Book Description
In the tradition of Rilke's Letters to a Young Poet, an original and inspiring work from the bestselling author of The Artist's Way.
Each month, Julia Cameron receives hundreds of letters and e-mails from people around the world who have read her classic work on developing creativity, The Artist's Way, and who long to engage in further dialogue with her.
This book provides Julia's thousands of admirers with just that intimacy and illumination. Written in the form of correspondence from a wise, more experienced artist to a young artist who is full of turbulent self-doubt, Letters to a Young Artist echoes the many conversations Cameron has with all of the artists whose lives she has touched with The Artist's Way.
In these haunting and eloquent letters, the writer answers questions that are central to the artist's journey: How do I know that I am truly an artist? How can I find encouragement? How can I keep moving despite my fear? A rare window into the heart of the creative process, Letters to a Young Artist is an inspiredvolume from this leading authority on creativity and art.
Customer Reviews:
julia is still julia--i recommend her heartily.......2006-10-30
another distillation of the salient points of julia cameron's The Artist's Way, this is a good book for anyone who's not going to read any of the others. a primer of sorts, this rilke rip off is inspirational in it's "teachy" way...julia is still julia, and the poetry and accidental wisdom of the rilke "letters to a young poet" is far superior. still, they are two different things, books, texts and neither benefits from any confusing comparison.
cameron continues, predictably, to hold up the morning pages, artist's date and weekly walk as tenants of her faith. she continues to offer insight from her personal and professional experience. there is not much that is new here--but there is plenty of support in this book for her original teaching, which continues to be supportive of artists of all kinds in a kinds in her companionable way.
she supposes an actual correspondence with a penitent male artist--handling in her letters to him the issues of relationships vs. art, sex vs. art, talking about art vs. art, high art vs. making art, addiction vs. art, sobriety vs. art, slow and steady vs. indulgent moods and art making, etc. in her answers, which are all we, as readers, are privy too, she encapsulates the artist's way with a practiced expertise.
as i read all things cameron, i felt a bit of a let down for the lack of new revelations. i was annoyed with the whiny artist correspondent, and found him predictably arrogant, angry, indulgent and useless. i wished she had supposed a woman art maker--or a colleague or peer. but that is where the new possibilities lie, i suppose.
while tempted by the brilliance of rilke's original text, cameron strives to re-iterate her how-to knowledge in a form that disappoints. it seems a rote response to the questions one knows she's been asked a million times. it seems a surface diagnosis. it seems a skimming of the cliches of artmaking.
still, i love her. i read her every word. i collect each new encapsulation of the franchise and recommend her heartily.
Letters Best Left Unwritten.......2006-03-30
I can hardly see the author (or her letter-writing character), perched on so high a post, talking down to the lowly young artist. "Letters to a Young Artist" may serve well to discourage if not batter the fledgling artist before he or she has even had a chance to find their own voice and style. Those less fledgling may simply toss it with some degree of disgust at the arrogance and cliche treatment of the artistic process. It's not so much that there isn't the occasional grain of truth in the advice given, as that the occasional grain is lost in its tone and cavalier treatment.
This collection of letters is too obviously constructed for a book and is not an authentic exchange with an authentic questioner. Indeed, author Julia Cameron makes it clear these letters are a hodge podge of those she says she receives from fans, a conglomerate of questions and wonderings, seeking guidance and inspiration.
"Dear X" is the salutation heading up this collection of fabricated letters. That alone rather puts one off as lacking in authenticity (or semblence of), abundant only in added chill. How much better to give a letter writer a name, a voice, a persona that would come alive for the book reader. More often than not, the letters begin with a weakly disguised "you write that..." as segue for the missing letter in the exchange. It would have been far more fascinating to have been able to read both sides to this conversation.
Cameron's style (she takes on the voice of an elderly male writer, which in itself lacks authenticity and leaves me wondering - why?) is brash and bullying. Her advice, what there is of it, is so obvious that it offers little value. Mostly, it reads like one long brag perhaps constructed only of hot air (only the dissatisfied are bullies?). Here and there, inexplicably interspersed with literary advice, is advice for the lovelorn. Again, why?
