Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. Rosalind Krauss tells the story of the optical unconscious, an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. From Max Ernst's collage novels and Marcel Duchamp's hypnotic Rotoreliefs to Jackson Pollock's drip pictures and Eva Hesse's luminous sculptures, she finds artists who offered readymade images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Customer Reviews:
Can you see the watcher?.......2001-06-26
Kraus's "The Optical Unconcious" is a good companion, as it were, to Martin Jay's "Downcast Eyes." Both discuss the dilema of visuality in Modernist thought and then -whoa - bring out post-modernism just by speaking about the eye and seeing. While Jay gets technical with his notion of "occular centrism," Kraus lets us feel what it means to watch or be watched. Her approach to the male gaze, the fashionable term for good old fashioned voyerism, is that it is natural. Sure, it one can analyse it as a by product of the failure of the industrial revolution to liberate people from work and to bring about more leisure time for the masses (by implication create greater equality - fewer people watching each other in the negative sense). Krauss is right when she insists that looking is a normal, natural occurance in contemporary society. She is also on target about the obsession Americans have with time, and that sight is the quickest method of human understanding. A great book!
unconfortable platform to contemporary culture.......2000-02-09
Through a carefully structured narrative agenda, Rosalind Krauss is able to foreshadow, a compromised and descriptive text, about the contemporary use of the word "understand", specially if applied to the modernist arts and its criticism. Greatly to the advantage of us, lesser audiences, every thesis is exhibited with both academic rigor and narrative richness, permiting thus, the emergence of rich and useful images, powerful to illustrate, vinculate, even sometimes explain, many of the contemporary works of other theorists, that come to the text sometimes to expose, sometimes to poison, the general arguments around modernist production and the understanding of arts. Great for abbandoning oneself into insomnia, it is common to find provocative images, greatly to the advantage of self-involment in the arguments, and to the further underdstanding of the actual state of simbolical exchange, in the present tense. The involment in contemporary thought and debate, and the well constructed historical narrative, provides the text with an surprisingly effective mirror to look at our culture at an compromisingly close viewpoint, in wich many constitutive arguments of contemporary culture today are reflected just as the many of the historical lies that are still at use now at the "explaining" of the artistic pulsions, and its assimilation by the artistic institutions.
Book Description
Bridging the fields of conservation, art history, and museum curating, the twenty-five papers in this volume report recent research on historical painting techniques, including wall painting and polychrome sculpture. Chapters detail the latest art historical research and scientific analyses
of original techniques and materials, with references to such historical sources as medieval treatises and historical descriptions of painting techniques, and discuss the painting methods of Rembrandt and Vermeer, Dutch seventeenth-century landscape painting, wall paintings in English churches,
Chinese paintings on paper and canvas, and Tibetan tankas. The contributors represent museums and conservation institutions from around the world.
Book Description
Abundant photographs and illustrations visually enhance the fundamental information offered in this new book for learning the manual operation of basic equipment, including a 35 mm camera. Unique in its use of student photographs, this introductory-level book provides a starting point for work in black and white photography that fosters ideas, inspires creativity, and serves as a method for measuring one's own work and techniques. Basic darkroom skills are examined including proper exposure of the negative, processing film, and printing, with an emphasis on camera techniques that helps readers fine-tune their personal vision while also serving as a foundation for more advanced photographic techniques.
Customer Reviews:
General Photography Book.......2007-08-24
This book is ok. I am a beginning photographer looking to get back in the swing of things. I t has been quite some time since I last photographed, but had a brief background. This book- is basically for someone that has no knowledge about photography at all. The book explains the basics of the history of photography and functions of the camera...all in all- the book is just ok. Very little talk about HOW to take black and white photos/ balance- moreless photos/ negatives/ and developing in general. Nothing about DSLR's.... JUST OK.
