Reasons for Knocking at an Empty House: Writings 1973-1994

Book Description

Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks.

For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomena of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism. Viola's chief concerns today are to draw attention to the upset ecological balance of nature by focusing on the connection between our inner and outer lives, on the conception of the self as part of the whole.

Published in association with the Anthony d'Offay Gallery, London

Customer Reviews:

EXCELLENT.......2001-11-15

A MUST FOR ALL HORSE LOVERS. HAVE A GOOD LAUGH AT READING THE HUMOUR SIDE OF HORSEMANSHIP, FANTASTIC PICTURES/WORDINGS. THIS AUTHOR IS ABSOLUTELY BRILLIANT AT HIS OWN CREATION OF THESE LITTLE CREATURES, THIS BOOK IS A MUST-BUY FOR ALL AGES - YOU'LL NEVER GET TIRED OF IT. I LOVE THESE BOOKS EVEN SINCE I WAS INTRODUCED TO THEM WHEN I WAS A LITTLE GIRL, AND HAVE A COLLECTION OF THEM. LIKE I SAID YOU'LL NEVER TIRED OF THEM.

I loved it!!!.......1999-05-22

The ponies were cute and funny and I loved their expressions

Thelwell Laughter Case: Brat Race / Thelwell Goes West / The Effluent Society / Belt Up

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Thelwell Laughter Case: Brat Race / Thelwell Goes West / The Effluent Society / Belt Up
N. Thelwell
Manufacturer: Arrow (A Division of Random House Group)
ProductGroup: Book
Binding: Paperback

Amazon.com

Those who have no sense of photographic history--and think of color photography as having its origins in the 1930s or '40s--may be stunned into silence by this homage to the invention that revolutionized the art form at the turn of the century. John Wood presents a selection of the finest surviving examples of the autochrome process here, including the work of still life masters Heinrich Kuhn and Wladimir Schohin, the painterly Antonin Personnaz, and the now-forgotten Gervais Courtellemont, whose work was widely published in National Geographic in the '20s. Wood also showcases the efforts of pre-Revolutionary Russian writer Leonid Andreyev and American studio portraitist J. B. Whitcomb, whose autochromes were not discovered until the '70s and '80s; the find of Andreyev's autochromes (by archivist Richard Davies) is trumpeted by the author as "one of the most important photographic discoveries ever made."

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Autochromes (Photo poche)
Poche Photo
Manufacturer: Centre D/L Photograp
ProductGroup: Book
Binding: Hardcover

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Autochromes of J. H. Lartigue
Jacques-Henri Lartique
Manufacturer: Studio
ProductGroup: Book
Binding: Hardcover

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ASIN: 0670142506

The Autochromes of J. H. Lartigue, 1912-1927 (A Studio Book)

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The Autochromes of J. H. Lartigue, 1912-1927 (A Studio Book)
Jacques Henri; Herscher, Georges; Coe, Brian W. (translator) Lartigue
Manufacturer: Viking
ProductGroup: Book
Binding: Hardcover
ASIN: B000MASLA4

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The Autochromes of J.H. Lartigue, 1912-1927.
J.H. LARTIGUE
Manufacturer: see notes for publisher info
ProductGroup: Book
Binding: Paperback
ASIN: B000RJDYUW

The dawn of color: Eight dye transfer prints made from original Karl Struss autochromes

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The dawn of color: Eight dye transfer prints made from original Karl Struss autochromes
Karl Strauss
Manufacturer: Stephen White Gallery
ProductGroup: Book
Binding: Unknown Binding

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ASIN: B0006Y5DMA

Farben aus der Dunkelkammer: Die Autochrome des Franz Bertolini, 1908-1925

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Farben aus der Dunkelkammer: Die Autochrome des Franz Bertolini, 1908-1925
Franz Bertolini
Manufacturer: Haymon
ProductGroup: Book
Binding: Hardcover

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ASIN: 3852182247

La couleur sensible: Photographies autochromes, 1907-1935 : [exposition] Centre de la Vieille Charite, 19 decembre 1996-16 fevrier 1997