This effort pales in comparison to similar efforts to offer beginning writers a hand up, done brilliantly, and I suggest those searching for such will find much more satisfaction, advice, and encouragement in Annie Dillard's "The Writing Life," Rainer Marie Rilke's "Letters to a Young Poet," Joyce Carol Oates' "The Faith of a Writer," Anne Lamott's "Bird by Bird," Stephen King's "On Writing," or a long list of others.
Superb In It's Simplicity .......2006-01-27
This little book is wonderful. It's tone isn't especially coddling (though if you are familiar with the Author's work, that should be no surprise), though it is plenty gentle, and actually quite replete with encouragement. It is the perfect summarization of what Cameron has presented us with over the years, and an excellent reminder that our climb up one hill inevitably brings us to the foot of another, that the reward for living our truth is indeed in the journey itself. A fantastic treat.
Terrible.......2005-12-15
This writer (I'd never even heard of her) belittles and demoralizes her imaginary correspondant to the point that any useful or inspiring energy is lost (if it's there at all, it's hard to tell). I pray no actual student of writing or art ever has this woman as a teacher. Cameron is interested in Cameron, asserting her aggressive will, shoving her hideous personality down the reader's throat. She sounds like one of these barking dogs from a cable news debate.
Helpful if you work at it.......2005-08-31
I am not too familiar with CAmeron's writing but she is obviously successful in her own right. I bought it as an aspiring writer and had to make myself finish it. Thought it was trite and slow and after finishing and working at it I got some stuff out of it but boy does it require work.
Customer Reviews:
Croghan from London Ohio.......2007-07-07
I have worked in pastels on and off for over 50 years and I was looking for a book to help me catch up on the latest techniques and what materials were available. I found this book to be very concise and helpful it is well laid out and the information in it is very credible the illustrations are both colorful and well done and are good examples of what is being expressed in words. I highly recommend this for anyone starting in pastel work because it is simple and well laid out and easy to follow. I also recommend it for anyone who has worked in pastel but has not worked in it for the last few years.
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Ed Grazda: Afghanistan 1980-1989
Ed Grazda
Manufacturer: Parkett Pub
ProductGroup: Book
Binding: Paperback
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ASIN: 3907509129 |
Book Description
This digital document is an article from Labour/Le Travail, published by Canadian Committee on Labour History on March 22, 2005. The length of the article is 4373 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Bus Griffiths' Now You're Logging: a graphic novel about British Columbia coastal logging in the 1930s.(NOTE AND DOCUMENT)(Critical Essay)
Author: Gordon Hak
Publication:
Labour/Le Travail (Refereed)
Date: March 22, 2005
Publisher: Canadian Committee on Labour History
Issue: 55
Page: 167(19)
Article Type: Critical Essay
Distributed by Thomson Gale
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Now you're loggin'
Neil Thornton
Manufacturer: Printer's Devil Press
ProductGroup: Book
Binding: Unknown Binding
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ASIN: B00071SD7O |
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Now You're Logging
Manufacturer: Harbour Pub Co
ProductGroup: Book
Binding: Hardcover
ASIN: B000GRMA6E |
Book Description
"Comic book novel, history, whatever it is, people are buying it. Loggers and ex-loggers are buying it because they can see themselves and their jobs depicted in it with humour and care... People who have no connection with logging are buying it because they can see it offers not only a simple and fascinating account of the way things once were in this part of the world but also an entertaining story with likable characters. "
-Jack Hodgins
"a fanatical devotion to detail... Once you've opened this volume even for a cursory glance, you'll understand why Bus says it took him on the average of a week to do a single page."
-George LeMasurier, Comox District Free Press
Here is one book that truly is unique. This is a novel in comic book form, an illustrated adventure tale of two young loggers in the 1930's.
Customer Reviews:
(2000 edition).......2000-06-04
This is pretty much the first book that I've read on the subject of filmmaking that was actually interesting. I even read the forward and the preface, which I usually skip in books. I bought the revised version (the 2000 version, at a bookstore, even though it says it's not published until June...?) and I found the websites and dv section to be very helpful. This is an extremely informative, as well as entertaining read, perfect for a newbie (like me).
A good step-by-step guide, but out of date.......2000-03-25
For someone who's never made a film before, this book will be very useful in laying out the steps that need to be taken at every stage of pre-production, production and post-production. It covers everything from writing the script to funding and payment contracts to editing your final cut. However, due to the changing nature of the film business, after reading this book, you might want to move on to something more recent for more timely information.
