Volume 2
Henry James
Manufacturer: Adamant Media Corporation
ProductGroup: Book
Binding: Paperback

Contemporary | General | Literature & Fiction | Subjects | Books

The Princess Casamassima: Volume 1

ASIN: 054390072X
Release Date: 2001-04-03

Book Description

This Elibron Classics book is a facsimile reprint of a 1921 edition by Macmillan and Co., Limited, London.

The background of The Princess Casamassima (University of Florida monographs)

Average customer rating:

The background of The Princess Casamassima (University of Florida monographs)
Wesley H Tilley
Manufacturer: University of Florida Press
ProductGroup: Book
Binding: Unknown Binding
ASIN: B0006AXGTG

Bodley Head Henry James Princess Casamassima

Average customer rating:

Bodley Head Henry James Princess Casamassima
H. James
Manufacturer: Rowman & Littlefield (Non NBN)
ProductGroup: Book
Binding: Textbook Binding
ASIN: 0874713501

The Novels of Henry James , Vol 5, The Princess Casamassima (The Novels of Henry James, 5)

Average customer rating:

The Novels of Henry James , Vol 5, The Princess Casamassima (The Novels of Henry James, 5)
Hnery James
Manufacturer: Macmillan & Co.
ProductGroup: Book
Binding: Hardcover

Product Description

henry jamew novels

Average customer rating:

The Princess Casamassima
Henry James
Manufacturer: Harper Torchbooks
ProductGroup: Book
Binding: Paperback
ASIN: B000QFDNH6

Average customer rating:

The Princess Casamassima
Henry James
Manufacturer: Penguin (Non-Classics)
ProductGroup: Book
Binding: Paperback
ASIN: B000OJ1RKY

Average customer rating:

The Princess Casamassima
Henry James
Manufacturer: John Lehmann
ProductGroup: Book
Binding: Unknown Binding
ASIN: B0000CHNSD

Average customer rating:

The Princess Casamassima
Henry James
Manufacturer: Perennial /Harper&Row
ProductGroup: Book
Binding: Paperback
ASIN: B000MC6UE6

Book Description

In its glowing 4-1/2-star review, the All Music Guide calls this 2002 release "a quiet, subtle gem" and "one of the finest records Harrison ever made." Our matching folio to this posthumous record, finished by George's son Dhani and his longtime collaborator Jeff Lynne, includes all 12 songs: Any Road * Between the Devil and the Deep Blue Sea * Brainwashed * Looking for My Life * Marwa Blues * Never Get Over You * Pisces Fish * P2 Vatican Blues (Last Saturday Night) * Rising Sun * Rocking Chair in Hawaii * Run So Far * Stuck Inside a Cloud.

Average customer rating:

Brainwashed

Manufacturer: Capitol Records
ProductGroup: Book
Binding: Hardcover
ASIN: B000HCR2VQ

Product Description

Rare VHS release of Harrison's Brainwashed. On this Video, Harrison's son, Dhani and Harrison's long-time collaborator, Jeff Lynne, describe the heartbreaking - and, ultimately, heart-lifting - process of completing "Brainwashed" as a tribute to the man they loved.

Average customer rating:

Control Shooter

Excellent Material

Excellent book; highly recommended

Good Books, Needs Some Clarification

Vegas Would Be A Ghost Town!

Golden Touch Dice Control Revolution! How to Win at Craps Using a Controlled Dice Throw!
Frank Scoblete , and Dominator
Manufacturer: Research Services Unlimited
ProductGroup: Book
Binding: Paperback

Craps | Gambling | Puzzles & Games | Entertainment | Subjects | Books
General | Puzzles & Games | Entertainment | Subjects | Books
Similar Items:

Beat the Craps Out of the Casinos, 2nd Edition: How to Play and Win

Get the Edge at Craps (Scoblete Get-the-Edge Guide)

Forever Craps

Golden Touch Blackjack Revolution

Craps Underground: The Inside Story of How Dice Controllers are Winning Millions from the Casinos!

ASIN: 0912177152
Release Date: 2005-10-05

Book Description

Some players have won millions playing craps!

From 1978 through 1995, two craps players won millions from the casinos using a technique known as "rhythmic rolling," which is now called dice control or precision shooting. These two winners were the legendary Captain and his partner, "the Arm," a woman that many consider the greatest dice controller who ever lived.

Now their technique is available for you to learn! If you want to develop the Golden Touch, this is the book you must read.

Join in the greatest dream casino players can have - beating the casino at its own game! You can become the casinos worst nightmare by becoming a Golden Touch dice controller - just like the Captain and "the Arm." And just like Frank Scoblete, Dominator and the Golden Touch dice control crew.

There's only one way to beat the game of craps in the long run - it's called dice control. No betting systems, no hedging systems, no on/off systems, no "go with the flow" systems," and no prayers can make this negative expectation game a positive long-run experience for the typical craps player.

The traditional craps player is a loser, no matter what style of betting he pursues because the game is structured to mathematically beat all betting and hedging systems. The casinos know that fact, even if some players and some so-called experts don't know it, and the casinos happily go to the bank with their huge winnings from the players.

