The Guild Handbook of Scientific Illustration

Book Description

The Guild Handbook of Scientific Illustration, Second Edition
Sponsored by the Guild of Natural Science Illustrators and written by top illustrators, scientists, and industry experts, The Guild Handbook of Scientific Illustration, Second Edition is an indispensable reference guide for anyone who produces, assigns, or simply appreciates scientific illustration.
Offering broad coverage and more than 620 outstanding illustrations, this new edition offers up-to-date coverage on all aspects of this specialized field, from illustrating molecules and 3D modeling to important material and advice on copyright and contractual concerns, as well as establishing a freelance business.
With step-by-step instructions, in-depth coverage of illustrative techniques and related tools, and helpful advice on the day-to-day business of scientific illustrating, it is easy to see why scientific illustrators refer to this book as their "bible."

Customer Reviews:

The definitive reference for scientific illustration.......2003-06-04

Since its first edition this book has been by far the best single resource available for anyone with a serious interest in scientific, medical, biological, nature, botanical, or wildlife illustration.

Don't be daunted by the price - this book is worth far more than the next 10 competing books combined. I've been a professional medical and scientific illustrator for 35 years, and I own hundreds of books on the subject, but I think this single volume should be the foundation of any reference library on visual communication in the biomedical sciences.

There is no greater guide to Scientific Illustration . . ........2001-06-19

ELaine Hodges' "The Guild Handbook to Scientific Illustration" is truly a landmark as a reference and the finest on my shelf -- and I cannot count the times I've sought it since 1989 out either to clarify a client's request or as a refresher for some obscure technique (carbon dust, for example) . . .

Even though the book is quite expensive even by reference standards (twice its price of 1989), I would purchase it again without hesitation. Truly, there is no question of hand technique that is left unanswered . . .

If that were not enough, the volume weighs over two kilos and could also prove a formidable weapon . . .

The book is the final word in scientific illustration.......1999-06-29

Over and over in my work I found myself referring back to this encyclopedic manual. A must for all those in the field of scientific illustration, and a huge help for graphic artists and illustrators in general.

Most authoritative single book in the World in the subject!.......1995-09-21

The most extensive coverage of media and subject matter for use in creating science art. For use by practicing illustrators.

GUILD HANDBOOK OF SCIENTIFIC ILLUSTRATION

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GUILD HANDBOOK OF SCIENTIFIC ILLUSTRATION
E.R.S. HODGES
Manufacturer: JOHN WILEY AND SONS LTD
ProductGroup: Book
Binding: Paperback
ASIN: B000N5BENE

GUILD HANDBOOK OF SCIENTIFIC ILLUSTRATION, 2 EDITION

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GUILD HANDBOOK OF SCIENTIFIC ILLUSTRATION, 2 EDITION
HODGES
Manufacturer: JOHN WILEY AND SONS LTD
ProductGroup: Book
Binding: Paperback
ASIN: B000N5F87M

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?

Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.

Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..

Historians are kindly invited to report the bugs.

Weapons Of The Gods #10 (Weapons of the Gods (Graphic Novels))

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Weapons Of The Gods #10 (Weapons of the Gods (Graphic Novels))
Tony Wong
Manufacturer: ComicsOne
ProductGroup: Book
Binding: Paperback

General | Comics & Graphic Novels | Subjects | Books

Fantasy | Graphic Novels | Comics & Graphic Novels | Subjects | Books

General | Humor | Entertainment | Subjects | Books

Book Description

Hong Dong risks everything to save her true love Bufon Ju. Also, Tian and Blackheart Nan face off against Fire Lord and his minions.

Book Description

Translated by Audie E. Bock.

"A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction."
--Variety

"For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments."
--Washington Post Book World

Customer Reviews:

An Honest work.......2007-09-08

Kurosawa illuminates for us his whole life, warts and all. Upon reading this I never knew what a sensitve person this man was, from the time he was an early member of the Japanese Communist Party to his older brother's tragic suicide, Kurosawa leaves no stone unturned in this revealing autobiography. Although it does not cover his whole life (I believe in stops in 1980) he spends a great deal discussing each of his film projects all the way from his early days at the Toho Studios. I am reminded of my favorite quote from Kagemusha, "The shadow of a man can never desert that man. I was my brother's shadow. Now that I have lost him, it is as though I am nothing."