Exploring Basic Black & White Photography.......2005-09-25
This is an excellent book, whether you are shooting black & white or color. It covers camera & lens basics as well as posing, exposure, lighting, development, printing, breaking the rules, & more. It would work well for high school or adults. Our college class finds it easily understandable - the many photos show you exactly what is being discussed. It is far better than some of the more expensive books out there!
Book Description
Black and White Photography, 2E provides readers with the how-to and reference information they need to learn to compose, develop, and exhibit their own first-rate photographs. An ideal resource for beginners, this edition features over 300 pages of detailed information supported by easy-to-understand diagrams and examples of some of the world's best black-and-white photographs. The logical, three-part organization-based on the authors' 20+ years of teaching experience-progresses from the most basic aspects of black-and-white photography through coverage of Zone System and other advanced techniques. All-new chapters on manipulative printing techniques and digital photographic technology ensure that readers are exposed to state-of-the-art techniques while en route to becoming skilled photographers.
Customer Reviews:
Black & White Photography 2nd Edition.......2006-11-10
This book has alot of great information in it. This book is great for beginning and even advance photographiers in that there is so much infomation. Also is a great reference guide if you were to forget some techinque or what filter to use. I really enjoyed this book, learned some new things. I feel that every photographier should have this book.
New to Photography.......2005-02-07
I am in a first semester photography class and this is the textbook. The book has an easy reading style, covers subject in detail, and is very attactively presented, nearly every second page is a full page black and white photo. This is one textbook I will keep. It is beautifully illustrated. As a novice photographer the short coming of the book for me is that there is no information on how the pictures were taken, film used, f-stop etc. I found the glossary and index very helpful.
Customer Reviews:
Enjoyable Overview of Architectural Photography.......2004-06-13
This book provides a good overview of architectural photography, with many inspiring images and much discussion of various aspects of technqiue and the creative process. Buy this book if you wish to explore architectural photography and are looking for ideas and guidance. Don't be put off by the mention of "black and white photography" on the cover -- the content is applicable to colour photography as well.
Average customer rating:
|
Graphic Arts Photography Black and White
John Cogoli
Manufacturer: Graphic Arts Technical Fndtn
ProductGroup: Book
Binding: Paperback
 General
| Photography
| Arts & Photography
| Subjects
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Desktop Publishing
| Graphic Design
| Computers & Internet
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ASIN: 0883621061 |
Average customer rating:
|
The Greatest Ever Jewish Cartoon Book
Neil Kerber
Manufacturer: Robson Books
ProductGroup: Book
Binding: Paperback
General
| Comic Strips
| Comics & Graphic Novels
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Religion
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ASIN: 1861054386 |
Book Description
Why does our popular culture seem so consistently hostile to the values that most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism?
In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbate every serious social problem we face, from teenage pregnancies to violence in the streets.
Michael Medved powerfully argues that the entertainment business follows its own dark obsessions, rather than giving the public what it wants: In fact, the audience for feature films and network television has demonstrated its profound disillusionment in recent years, with disastrous consequences for many entertainment companies. Meanwhile, overwhelming numbers of our fellow citizens complain about the wretched quality of our popular culture--describing the offerings of the mass media as the worst ever. Medved asserts that Hollywood ignores--and assaults--the values of ordinary American families, pursuing a self-destructive and alienated ideological agenda that is harmful to the nation at large and to the industry's own interests.
In hard-hitting chapters on "The Attack on Religion," "The Addiction to Violence," "Promoting Promiscuity," "The Infatuation with Foul Language," "Kids Know Best," "Motivations for Madness," and other subjects, Medved outlines the underlying themes that turn up again and again in our popular culture. He also offers conclusive evidence of the frightening real-world impact of these messages on our society and our children.
Finally, Medved shows where and how Hollywood took a disastrous wrong turn toward its current crisis, and he outlines promising efforts both in and outside the industry to restore a measure of sanity and restraint to our media of mass entertainment.