The datedness of the book shows in the financial guidelines (when it offers price quotes on services at a lab, for example), which are five years old at this point. It also shows in the section on editing. The author promotes editing on a work print of film rather than on a digital video system, such as AVID. It may have been more cost-effective to do so in 1995, but today non-linear editing is much preferred. The book has detailed instructions on how to edit film, but none on how to use one of these computer systems, which in many larger communities, are readily accessible.
For a more realistic financial picture of making a film, try the more recent IFP/West Independent Filmmaker's Guide, which uses the budgets from the movie "Swingers" as examples.
VERY DISAPPOINTING.......1999-10-25
Why do so many of the previous 5 star reviews include a plug for a future edition of this book or a direct reference to the author as a friend? Could it be they're less than truthful, or at least biased? In fact, this book is already outdated, and it's advice for making a feature film for less than $10,000 is ludicrous. If the author had added a "0" to the sensational title and dealt with REAL WORLD facts and tips about making such a film this could've been a good book. As it is, it's nearly useless because it has no connection to how to REALLY make a micro-budget movie (ie. video or gray market stock, credit cards, deferrals, etc.).
This book was great - like a journey through filmmschool........1999-09-02
The author immediately inspires its reader. He takes the responsibility of displaying the pros and cons of filmmaking eloquently.
Every procedure and expense is outlined step by step. And the process is made to be more tangible. Upon finishing this book, I felt I had the proper tools to successfully produce a low-budget film.
Good handbook for beginners.......1999-08-02
This is a great book to get your feet wet in the world of filmmaking. This is a good start and saves you from paying for film school -- use that money for your film!
While this book focuses on film, the next edition will include information on DV and other high tech goodies. Stay tuned!
Amazon.com
This is a tremendous reference for serious students and fans of music. It's really an irreplaceable resource. Within its 800-plus pages are descriptions of musical dictionaries and encyclopedias of all kinds, by national origin and by genre, biographical dictionaries and dictionaries of quotations, compositional devices and handbooks. Then there are the books devoted to musical histories and chronologies, guides to musicology, bibliographies of musical literature, and bibliographies of music. There are catalogs of music libraries and musical instruments, electronic information resources, and yearbooks, directories, and guides. Anyone with a yen for music research will save hours, if not months, of time and find the best resources available by making the Annotated Bibliography their first stop. --Stephanie Gold
Book Description
This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.
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Black Music in the United States: An Annotated Bibliography of Selected Reference and Research Materials
Marsha J. Reisser
Manufacturer: Krause Publications
ProductGroup: Book
Binding: Hardcover
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ASIN: 0527301647 |
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Music Reference and Research Materials: An Annotated Bibliography, 4th ed.(Brief Article): An article from: Notes
Manufacturer: Music Library Association, Inc.
ProductGroup: Book
Binding: Digital
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ASIN: B00092X4WU
Release Date: 2005-06-01 |
Book Description
This digital document is an article from Notes, published by Music Library Association, Inc. on September 1, 1994. The length of the article is 1280 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Music Reference and Research Materials: An Annotated Bibliography, 4th ed.(Brief Article)
Publication:
Notes (Refereed)
Date: September 1, 1994
Publisher: Music Library Association, Inc.
Volume: v51
Issue: n1
Page: p226(2)
Article Type: Book Review, Brief Article
Distributed by Thomson Gale
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Music Reference and Research Materials: An Annotated Bibliography, 5th ed.: An article from: Notes
John Wagstaff
Manufacturer: Music Library Association, Inc.
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Binding: Digital
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ASIN: B000987P5G
Release Date: 2005-07-28 |
Book Description
This digital document is an article from Notes, published by Music Library Association, Inc. on June 1, 1998. The length of the article is 1491 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Music Reference and Research Materials: An Annotated Bibliography, 5th ed.
Author: John Wagstaff
Publication:
Notes (Refereed)
Date: June 1, 1998
Publisher: Music Library Association, Inc.
Volume: v54
Issue: n4
Page: p911(3)
Article Type: Book Review
Distributed by Thomson Gale
Customer Reviews:
Execellent Document of Martin's World.......2006-11-07
Very detailed, artwork is solid, if not outstanding. Gives a fine format for exploring Martin's world.