But Golden Touch Craps dice control can change the nature of the game to favor you, the player! By controlling the outcomes of your roll, you can change the statistics of the game to turn the tables on the casinos. It takes practice but it can be done.

In words and pictures, dice control experts Frank Scoblete and Dominator will show you what it takes to develop a Golden Touch controlled dice throw at craps.

But that's not all. You'll get to read what the Golden Touch Craps dice control instructors have to say about all aspects of getting an advantage at the game. The Golden Touch Craps dice control instructors are the greatest dice controllers in the world. Join them and learn how to make craps a winnable game for you.

In addition, the world's greatest craps player, and the father of the modern dice control movement, the Captain, who started using dice control in 1978, will give you his insights as well. If you have any interest in beating the casinos at their own game, this is the book you must read.

Over 90 PHOTOGRAPHS and great instruction will show you everything you need to know to make craps a positive game for you!

Frank Scoblete, gaming's #1 best-selling author, and Dominator, the world's greatest dice controller, the Golden Touch Craps dice control instructors and the one-and-only Captain will show you the only method that can beat the game of craps. You'll learn:

• The Physical Elements of Dice Control: the stance, the scan, the dice sets, the grab, the grip, the pickup, the throw, the backspin, and the bounce • Where and how to land the dice • How to hit the back wall properly • The proper arc for the dice on different types of tables • The proper betting to exploit your edge over the casinos • The proper betting on random rollers • How to use the Captain's 5-Count • The proper bet spreading techniques • How to get more comps for less risk • How to get a monetary edge over the casinos - even against random shooters! • How to employ camouflage to cover your dice control skills • The proper bankroll needed to play at various betting levels • The P.O.W.E.R. Plan for educated risk takers • How to fix the most common problems that can hurt your shooting • How to form winning dice control teams

Read the legendary Captain's advice and the advice of the Golden Touch Craps instructors: Jerry "Stickman," Howard "Rock `n Roller," Billy the Kid, Mr. Finesse, Street Dog, Bill Burton, Wordslayer, No Field Five, Pit Boss, Chip, Tenor and Satch, an original member of the Captain's Crew.

If you want to win at craps, this is a must-read book! Learn dice control and get the edge over the game of craps.

Frank Scoblete and Dominator have been featured on television shows on the Travel Channel, the History Channel, A&E, the Discovery Channel, CNN, and TBS. You can read about their craps records at World Records on the Golden Touch Craps web site.

Customer Reviews:

Control Shooter.......2007-09-14

While the substance and advice is excellent, there is an investment required in reading time, to be spent digging out working proceedures.
A good portion of this book is spent glorifing other shooters, as well as the author.

Excellent Material.......2007-05-26

For the novice wanting to improve their ability at the Craps table, this book is must reading.

Excellent book; highly recommended.......2007-04-01

If you want to learn about dice control, this book is for you. The photographs of how to set, grip, and toss the dice makes understanding the technique a whole lot easier. Since reading the book, I've been practicing my dice control but I also had the opportunity to observe and play with the authors several times in different casinos. Their dice control skills are unbelievable and I only wish I could win as much money as I saw them win (and their was no heat from any casino while they played). I'm looking forward to mastering my dice control skills and finally playing craps with an edge over the casino. Thank you Scoblete and LoRiggio for showing the rest of us how to win at craps.

Good Books, Needs Some Clarification.......2007-03-29

There is one major flaw with the whole dice setting and dice control theory; Frank Scoblete is not an expert on physics and his descriptions of why dice control works don't add up. He claims if you throw dice a certain way then certain numbers would show less frequently turning the close craps odds of the good bets in your favor. I definitely buy this and in the 3 times I have gone to a casino since reading this book, I have won all 3. I think my rolls have been slightly longer, but still the science doesn't add up. No matter how close or how far you are from the wall, once the dice hit the pyramid shaped objects, they are bound to randomize the dice roll. This takes away from a lot of what Frank says. However, he claims that you must hit the wall lightly to help dissipate the energy of the throw. I believe that Frank and other heavy gamblers could defintiely find a way to tilt the odds their way through holding and throwing the dice for sure, but I think the reasons why it work that are explained in this book need more work... unless he saves those reasons for the expensive videos he entices you to buy throughout this book. All that being said, it is a good book and an easy read and will dispel certain theories you may have thought were good, but there is no sure fire way for the average craps gambler to beat the house and my recent luck has come from playing certain fundamental odds, betting smart and maybe some minimal dice control.

This book is still recommended though for entertainment value and some decent strategies that may help you, maybe dice control will be one of those strategies!

Vegas Would Be A Ghost Town!.......2007-03-24

After reading this book as I did, you may have a great feeling of confidence and a new interest in the game of craps. Don't get carried away though. There are studies that refute any influencing of the dice by dice setters. The only studies mentioned are by those who are selling dice setter information. The methods in the book are certainly worth experimenting with, but not with your hard earned money. If you have been to Vegas recently its apparent that many people have read this book and are trying out the theory of dice setting. Does anyone think if dice setting took even a tiny part of the casinos profit that it would be allowed to continue? I think casinos love people who have read this book and try to beat the game.

Books:

Books Index

Books Home

Recommended Books