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La couleur sensible: Photographies autochromes, 1907-1935 : [exposition] Centre de la Vieille Charite, 19 decembre 1996-16 fevrier 1997

Manufacturer: Musees de Marseille
ProductGroup: Book
Binding: Unknown Binding

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ASIN: 2901402461

Tel Fut Monplaisir: Berceau de l'Autochrome et du Cinematographe

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Tel Fut Monplaisir: Berceau de l'Autochrome et du Cinematographe
J.F. Chemin-Doublier
Manufacturer: les Editions du Vingt Mars
ProductGroup: Book
Binding: Paperback

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ASIN: 2907922238

Product Description

French cinema history: filmmakers Gabriel and Francis Doublier.

Villages et villageois au Tonkin, 1915-1920: Autochromes

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Villages et villageois au Tonkin, 1915-1920: Autochromes
Leon Busy
Manufacturer: Conseil general des Hauts-de-Seine
ProductGroup: Book
Binding: Unknown Binding

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ASIN: 2906599042

Book Description

Godspeed: The Kurt Cobain Graphic takes Cobain's story and plays it out as a totally unique graphic novel. From the luminous colours of an idyllic childhood through the flamboyant hues of success and stardom, Cobain's story inevitably declines into a much darker palette. The script draws from the singer's tortured self-image as well as straightforward biographical fact so that the tone of the book fluctuates between subjective dream-state and objective reality. Much more than a biography, Godspeed is unlike anything you have read about Kurt Cobain before. Going beyond the facts, it transmutes Cobain's extraordinary life into an equally extraordinary work of art.

Customer Reviews:

A good day to be indigenous . . ........2005-01-24

Not surprisingly, as in any culture, there are many voices speaking for and about American Indians, representing them from many points of view. Alexie's is one, and the director of "Smoke Signals," Chris Eyre, is another. Reading the extensive notes at the end of this screenplay, where Alexie describes the creative decisions that went into the making of the movie, you can see how each of them pushed for a different vision of the material. And the end result is a moving and humorous film about damage done and the journey that leads to healing - a theme certainly appropriate to a story about American Indians but also relevant to people of all cultures.

The debate among Alexie's readers is expressed dramatically in the movie, "The Business of Fancydancing," in which a writer who makes a career for himself outside the reservation (not unlike Alexie himself) is received coldly by old friends who feel that he's betrayed his people. The violence in that film (against a stranded white tourist) is a darker vision of Indian rage, the seeds of which are represented in the character of Victor, in "Smoke Signals." Looking at just these two stories from the same author, you can see something of the competing points of view that can produce either praise or derision for this film, where "It's a good day to die" is wryly transposed into the wonky observation, "It's a good day to be indigenous."

I can think of really only one reason for reading this book. For screenwriters, it reveals how a screenplay is transformed in the process of making a movie, in this case by the director, the performers, Miramax's Harvey Weinstein, preview audiences, and in particular the editor. Scenes were shifted or eliminated, and dialogue has been added to patch over some of these structural changes. The result is arguably a very different film from the one Alexie originally wrote.

Anyone else should simply buy or rent the DVD. And then follow it up by reading the wonderful collection of stories the film is based on, "The Lone Ranger and Tonto Fist Fight in Heaven." Also recommended: Adrian Louis' darkly humorous and angry novel set on the Pine Ridge reservation in South Dakota, "Skins."

offensive.......2004-12-17

In this book about the reservation is full of caricatures of Native Americans. I find it hard to believe that a person who has not grown up on a reservation can write about reservation life and it's people. I am native american who grew up on the reservation, never have I seen people represented in this book in real life. The characters and situations remind me of what a non-native would think how natives act. If you really look around at other movies and stories, you will see these characters or I should say caricatures. This book and it's movie is on the level of the movie of Suzanne of the Rockies. If you really want to read a good book on Natives and Reservation Life read Skins by Adrian C. Louis, a person who has lived on the reservation. "Who's your favorite Indian?", "It's a good day to be Indigenous" come on Sherman, who really says that ?