Sure to elicit strong response, whether it takes the form of cheers of support or howls of enraged dissent, Hollywood vs. America confronts head-on one of the most significant issues of our times.
Customer Reviews:
Good book but he ignores the obvious - the Jewish factor.......2007-08-28
I guess since Medved is a Jew himself, he doesn't touch the fact that Jews are the most influential group in Hollywood and they essentially set the "moral" agenda of various Hollywood film/TV products. Sure there are plenty of powerful gentiles in Hollywood, but it's the Jews who are pushing the envelope and making the top level decisions about how to steer U.S. and Western culture.
As a Jew myself who has lived both in Los Angeles and New York, my belief is that Jews in this country are hell bent on turning America into a secular progressive/Socialist nation. This is why Hollywood constantly attacks the family and church. It's also why Hollywood glorifies all the bad things of society: drugs, gangs, crime, etc. Their basic strategy is to, over many decades, incrementally tear down U.S. society (ie. wreck it) by promoting destructive things such as gangs, crime, perversion, drugs, and promiscuous sex while at the same time ridiculing all the positive things such as family and church. Simultaneously, Hollywood strongly promotes Socialist or "collective" ideals and often glorifies historical Communist/Marxist/Socialist figures... in this way, they are conditioning the youth of America to be open to such ideologies (and, they hope, embrace such ideologies).
There is one religion that Hollywood has pandered to -- Islam. You see, Islam and the West do not mix. Hence, Hollywood views Islam as just another destructive force on America and the West, in the same way that gangs and perverse sexuality are destructive forces. Anything destructive to America is a favorite of Hollywood.
Oh Now I have heard everything............2007-06-16
If Michael Medved (and other conservatives) had their way. We would be watching the 700 Club on all Tv stations. The Sound of Music would be made into all these new versions, and almost all so-called "Family Films" would be rated by the smallest number of people who said that they have our best intentions at heart.
Where in the world do these people get these ideas? I have no idea. But I will tell you this. There is much to complain about Hollywood, but at the end of the day, I prefer the world of the movie studios and film making, rather then the world of dumb politics that this book is full of. Then again, this is what Washington DC is also.
still the best book on what the media is doing to the American mind.......2007-04-15
"Although the quality of craftsmanship in today's motion pictures is hugely variable, their underlying attitudes are not." (p. xx). The year this book was published, movie attendance had plunged to "its lowest level ever in terms of percentage of our population." (p. xviii). Similar results applied for movie rentals.
Thus Medved sets the stage for his detailed presentation of the relentlessly anti-American attitudes of movies and TV, and the fact that these products are not selling, and the fact that the producers of them don't care! Foreign sales of American movies are increasing, where these movies feed the anti-American sentiment being fostered by so many other elements around the world. Hollywood now gets over half its income from foreign sales.
A friend warned Medved that if he published this book, "you're going to become the most hated man in Hollywood." (p. 17). Luckily for us, Medved refused to be intimidated.
Movies have not gotten any better in the years since this book was published. Medved claims that the movies are out of touch with Americans, but there are a great many Americans whom the movies are not out of touch with: the academics, the news industry people, the schoolteachers, the Islamists, the Reconquistadores, and the like. The movies are part of the attempt to "transform" America into something very different. If you want to know what this transformation is and how it works, read While America Sleeps: How Islam, Immigration and Indoctrination Are Destroying America From Within. It will keep you awake at night, but you need to know it.
It's not science, but it's good criticism!.......2007-03-03
Having done my own research on film content, which just happened to include a survey of 1991 releases (which constitute many of the examples used in this book), it was perhaps inevitable that I would eventually read this book.
As a social scientist, I noted numerous parts of the book that contained inaccuracies, exaggerations, and reasoning that was far from air-tight. However, at the same time, I was impressed that, although these elements could (and should) be tightened and corrected, I find most of Medved's arguments to be laudable and generally defensible. Certainly there are many persons who should read this book and evaluate their media consumption habits!