Kurosawa's kite.......2007-07-17

The book got into Kurosawa's mind and laid down the roots of his philosophy in filmmaking. It showed his genesis as a filmmaker. It gave insight into how his films happen. A beautiful work -- I loved it.

Something Like A Review.......2005-10-13

One of the greatest pleasures imaginable is to investigate a body of cinematic work, and then, to learn about its creator from his own persepective on his life and art.

There is tremendous satisfaction in seeing the personality of the director reveal itself in the work and to re-view the films with new knowledge of the creator. This may not be a false track, although auteur theory has a bad rap right now. Kurosawa, in the conclusion of his autobiography said, "look for me in my films".

Kurosawa was a genius, his films full of life and compassion, and strength. He did not look away from ugly truths in his life or art. (Read the autobiography and understand the significance of this approach!)

I recommend this book as the touchstone for a deeper appreciation of the art of Kurosawa, for an understanding of his complex personality, and for the human warmth that comes across in his reminiscences. By the end of the book, you will want more, of course. It will seem to end abruptly and too soon. You will have many questions that you will wish to have answered. But then, we'll take Kuroswa's advice. We'll look for the man in his films.

To understand the films, understand the man.......2005-08-26

Some people have criticized this book, saying Kurosawa does not go deep enough into his films, particularly his later ones, and why he did what he did. In all honesty, maybe the popularity over this book is poorly done - all the reviews on the front and back cover talk about it like Kurosawa will explain his movies in detail, and most often advertisements will talk about how if you like his movies you should read the book. But as Kurosawa himself says in the preface, he did it really out of encouragement from friends and in an effort perhaps to do what Jean Renoir did do and John Ford did not. As the title suggests, it is really a more personal, casual, reflection upon his life from his birth to the filming of "Rashomon," his first international success, in 1950. In a way, the personal route may be a humbling experience to the film guru or the Kurosawa fanatic. Too often directors or filmmakers are treated - as many artists are, in fact - more like a synopsis of their latest work. We constantly hear about how masterful Stanley Kubrick was and what his methods were, but who was he really? What school did he go to? Who were his friends? His teachers? What was his family like? What were his boyhood passions? Who is this man behind the camera?

Kurosawa tells us that in his story from his first memories as a child ("I was in a washtub naked," page 3) through his school years and through a tough young adulthood. It is all very well written, and actually quite interesting, particularly the segments on Mr. Tachikawa, who we can probably thank for Kurosawa's love of painting, his brother forcing him to face his fears, (not only of water, but of death as well) and two daring but stupid moments in a mountain village where he almost killed himself to impress the local children.

Kurosawa's growth is nearly coincidental with Japanese history. Just as Japan was constantly changing through out the 20th century, so to was Kurosawa. Forced to participate in a military program at his school, he takes every opportunity to belittle or make a fool of his army captain. His venture into art is like an odd adventure, going from joining a socialist art movement (nearly being captured by the Japanese secret police!) to living on his own to writing scripts and eventually joining Photo Chemical Laboratory. (later Toho Studios) He discusses marrying an actress because he was afraid of never being married before the "Honorable Death of the Hundred Million" many Japanese believed they would commit if invasion seemed immenant. This eventually goes on to his work as an Assistant Director, and later making his very own films through Toho and later Daiei after the Toho Studio strikes. These parts will be more to the liking of the film guru, as Kurosawa does give backstory to the inspirations behind his early work.

During this time period he speaks a lot of his family and the friends he got to know. His brother is such a remarkable and likeable character that when he commits suicide you really do feel sad. I took a particular love for Kurosawa's father: although some may see him as a bit harsh when he berates his wife for placing fish wrong or getting upset with his son for failing courses, one shouldn't dismiss him with the simple western stereotype of the tough father for he does have a heart. When Kurosawa's wife becomes pregnant and he pays a visit to his family, his father gives him a large bag of rice and says it is for his pregnant wife, not wanting her to go hungry in a time when food was scarce in Japan.