Roleplaying, schmoeplaying.......2006-04-19
There is only one thing you have to know: no Spellcraft skill because magic is a legend or it is a dead.
I redesign the character sheet (the one it came with sucked which is the only complaint I have about it) and it brought a tear to my eye not having to worry about spell slots or any of that sort of mess.
No magic, magic items, Power Word: Kills or some god coming down to smite you. It is just you, the enemy and the ground in-between. You make your own in this world, you forge your way through either might or wisdom, sword or diplomacy.
Like a great man, a Giant of a man some might say, once said, "It is not so much what we do as why we do it." When you could run away in fear for your life but you chose to stand and regain your honour, right your wrongs and possible make your world a better place to be even it it meant losing your own life, then you know you have struck gold when it comes to a roleplaying campaign.
Sure it has all the levels, skills points and the like but to be honest, I never cared about the levels in this game. I think whatever age or level we start off with is fine by me.
If you are a D20 vet and wanting to try this, take time to learn how Reputation and Influence works. It is a little different but it adds a lot to the world.
If for nothing else, my brother, "Mister Casual About All Things Gaming", can't stop talking about the game. That is for the first time in 15 years. That is the greatness of A Song of Ice and Fire.
Great purchase - even for non-gamers........2006-02-23
I haven't gamed in more than 10 years, and don't really plan on starting again - but this book is worth buying for ANY fan of Song of Ice & Fire series.
Gorgeous artwork & fascinating bios of the characters of George R.R. Martin's books are the main highlights of the book for non-gamers - but the more you delve into the mechanics of the game, the more insights into the world it reveals.
And another pleasant surprise - an introduction including a very detailed & impressive overview of the history of fanstasy writing. Given me lots of new (to me) writers to check out.
A review by a gamer for gamers.......2006-02-13
This book is a remarkable achievement in d20. It offers several innovations, and also pares away some of the more ridiculous aspects of the system as we have known it. But even more impressively, this publication is distinguished in its tastefulness, outclassing any other d20 game with its maturity of style and imagination. This is gaming for grownups.
This 495 full-color hardback is a comprehensive rulebook and campaign setting. If you didn't already own the core rulebooks, you wouldn't need to get them, because it's all here--handbook, DMG, and bestiary rolled into one. The bestiary, of course, is very small, because this is a low-fantasy (almost historical) setting. You won't find a catalog of abberations, walking funguses and extraplanar half-whosywhatsits. You won't find dozens of ridiculous, superheroic, micro-niche prestige classes. And you won't find elves, or gnomes ... or any such breeds. Who needs them? Magic and mosters are gone . . . except for a few surprises here and there, which are really special.
What do you find? The heart of the game is human drama. You have Realpolitik, war, alliances and betrayals, intrigue, spying and struggle. In order to cultivate this kind of gaming experience, they draw on the work of one of the greatest living writers of science fiction and fantasy, George R. R. Martin. (Read the novels, if you haven't already.) But the game also contributes a promising innovation with the rules for Reputation and Influence. These mechanics are to the social and political what the Base Attack Bonus is to combat. Influence points are a way of measuring a character's power in the social sphere, and of adjudicating a character's efforts to get others to do what he wants.
In standard d20 games, a character with a high Diplomacy skill may be effective in getting people to have a friendly disposition towards him, but how do you determine what a friendly disposition actually gets you. Now there is a mechanic for determining that. An Influence check is used to call in a debt, command, persuade or otherwise coerce someone to actually do what you want (whether they like you or not).
Reputation is a way of defining how you are perceived by others, in terms of specific characteristics. For example, a character may get several reputation points as a Ruthless Brute, which will come in handy when he wants to Intimidate and hinder him when he wants to gain trust.