Some of the biggest shortcomings of the book include:
1. Frequent presumptions that general box-office patterns are to be attributed primarily to specific elements of film content (even though other parts of the book are more careful and sophisticated about such things), [**NOTE** new passage added a month after original review:] Since I originally posted my 4 star rating, I have discovered evidence that flatly contradicts one of Medved's claims!!! The nature of this error is so serious that it would cause me to lower my rating from 4 stars down to 3 stars, but Amazon provides no option to allow me to do that. The flaw is Medved's claim that box office dropped dramatically between 1965 and 1966, due to the new permissiveness that was allowed in film with the Valenti-revisions of the the production code and the addition of the SMA ("suggested for mature audience") label. Having looked at the box office figures, I now see no basis whatsoever for Medved's claim! There was a decline, yes, just as there had been and would continue to be for many years before and afterward. There is no way to attribute one year out of that to a shift in the production code, as Medved does. Therefore, this must be considered another case where his claims are exaggerated and overstated, despite my aesthetic and moral basis for agreeing with many of his arguments, and my general support for the kind of criticism that Medved attempts (and the industry's need to consider it). [end of added passage]
2. Poor proofreading, some errors, and a number of passages that are exaggerated. (The proofreading suggests that the book used an early word processor to produce, the errors that I caught are generally minor and don't tend to negate the points he's trying to make, the exaggerations tend to occur when Medved is clearly exhibiting an emotional involvement in the topic.)
These are perhaps regrettable weaknesses, but can be overlooked.
3. Some errors of reasoning can be found in various parts of the book, but again, while these are regrettable in that they will cause some readers to be unconvinced, Medved's failure to make all his arguments logically air-tight doesn't mean that most of the core ideas he relates are unsound. On the contrary, having come to his book years after doing my own research and arrived at *some* very similar conclusions, I know where he's coming from and the kinds of patterns and relationships he's trying to describe, in language that is accessible and convincing to general readers.
Now, for some of the positive features of the book:
1. Medved succeeds in refuting the claim that Hollywood product is simply "giving the public what it wants and demands."
2. Medved succeeds in pointing to some of the patterns in which questionable content has come to pervade most mass media products, even when unnecessary for the effectiveness of the work and when it offends some or most of its potential audience.
3. Medved demonstrates an understanding of some of the debates in aesthetics and criticism, and does a very good job questioning the nature of contemporary criticism, and pointing to some ways in which it (and film critics) falls short and risks becoming totally irrelevant.
4. Medved's exploration of the motivations underlying contemporary standards for film production, film criticisms, and industry awards is probably one of the better ones that has appeared in a widely-available forum in recent years.
5. Medved's introduction and conclusion sections should probably be required reading for anyone who wishes to judge the nature of this book. He is careful to draw a distinction between judgements about artistic merits and a moral evaluation of film content. He also tends to avoid simplistic fallacies that so often pervade this sort of writing, and he also concisely addresses the topic of film censorship that is frequently brought in to cloud the issue of film content. His discussion at no time can be simplified to the advocacy of censorship (as all industry defenders and apologists keep trying to do) and he insightfully cuts through many of the fallacies used by industry apologists in their public statements on these issues.
6. Medved's understanding of the harmful effects of violent (and immoral) media is adequate, and I was impressed that he actually hired a consultant to interpret data at at least one point during the writing of the book, rather than claim expertise of his own in data analysis. I believe that Medved did as capable a job as he could, but he is no social scientist. The results, however, hold up surprisingly well to scrutiny, despite various fallacies that creep into some of his more elaborate efforts to explore and evaluate patterns and trends.
7. Medved's suggestions for filmmakers are good ones! He describes well such issues as the different perceptions of critics when compared to general audiences, includes useful information to suggest differences between the artistic/industry communities and the broader public at large, examines various motivations (historical, political, artistic/personal etc.) that shape film products in ways that are often unappreciated by industry outsiders.