Perhaps, in the end, it is really fitting that Kurosawa focus so much on his personal feelings rather than his film. If you have watched his films and studied them, you will see the influences from his past life in those very films. "Something Like an Autobiography" was written long before Kurosawa made "Dreams," yet I found myself recalling the film reading this book. Besides his references to mountain climbing, he also talks about how in his father's village children would place flowers over a rock, and he learned that long ago a warrior had been killed and the villagers buried him there out of pity and placed the rock over his grave, so now children place flowers on it whenever they pass out of respect. Sound familiar? I also smiled at the section near the end when he discusses a Daiei studio executive - one who had been so steadfastly against making "Rashomon" - coming on TV and speaking for the film as if he was the mastermind behind it. I was thinking of the Deputy Mayor in "Ikiru," who is against the park project from the beginning yet after Watanabe's death takes all the credit. Maybe Kurosawa alludes to this kind of art reflecting life on page 163 when he mentions the oddly impeccable timing of "The Cuckoo Waltz" while dubbing "Drunken Angel."

This is a recommended read for any one interested in film or Akira Kurosawa's life - it is easy to read, full of wisdom, and is very frank and personal. As I said, it's not a 198 page thesis on his films, but as Kurosawa says in the book he does not enjoy explaining his films - he puts into his films what he has to say and leaves it at that. As the last line of the book says, "There is nothing that says more about its creator than the work itself."

An inspiration.......2005-06-03

Kurosawa's insistence on the need for a good script in his films is inspiring to future script writers. I have not written any of these yet his book makes me want to write scripts when I am more of a travel writer. If you want insight into why this man made the beautiful and provocative films that he did, this is the book for you.

Fool in Love: One Man's Search for Romance . . . or Something Like It

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Outrageous!
Funny & Nostalgic
Excellent!
Soul Food!
What a Birthday Gift!

Fool in Love: One Man's Search for Romance . . . or Something Like It
Steven Ivory
Manufacturer: Touchstone
ProductGroup: Book
Binding: Paperback

African-American & Black | Ethnic & National | Biographies & Memoirs | Subjects | Books

General | Ethnic & National | Biographies & Memoirs | Subjects | Books

General | Biographies & Memoirs | Subjects | Books

Women | Specific Groups | Biographies & Memoirs | Subjects | Books

Journalists | Professionals & Academics | Biographies & Memoirs | Subjects | Books

Memoirs | Biographies & Memoirs | Subjects | Books

Love & Romance | Relationships | Health, Mind & Body | Subjects | Books

Marriage | Relationships | Health, Mind & Body | Subjects | Books

General | Social Sciences | Nonfiction | Subjects | Books

Book Description

The delirious pursuit of love is a search that inevitably takes us all both down the well-beaten path and into new, uncharted territory. In this collection of thirty-three heart-tugging and hilarious essays, celebrated Electronic Urban Report columnist Steven Ivory chronicles his lifelong quest for that thing we all crave: The Meaningful Relationship.

The journey begins with his first love -- his mother -- before making an amusing pilgrimage through lust-filled adolescent affections, an awkward introduction to sex, and a series of poignant and funny adventures of unrequited love, bungled blind dates, and the Ones That Got Away.

Propelled by a wit rivaled only by a willingness to bare his soul, Ivory's revelations on kissing, game-playing, sexual satisfaction, and personal insecurities culminate in a startling, life-altering discovery that touches your funny bone as well as your heart.

Customer Reviews:

Outrageous!.......2006-03-06

I love this book! If you're a fool in love and searching for Mr/Mrs Right, this book will do it for you. Read it, I'll betcha you enjoy it! It's funny, witty and romantic and it will give you some interesting ideals for your next date!

Funny & Nostalgic.......2006-02-17

I didn't want to put this book down! I appreciate the nostalgia found in Mr. Ivory's descriptive childhood stories. Each about his mother and friends were particularly endearing.
I expected his adult romantic recollections to be graphic, but was pleased that he was able to convey his memories without the use of totally explicit language. At times, however, I needed to skim a paragraph to avoid feeling uncomfortable. I recommend this book for it's humor and good-natured stories, but would discourage anyone offended by occasional explicit language.