There will be combat, of course, though perhaps not as frequently. (Wounds take time to heal when you don't have potions and spells ready at hand.) In place of lightning bolts and acid arrows, they have added more options and possibilities in hand-to-hand combat. First of all, armor gives you DR rather than an AC bonus. (Shields are different). Armor classes will tend to be not quite as high as we are used to, but on the other hand damage will be smaller too. However, if you want to deal more damage, you can opt for one of several types of called shots, which allow you to customize your attack strategy based on your opponents defences. There are also some good rules for becoming fatigued due to the encumbrance of armor. Only playtesting can tell, but it seems to me that combat strategy may be more interesting in this game. More deadly? You'll have fewer hitpoints. On the other hand, there's the Shock Value feature, which makes it a lot more likely that you'll be temporarily incapacitated long before your hitpoints are gone. Characters at first level will have about the same number of hitpoints as comparable D&D characters, but as your character advances, you'll gain fewer hitpoints. I think the reason for this is that average damage dealt by a hit will not increase as much either. It might turn out that first-level is more survivable and higher levels are more dangerous than in D&D.
Perhaps my only complaint about this game is that it may be more difficult for the Gamemaster. The setting is not nearly as static as something like the Forgotten Realms. Things change in this world, and fast! So, if the GM has any intention of staying true to the novels, he will have to think carefully about the timeline and know what's going on in the story. And Martin hasn't finished writing novels yet! If the future is being determined in the imagination of George R. R. Martin, then there are some limitations on how much the players (or the GM) can change).
Another challenge for the GM will be that without monsters and abundant treasure, he will have to keep things interesting in the story arc, or the game will fall flat.
On the up side, players should be able to plug into the drama of politics and war fairly easily. There should be less of a problem coming up with motivations for your character to "go adventuring" (Ugh!) You won't need artificial motivations, because by the nature of the game your character will have loyalties and enemies, not to mention the task of keeping his corpse from being eaten by crows!
Awesome!.......2006-02-01
Absolutely awesome. Very true to the setting.
Some of the rules are a bit clunky and take a bit of effort to switch over from standard D20, but overall makes for a MUCH better experience.
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Misregulating Television: Network Dominance and the Fcc
Stanley M. Besen
Manufacturer: Univ of Chicago Pr (Tx)
ProductGroup: Book
Binding: Paperback
General
| Business & Investing
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Jurisprudence
| Perspectives on Law
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ASIN: 0226044165 |
Customer Reviews:
Historically Helpful.......2003-09-05
Books of this nature help to capture the regulatory flavor of an era. These four authors are to be commended for describing the climate of the FCC as television and radio were dominant forces of mass communication in the days before the internet. The marketplace was much more limited at the time and the era of deregulation was not in full blown force. In fact, the Commission took its watchdog role seriously in seeking to do what was in the best interest of the American people, not the players with the largest amount of dollars in the marketplace. In spite of all this, the agency misregulated the medium. The stage was set for the process to evolve as it has in subsequent decades. The authors contend "governmental policies virtually precluded entry by additional networks." While the Commission's policy statement would mention one item such as diversity, there was no actual way it could be measured. A considerable discussion focuses on the network/affiliate relationship. This book helps to show the evolution of what became the "marketplace model" of regulation of the FCC of the early 21st century.
Books:
- Lingua Grafica
- Looking Closer 5: Critical Writings on Graphic Design
- M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism
- Making Indian Bows and Arrows, The Old Way
- Memoirs of the Blind: The Self-Portrait and Other Ruins
- Muchos cuerpos, una misma alma: El poder sanador de una nueva terapia que nos abre hacia las vidas futuras
- Mythic Beings: Spirit Art of the Northwest Coast
- Nina's Books of Little Things (Art & Design)
- No Experience Required: Drawing & Painting Animals (No Experience Required)
- Over Here: International Perspectives on Art and Culture (Documentary Sources in Contemporary Art)
Books Index
Books Home
Recommended Books
- The Art Of Trompe L'oeil Murals
- The Fifty-Year Wound: How America's Cold War Victory Has Shaped Our World
- Polymeric Gas Separation Membranes
- The Clan of the Cave Bear
- Painting Sharp Focus Still Lifes: Trompe L'Oeil Oil Techniques
- Soil Science & Management
- Stress and the Family Vol I: Coping with Normative Transitions
- Philip Guston: Retrospective
- Rethinking Art History: Meditations on a Coy Science
- Shoot the Moon
How to Avoid Making Art
Letters to a Young Artist: Straight-up Advice on Making a Life in the Arts-For Actors, Performers, Writers, and Artists of Every Kind
Prayers from a NonBeliever
Walking in this World
Heart Steps