Why I use this film to teach troubled teens.......2003-12-10

I work as a psychotherapist with adolescents and young adults. I use "Smoke Signals" with them by assigning them to rent and view the movie, which is always enjoyable because it's witty, humorous, wise, and significant. The movie poses two essential questions: 1) If someone else has mistreated, hurt, abandoned, or disrespected you, is it possible to forgive them if they've NEVER asked forgiveness, never done anything to "put it right," never returned in atonement to undo the damage, and never begtun to deserve it? And 2) if it *is* possible--and it may not be--SHOULD you? Because if you do, doesn't that just make you a willing victim by letting them "get away" with what they did, and pretending the relationship is okay again?

Victor lives in the tension of this dilemma. As a 12-year-old youth, he witnessed the effects of alcohol on his family. His father vascillated between being loving and instantly "turning" to become hostile, violent, and humiliating to the young boy. Victor finds himself becoming more deeply embarrassed by his family's domestic abuse and alcohol use, even defiantly scolding his own father that his favorite Indian is "Nobody...nobody...nobody!"

Victor's mother awakens the next morning to see Victor angrily smashing his father's beer bottles on the back of his father's picup truck (the two things he believes his father loves more than him), and the epiphany stuns the mother, who insists on an immediate end to family drunkenness. Proving Victor's fears true, the father--forced to choose between alcohol and family--flees the family, and never returns. It is within that unchanged arrangement that his father dies, 8 years later, having never returned home.

Victor and his oddball companion Thomas make a side-splittingly funny journey south from Idaho to Phoenix together to make arrangements for the father's possessions, confronted by the racism, peculiarities, and hostilities of the non-Indian "outside" world. Thomas, having never seen the dark side of Victor's father, irritates Victor with incessant stories and tales about the dad's greatness.

Victor, having been so deeply wounded and sold-out by his father's abandonment, has become tough, fierce, aggressive...and lonely. "You can't trust anyone!" he scolds. "People will walk all over you!" His mistrust poisons his friendships, family, and feelings about his father. He's become just another tough guy, hardened by family violence and substance use.

In Phoenix, Victor finds an essential artifact of his father's life: a worn-out photo with "HOME" written sloppily on it. At once, Victor begins to realize that his father's fatal flaw was COWARDICE: the father could confess his sins to new companions a thousand miles from home, but could never return home and undo the damage he'd caused. And so his son has suffered for 8 years. Victor begins to realize that he himself is allowing his actions to damage others, and that it is cowardice, not manly independence, that controls his decision to remain distant and fierce.

Victor slowly begins to repent of his own abusive toughness, cutting his hair in symbolic repentance (traditional hair-cutting is done either in grief, or in repentence for shameful behavior). The process of discovery continues when Thomas angrily confronts Victor about Victor's own behavior: remaining cold and distant from his own mother, acting forceful and ruthless to others, etc.

Victor ends the film by freeing himself of his 8-year hostility toward his unforgiven father, and in that final act of forgiveness we find that the greatest benefit is for VICTOR, who becomes kinder, funnier, gentler, and more confident in his friendships. The significance of forgiveness, he learns, isn't to let someone else off the hook, but to let one's own self off the hook of the pain caused by another, rather than carrying that pain inside for years.

In the final scene, this release of aged anger is represented by the cathartic release of his father's ashes into a river, meaningfully shown in film montage as expanding in power from streams into torrents, much like the energy of either a person enraged or a person set free.

It is at the end of the film that we really begin to understand Thomas' original cryptic remark at the beginning, "Some children aren't really children at all. They're just pillars of flame that burn everything they touch. And some children are just pillars of ash, and they fall apart as soon as you touch them."

Not one single person yet who's watched this film at my urging has disliked it.

transcends culture.......2001-09-13

Every now and then I find a book or a movie, ostensibly about a culture not my own, that does more than educate me; it reaches into my heart and shows me what we share instead of where we differ. This movie was one of those experiences. Anyone who has had a difficult relationship with their father will relate to this story. Beautifully acted, and some very funny moments too.