All in all, this book was surprisingly good. It isn't flawless, and there are times when Medved's emotions are not held completely in check, but he usually manages to avoid the sorts of errors that are otherwise pervasive about this sort of subject, and even when he makes mistakes in reasoning and in reporting the data/observations about the media, these mistakes fortunately tend not to contradict the merit of most of his arguments. While most popular authors on this subject may may one or more bold claims and then run with them, Medved is fortunately much more careful. Therefore, when he does stumble, not much of the load he was carrying gets spilled. Unfortunately, the current edition has a Rush Limbaugh blurb on its front cover. This should be removed, even though Medved is apparently not a conservative commentator, because Medved is also correct when he states in this book that the issue of media content is not simply a conservative/liberal political issue. It instead concerns anyone who has a sense of ethics that shouldn't be needlessly contradicted by questionable filmmaking choices and the sort poor aesthetic standards that are common today.
liberals vs. real america.......2005-05-06
Michael Medved is a great man. He almost gets it right in this
book, but he doesn't go quite far enough. He is far too easy
on the liberals who took over the entertainment industry and
have used it ever since as a weapon against normal america.
There is no question that the american entertainment industry
(film and television) is out to destroy, religion, the family,
patrotism, trust in our leaders and support for our troops.
While at the same time, the industry promotes socialism, crime,
secular humanism, sexual deveintism and drug use.
There is also no question about the number of people that the
film industry has destroyed. Medved is very good at chronicaling
the destroyed lives they have caused. And how they turned the
country against our troops during the vietnam war. He is also
good at showing cause and effect. Liberals teach children to
have sex which causes them to get pregenant which the liberals
then solve by getting them to murder babies. Those involved are
so tramatized by the experience that they fall into the trap
of illegal drugs prepared for them by the liberals. Its all
part of one larger effort to destroy america.
Medved misunderstand how this situation came to be. He misses
how criminal gangs (so-called labour unions) run by communists
used violence to intimidate the hollywood studios into hiring
degenerate criminals and firing anyone with morality who stood
in their way. Louis Mayer made good family films at MGM that
were very popular. Yet he was fired at the peak of his
popularity and MGM started to turn out endless hate america
movies by communists like Stanley Kramer. Popular stars were
let go and replaced with moral degenerates and drug addicts.
Great moral epics like the Sands of Iwo Jima and Hondo were
replaced by films about drug dealers or bikers or human rats
infesting our cities.
This was not done for profit. The movies long ago lost their
mass audience and it didn't bother these people a bit. They
need only to reach people one or twice over a few years to
spread the disease of communist ideas.
Michael Medved also doesn't go far enough in seeking a cure
to the problem. I think the start is for communities to stop
putting up with immorality. We need laws and judges that will
shut those making obsene works down. Where we should start is
by reforming the academy awards. Membership in the acadamy
should require good moral character and love of America and
freedom. The Academy also needs to start to look like America.
It wasn't America that gave the top award last year to a film
about sending poor women out to fight for the amusement of
others and then murdering her because she was sick. The people
who cast those votes need to be sent to france or somewhere else
outside america.
Medved has always been on the side of right. No better example
can be seen than in how he treated "the last temptation" and
"the passion". In the case of "the last temptation", all
hollywood was cheering for anti-christian hate film that nobody
wanted to see anyway. Then in the case of "the passion" all
the same hollywood liberals were angry and disguested that
such a film could be made or released. Medved was on the
side of right in both cases against the liberals.
The side of good is winning back America and the day will come
when the criminals are brought to justice. A day when we will
have entertainment for America again rather than filth and
disease for a handful of liberals. First it was the presidency
and the congress, next it will be the courts, after that comes
education and entertainment. America will be redeemed and
its institutions will begin to serve it again rather than a
bunch of weak liberal intellectuals.
