Book Description
"Dada Means Nothing!" So proclaimed Tristan Tzara, the movement's tireless publicist. Yet this did not prevent the most fanatical and talented artists ans writers across Europe from rushing to join its ranks. Anti-war, anti-art, anti-dada, from its beginnings in Zurich during the first World War the dadas swept aside the cultural, philosophical and political norms of their time. Utter disgust with a society that had created the war (and then expected to survive the peace) spurred them to ever greater demonstrations of revulsion and derision. Yet it was not all nihilism: many factions worked within the Dada Movement and it was Huelsenbeck's intention to embody most of them in the Dada Almanac. The largest collection of Dadaist texts ever assembled by the movement, it was originally published in 1920 in a mixture of French and German.
The Dada Almanac was truly international in scope, with substantial sections from the Swiss and French sections of the movement, it embodies Dada's failings as well as its sucesses, its excesses, its seriousness, its idiocy, but above all the anarchic vitality which made it such a vital precondition for so much that followed in the fields of art, literature and general cultural terrorism.
The editors of this first English translation have added dozens of other relevent texts, documents, portraits etc, as well as explaining contemporary references and events and providing biographies of the numerous personalities involved.
Customer Reviews:
This kind of nothing keeps us alive and full of truth.......2004-01-07
This collection is an absolute essential for all of humanity, but especially those as obsessed as I am with art, writing, passion, politics, love, hate, rage, calm, and the resulting dynamic ... Dadaism is truly truly truly a timeless movement that could never happen again and that is sad, but at least we have this almanac. This book is superb, truly. It is fundamental to the study of Dadaism, as essential as Breton's Manifestos of Surrealism is to surrealism. Buy this book, read it, allow yourself to literally fall into it, and you will indeed not be able to help the coming obsession with these colorful Dadaists!
The Dada Almanac.......2000-09-04
I am Enrolled in a class entitled "Film and Revolution." The first movement we are learning about is Dada. This book gives a good understanding of Dada. It also gives examples of Dada art, or anit-art as it it called. This is definitely a must for people wanting to learn of Dada.
Book Description
This digital document is an article from The Review of Contemporary Fiction, published by Review of Contemporary Fiction on March 22, 1995. The length of the article is 845 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: The Dada Almanac.
Author: Marisa Januzzi
Publication:
The Review of Contemporary Fiction (Refereed)
Date: March 22, 1995
Publisher: Review of Contemporary Fiction
Volume: v15
Issue: n1
Page: p180(2)
Article Type: Book Review
Distributed by Thomson Gale
Average customer rating:
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The DADA ALMANAC
Manufacturer: Guernsey Press Ltd.
ProductGroup: Book
Binding: Paperback
ASIN: B000GL3HHQ |
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Papier Mache: Masks, Models, Puppets
Bernard Paul
Manufacturer: Tafelberg Publishers
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ASIN: 1868260585 |
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Outside of time: Sixty photographs
Nina Glaser
Manufacturer: Beaux-Arts Press
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ASIN: 0916965066 |
Amazon.com
This is a genius-level piece of writing that manages to blend literary biography with self-help and tongue-in-cheek with the profound. The quirky, early 1900s French author Marcel Proust acts as the vessel for surprisingly impressive nuggets of wisdom on down-to-earth topics such as why you should never sleep with someone on the first date, how to protect yourself against lower back pain, and how to cope with obnoxious neighbors. Here's proof that our ancestors had just as much insight as the gurus du jour and perhaps a lot more wit. De Botton simultaneously pokes fun at the self-help movement and makes a significant contribution to its archives.
Book Description
Alain de Botton combines two unlikely genres--literary biography and self-help manual--in the hilarious and unexpectedly practical How Proust Can Change Your Life.
Who would have thought that Marcel Proust, one of the most important writers of our century, could provide us with such a rich source of insight into how best to live life? Proust understood that the essence and value of life was the sum of its everyday parts. As relevant today as they were at the turn of the century, Proust's life and work are transformed here into a no-nonsense guide to, among other things, enjoying your vacation, reviving a relationship, achieving original and unclichéd articulation, being a good host, recognizing love, and understanding why you should never sleep with someone on a first date. It took de Botton to find the inspirational in Proust's essays, letters and fiction and, perhaps even more surprising, to draw out a vivid and clarifying portrait of the master from between the lines of his work.