What can I say..........2000-02-24

What can I say about an author that evokes so many emotions in one time. This movie ranks in my top 5 of all time, right beside Stand By Me, Dances with Wolves, and Schindler's List. This is classic Alexie at his best: thought provoking and haunting at times, yet also witty and even hysterical (especially the song about John Wayne's teeth-I had to stop the movie for about 5 minutes I couldn't stop laughing!). He captures both good and dark perspectives in his own unique brand of writing. He is a highly talented author and a truly unique human being.

Rock Hanon: 70 Exercises for the Beginning to Professional Pianist
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Rock Hanon: 70 Exercises for the Beginning to Professional Pianist
Peter Deneff
Manufacturer: Musicians Institute Press
ProductGroup: Book
Binding: Paperback
Similar Items:

Jazz Chord Hanon: 70 Exercises for the Beginning to Professional Pianist

Blues Hanon: 50 Exercises for the Beginning to Professional Blues Pianist (Private Lessons / Musicians Institute)

Virtuoso Pianist in 60 Exercises - Complete: Piano Technique

Jazz Hanon: (EFS 223) (Hanon Series)

Blues Piano: Hal Leonard Keyboard Style Series (Keyboard Instruction)

ASIN: 0634064401

Book Description

The latest in our popular series of Hanon books, this volume for rock keyboardists features 70 essential exercises in a variety of styles: classic rock, pop, progressive rock, rockabilly and more, all based on the requisite Hanon studies. The exercises address major and minor modes, blues scales, pentatonic scales, workouts for right and left hands, and more. Doing these exercises is guaranteed to build fluency in twelve keys! Also includes suggested fingerings and suggestions for practice. Other Hanon books available by Peter Deneff: Blues Hanon - 00695708 Guitar Hanon - 00695321 Jazz Hanon - 00695554 Salsa Hanon - 00695226

Book Description

You can go back, and here's howRemember the days—and quarters—you spent pursuing aliens, fleeing ghosts, and gobbling dots in that beloved arcade? They’re hiding in these pages, along with diagrams, directions, plans, and materials lists that will enable you to build your very own arcade game. Construct joysticks, buttons, and trackballs; build the console and cabinet; install and configure the software; crank up the speakers; and wham! Step across the time-space continuum and enjoy all those classic games, plus dozens of new ones, whenever you like.

Start Here

1. Plan for your space and budget
2. Design and build the cabinet
3. Construct the controllers
4. Build the console
5. Pick an old game’s brain
6. Install the emulator
7. Convince a PC it’s a game
8. Connect a monitor and speakers
9. Add a marquee
10. GO PLAY!

Includes diagrams, detailed instructions, essential software, and more

CD-ROM Includes

Complete cabinet plans and diagrams
MAME32 software
Paint Shop Pro® evaluation version
Links to hundreds of arcade cabinet projects

Customer Reviews:

A invaluable reference for your Arcade Project.......2007-07-16

I was tossing around the idea of building a Home stand-up Arcade unit but never found the right reference material to get me started. When I saw the review of this book I thought to myself, "Why not give it a try, it can't hurt!" Oh man was this was the best choice to make!
Project Arcade: Build Your Own Arcade Machine by John St. Clair is a great book!
I love this book!
It was full of detailed information on everything about arcades! Controllers, arcade construction, monitors or TV or CRT that are just for Arcades, Arcade applications and software, such as MAME and jukebox.
It had web addresses to search for arcade parts and manufacturers.
The section on hooking things up was probably the most valuable part of the book. Without this information I would have been lost and trying to connect all the buttons, controllers, spinner, and trackball would have been near impossible! It took the fear and uncertainty out of the entire process!
You don't even have to follow the book to the letter; you can make modifications or take bits and pieces and use what you need!
Ii provided all the necessary up-front information I needed to get started with my Arcade Project. I know that I wanted to make a MAME Arcade console and I wanted it to be a stand-up! This was perfect because the book walks you through the building of a stand-up arcade unit!
I have to admit that I did make some structural enhancements to my arcade unit but that was it. I used the book to get ideas on the controls... such as joysticks, trackballs, buttons, and interfaces for all the controls.
This book truly is incredible! I want to personally thank the author for writing this book because without it I would not have finished the beautiful Stand-up Home Arcade Unit I have in my house right now.
Thank you so much!
If you want to build your own Arcade Unit then buy this book! Go right now and pick it up! Stop reading and go already....
NOW!