Excellent!.......2005-09-21

Admittedly I'm a Steven Ivory fan. I've read his column in Electronic Urban Report from the beginning. This book exceeded even my expectations and leaves me looking forward to the next one......

Soul Food!.......2004-09-08

Steven Ivory took me on a journey that satisfied my hunger for intellect and served me humor for dessert! What a joy to read such an honest and poignant work on love and relationships from the male point of view. A secret window through which to gaze upon the masculine spirit, Ivory offers a rare treasure for a women everywhere; as well as a "What, you too?!" for the men. Write on my brother, write on.

What a Birthday Gift!.......2004-07-15

My husband gave me this thing for my birthday and I have to say it is one of the best gifts he ever gave me. I have always been a Steve Ivory fan. I read his weekly column every week on the EUR website. However, recently, I had a bad experience with laser eye surgery and I haven't been able to see clearly let alone read for the past four months. My doctor gave me the okay to read again after my last visit and Mr. Ivory's Fool in Love was just what a girl needed to welcome sight back in her life. I love this book, it is so funny, and every story is about him, something he should write about more in his weekly column.

Something Like Beautiful: A Single Mother's Story of Struggling and Surviving in Urban America

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Something Like Beautiful: A Single Mother's Story of Struggling and Surviving in Urban America
asha bandele
Manufacturer: Bloomsbury USA
ProductGroup: Book
Binding: Hardcover

General | Biographies & Memoirs | Subjects | Books
ASIN: 1596911751
Release Date: 2008-04-15

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Something Like an Autobiography
Akira; Bock, Audie E. (translator) Kurosawa
Manufacturer: Vintage Books
ProductGroup: Book
Binding: Paperback
ASIN: B000OH55HM

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Something Like an Autobiography
Akira Kurosawa
Manufacturer: Alfred A. Knopf
ProductGroup: Book
Binding: Paperback
ASIN: B000K00WLC

Book Description

Looking for creative inspiration? Try consulting the Innovative Whack Pack. This worthy companion to the Creative Whack Pack will fire your imagination! Each card in the deck packs a two-sided creative punch. One side has a provocative insight about innovation from Heraclitus, the world's first creativity teacher. These 2,500 year old ideas - such as "You can't step into the same river twice," "Everything flows," "That which opposes produces a benefit," and "Dogs bark at what they don't understand" -will give you a fresh perspective. The other side contains a creativity strategy inspired by each insight. Roger von Oech enriches these strategies with amusing anecdotes and intriguing questions that will "whack" you out of old thought patterns. The result is a treasury of sixty creativity strategies that include: Appreciate Turbulence, Ask A Fool, See the Obvious, Beware of Hubris, and Reverse Assumptions. Play with the deck on a regular basis. Not only will it provoke original thoughts, it will also become a wise companion whose guidance you will welcome! "The Innovative and Creative Whack Packs are the indispensable salt and pepper of the creative thinker's daily diet." -Andrew Mercer

Customer Reviews:

Save Your Money.......2007-06-30

The book that these flash cards were based on, "A Whack on the Side of the Head" is great book on problem solving and creativity. These cards are not. Save your money or spend it on another book on the topic from another author, such as "Conceptual Blockbusting - A Guide to Better Ideas".

Not Nearly as Good as the Book.......2007-05-23

After reading the book "Whack", this deck of cards was VERY disappointing.

It wasn't a "companion deck" but another condensed version of the book whose ideas were not nearly as well thought out, as well explained or put into a demonstrative use. I was expecting that the deck would help facilitate the ideas from the book -- something that could be used in a group as a teaching tool or alone as a quick means of problem solving. Not so.

The book, however, is *very* worthwhile.

A must-have book in your Creativity & Innovation Library, & must-have card deck on your desk top!.......2006-05-30

I am a raving fan of Roger von Oech's creative work as embodied in his books & card decks, namely:

Books:

- A Whack on the Side of the Head;
- A Kick in the Seat of the Pants;
- Expect the Unexpected;

Card Decks:

- Creative Whack Pack;
- Innovative Whack Pack;
- Ancient Whacks of Heraclitus;

I have used all his creativity stuff ever since I started my own strategy consulting (& book store) business in late 1991.