Book Description
This digital document is an article from Video Age International, published by TV Trade Media, Inc. on January 1, 1993. The length of the article is 480 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Hollywood VS. America: Popular Culture and the War on Traditional Values. (book reviews)
Author: Fred Hift
Publication:
Video Age International (Magazine/Journal)
Date: January 1, 1993
Publisher: TV Trade Media, Inc.
Volume: v13
Issue: n1
Page: p10(1)
Article Type: Book Review
Distributed by Thomson Gale
Book Description
Songs from this Broadway musical include: No More * A Beat Behind * My Rules Good News, Bad News * Don't Follow in My Footsteps * How Can I Win * Paula (An Improvised Love Song) * I Can Play This Part * What a Guy * No More (Pop Version).
Customer Reviews:
The Goodbye Girl- Worthy and Yet Relatively Unknown!.......2001-05-05
This musical is by David Zippel and Marvin Hamlisch, who also collaborated on 'A Chorus Line'. In my opinion, 'The Goodbye Girl' is just as fantastic as 'A Chorus Line'. This book of vocal selections is great, and includes all of the most well- written numbers from the show. Songs are: No More, A Beat Behind, My Rules/Elliot Garfield Grant, Good News, Bad News, Don't Follow In My Footsteps, How Can I Win?, Paula: An Improvised Love Song, I Can Play This Part, What A Guy, and No More (Pop Version). Especially good are A Beat Behind (big group dance number), Don't Follow in My Footsteps (a mother- daughter duet), Paula (love duet), and I Can Play This Part (male solo). Martin Short and Bernadette Peters starred on Broadway...this book is well worth it! The songs will become your favorites!
Book Description
The step-by-step techniques featured in this richly illustrated book take the beginner who knows little about wirework on a journey to creating artistic and unique free-form jewelry. Using round wire that is readily available and economically viable, wireworkers learn everything from how to hold pliers to how to make ear wires, hook-and-eye closures, and cages for marbles and cabochons. Line drawings, photographs of finished objects, and a wirework gallery of pieces by the author and other contemporary wirework artists provide sample creations and ideas for the innovative wireworker.
Customer Reviews:
Not like the rest.......2007-09-18
I'm really surprised to see how many positive reviews this book has gathered. Due to this I ordered my own copy as well as Bead on A Wire by Sharilyn Miller. The two can't even begin to be compared but I'll try. All Wired Up just lacks in good photos to show techniques, the drawings are small. There are only about 5 glossy pictures at the end of the book for inspiration pieces but none for projects. I'm very disappointed in this book. However Bead on A Wire is an exceptional teaching and inspiring book, with enlarged, color photos of every aspect of learning to work with wire. The projects are just beautiful and doable. I'm a beginner but sure Sharilyn Miller's book can accomodate all levels. So glad I purchased this and will return All Wired Up.
All Wired Up.......2007-07-27
I like this book. The author put a lot of work into making the instructions as clear as possible. I like the way he starts with the basics which allows for practice and then goes into more complicated projects (but always referring back to the basics when appropriate).
A wonderful beginning..........2007-07-01
Lareau's engaging, clear writing coupled with varied projects can give the beginner a solid start in wire work. It covers basic wire techniques, wraps (donut, bead and cabochon), cages, and findings (bails, headpins, ear wires, clasps). His book shows techniques through line-art drawings and has little in the way of eye candy until the gallery at the end.
great learning tool.......2007-05-13
very easy to understand directions for the beginner. I would highly recommend this book for wire wrapping!
Basic+.......2007-05-09
This is a very good book for teaching the basics of wire working and it is well written. The items covered are very common and are the foundation for most beaders today. The gallery is inspiring enough to send the reader on to bigger and better things.
Average customer rating:
|
Wrth Satellite Broadcasting Guide 1995
Bart Kuperus
Manufacturer: Billboard Books
ProductGroup: Book
Binding: Paperback
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ASIN: 0823059553 |
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- Untitled
- Vintage Poster Book: Favorite Nursery Rhymes
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