A very, very thorough product.......2007-07-03

It covers everything you need to do, from start to finish. I especially like the in-depth reviews of the different controllers and how to tweak or hack them. Very informative. I think the highest praise I can give this book is that I was very motivated to build a machine until I read this book. This book very clearly and explicitly laid out what I would be doing, and it convinced me that I did not really want to undertake this project. It sounds like backwards compliments, but seriously, what could be more valuable than convincing the reader that they are out of their depth PRIOR to spending the money on the materials, the computers, the controllers etc.

Great.......2007-05-29

Very informative. A must read for anyone interested in building their own arcade machine or controls.

The most detailed "how-to" I've ever purchased.......2007-01-11

Many people will tell you that all the info in this book is readily available online...and it is. However, it is no where near as in-depth as the content in this book is. It tell you EVERYTHING you could possibly need to know about how to build your own arcade. I've taken the plans from the book, and made a few modifications myself, but do you really want to be running back and forth to your computer to look up some info in the middle of building? No! Instead buy this book. You'll have it handy, and it provides so many more tips than any online guide does. Plus, the high-res detailed plans that come on the CD were great. I printed them out, and the 1" grids made it super-easy for me to make the cuts and draw in my own modifications. My cabinets almost done, and I would recommend this book to anyone interested in making their own.

Excellent Guide on Building an Arcade.......2007-01-10

I have used this book to build 4 arcades. It's step by step process is great for someone (like me) who wasn't strong on woodworking or electrical.

Book Description

Wayne Munson examines the talkshow as a cultural form whose curious productivity has become vital to America's image economy. As the very name suggests, the talkshow is both interpersonal exchange and mediated spectacle. Its range of topics defies classification: from the sensational and bizarre, to the conventional and the advisory, to politics and world affairs. Munson grapples with the sense and nonsense of the talkshow, particularly its audience participation and its construction of knowledge.

This hybrid genre includes the news/talk "magazine," celebrity chat, sports talk, psychotalk, public affairs forum, talk/service program, and call-in interview show. All share characteristics of lucidity and contradiction—the hallmarks of postmodernity—and it is this postmodern identity that Munson examines and links to mass and popular culture, the public sphere, and contemporary political economy.

Munson takes a close look at the talkshow's history, programs, production methods, and the "talk" about it that pervades media culture—the press, broadcasting, and Hollywood. He analyzes individual shows such as "Geraldo," "The Morton Downey Show," "The McLaughlin Group," and radio call-in "squawk" programs, as well as movies such as Talk Radio and The King of Comedy that investigate the talkshow's peculiar status. Munson also examines such events as the political organizing of talkhosts and their role in the antitax and anti-incumbency groundswells of the 1990s. In so doing, Munson demonstrates how "infotainment" is rooted in a deliberate uncertainty. The ultimate parasitic media form, the talkshow promiscuously indulges in—and even celebrated—its dependencies and contradictions. It "works" by "playing" with boundaries and identities to personalize the political and politicize the personal. Arguing that the talkshow's form and host are productively ill-defined, Munson asks whether the genre is a degradation of public life or part of a new, revitalized public sphere in which audiences are finally and fully "heard" through interactive.

Customer Reviews:

jordanian woman , age 21 , studing accounts.......1999-09-11

my name is eman , i stil studing at the university , i study accounting , my age is 21 , i live in Amman the capital of Jordan , i have 4 Brothers , and 3 sister

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