From my personal & professional experience, I would like to say that the entire collection of Roger von Oech's creative work has been designed to serve three strategic purposes:

- understanding - & removing - your mental blocks;
- breaking your habitual patterns;
- shifting your focus & changing your paradigms;

As a matter of fact, once you appreciate & commit to these three strategic purposes in your life, you will soon realise that there is nothing in this world to stop you from getting rid of old ideas & getting new & fresh ideas.

Allow me to quote Edward de Bono: "...the mind is habitually uncreative - it is usually preoccupied with organising masses of incoming data into convenient patterns. Once this pattern is established, then the mind tends to rely upon that pattern in future situations, in order to facilitate decision making & action in an otherwise complex world..." (The Use of Lateral Thinking).

Breaking old habitual patterns is definitely the first & foremost priority in your journey to creativity!

Once your shift your focus, you begin to change your paradigms or the way you look at the world around you. Always remember this: Your brain follows the direction of your dominant thought. Once you focus on something, that thing becomes the foreground. Everything else around it will fall into the background. Most opportunties are unfortunately hidden in the background. The moment you begin to shift your focus, you are pushing the 'foreground' into the 'background', & pulling the 'background' into the 'foreground'. Get it?

'A Whack on the Side of the Head' will help you to break through your mental blocks. They will open up your mind for innovation. This book is filled with provocative puzzles, exercises, stories & helpful tips.

'A Kick in the Seat of the Pants' takes you on a guided tour through the four stereotype roles of the creative process - Explorer, Artist, Judge & Warrior. Understanding - & applying - these roles will fire up your personal & professional creativity. Tactically, they will change your mental focus as you change to play each of the four roles. I would like to add one more role from what I have learned from the Japanese creativity experts: Antique Dealer. This singular role will allow you to combine all the four roles into one.

'Expect the Unexpected' uses thirty of Heraclitus' (the world's first creativity master) epigrams as creative springboards. It has intriguing questions designed to topple old habits of thought & fire up your imagination.

All the three card decks are basically extensions of the three books, to allow convenient usage during brainstorming sessions.

From my strategy consulting experience, these three card decks have proven to be inexhaustible sources of inspirations.

In fact, the 'Innovative Whack Pack' combines the creative power of both the 'Creative Whacks' & 'Ancient Whacks of Heraclitus'.

I strongly urge readers to seriously consider having the entire collection of Roger von Oech's creative work added to your Creativity & Innovation Library, & all the three card decks placed permanently on your desk top at all times.

Gives You A Fresh Perspective.......2004-03-28

I've been a long time fan of the Creative Whack Pack. I recently got the Innovative Whack Pack, and have found it to be just as powerful in stimulating my creativity. I especially like the way it combines ancient wisdom with practical creativity techniques.

A Fun Companion to the Creative Whack Pack.......2003-10-22

I'm the creator of this deck, and I had fun putting it together. It's like the Creative Whack Pack in that it has provocative and useful strategies for looking at problems and issues in a fresh way. Also, George Willett has done the illustrations (just as he has done for all of my other products). It differs from the CWP in that the stories and examples are a little longer, and also that each card has a 2,500 year old innovation insight (from Heraclitus) on one side and a creativity strategy on the other. Thus, you can use either side to provoke your thinking. In case you're interested, my two favorite insights in the deck are: "The way up and the way down are one and the same," and, "A thing rests by changing." My favorite way of using the deck is to pick one card at random in the morning, and have it be one of my innovation thoughts of the day. If you enjoyed the Creative Whack Pack, I think you'll get a kick (and some ideas) from the Innovative Whack Pack.

TREK CREW COMPANION
Average customer rating:
TREK CREW COMPANION
James van and Hal Schuster Hise
Manufacturer: Pioneer Books, Inc.
ProductGroup: Book
Binding: Paperback
ASIN: B000REWXY0

Average customer rating:
Trek Crew Companion
James Van Hise
Manufacturer: Movie Publisher Services
ProductGroup: Book
Binding: Paperback
ASIN: 155698345X

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