Here is Proust as we have never seen or read him before: witty, intelligent, pragmatic. He might well change your life.
Customer Reviews:
A well written and thoughtful book.......2007-05-12
Several friends and I decided to read this book to learn about life. It is thoughtfully written and an entertaining to read. The author has a style of writing that is clear, introspective and interesting. I recommend this book to anyone who wants to learn about themselves and about the world.
N'allez pas trop vite !.......2007-01-15
Yes, don't go so fast...stop, savor and enjoy the many extraordinary pleasures of the ordinary things which are strewn around your everyday life.
This gem of a book is filled with these kind of delightful bon-mots distilled from Proust's life and works. Alain De Botton's entertaining,educating and often illuminating book belongs to a unique genre. It is is part literary criticism, part exploration of Proust's life and work and a part self-help manual.
I gained a lot of perspectives from this book, on topics as varied as
"How to read for myself" to "How to be a better friend". This book also opened up two interesting authors for me ...Marcel Proust and am now itching to read his oeuvre as well as Alain De Botton's body of work (especially his treatise on architecture)
I am sure i will go back to this book from time to time for a dose of some witty and well articulated "life lessons".
Slim but nicely written.......2007-01-12
I have to appreciate Alain de Botton's graceful prose and neat (if somewhat arbitrary) categorizations of human problems. The title is more or less a joke--this is not liable to institute sweeping changes in your life, but may change your perspective on certain matters, which is more or less changing your life, I suppose. It made a very good before-bed book.
Proust and me.......2006-10-20
From being a bit of a science fiction junkie (because there was no sex in it) I've become a bit of a literature junkie. Joseph Conrad probably started it, but the non-SF novels of Philip K Dick had a big influence too. Gradually I've explored Turgenev, Huysmans, ETA Hoffman - as well as more traditional fare such as Dostoevsky, Eliot, Sands ..... (And the less traditional - Anna Kavan, WH Hudson, and so on). But not Proust.
I'm not sure why I picked up 'How Proust Can Change Your Life' - perhaps I was looking for something - anything - that would change my life. I recognise that my view of Proust is entirely coloured by de Botton's view, but even so I am amazed at what I read. It's not that I think there is anything especially good about Proust - a battling, struggling individual who just happened to have a way with words - with lots and lots of them. But I do see so much of myself in Proust. And I can understand why some people don't get it: to see the world the way Proust did (as described by de Botton anyway). For example, to be free of the mask of familiarity that devalues so much of the - no, it's not beauty of the world although that's what de Botton calls it - it's the reality of the world. And yet, if what de Botton is describing is accurate, it is something I share with Proust. And, with that overwhelming view of the world, I can understand why so much of Proust's life was 'degraded', 'diminished', 'withdrawn' - scattered with bursts of escaping but having to return to the seclusion.
Will I read Proust for myself? I am unsure if I can. I am unsure if I will be able to resist. If this book doesn't mean a lot to you on first reading, I suggest you read it again. It's not such a labour to do so. Keep an eye open for surprising views of things, and let me assure you that such sensitivities do exist - although I have no reason why.
The one thing I would have liked with this book is a list of references. Since Proust wrote so much - where do de Botton's quotes come from. There are authors quoted too, without specific refernce to where the quote came.
How de Botton can change your reading of Proust.......2006-10-09
My 2006 reading project was to get through Marcel Proust's In Search of Lost Time and De Botton's book was a great help at the end.
I love Proust's long meandering dreamy sentences describing the things and people the narrator encounters, but I tend to tune out when Proust explains his theories on how memory works, on how we should appreciate a work of art, of how we should read a book, etc.
De Botton concentrates precisely on the parts of Proust I find most tedious, and in his short book he gives us a sampling of Proust's philosophical approach to life. What's more, De Botton takes pertinent passages in ISoLT and contrasts them with how Proust actually lived his own life. Sometimes Proust writes one way but lives a different way; for example he was a great friend, generous and attentive, but he writes that friendship is a waste of time. Which is his true opinion? Probably not that friendship is a waste of time... But the point is that De Botton breathed life into parts of Proust I previously dismissed, including the last hundred pages where the narrator finally experiences the "how and why" of his life.
I'm always a little suspicious of self-help books. Too often they're written by quacks and sometimes the advice they give can be dangerous. I'm also always open to good advice and De Botton showed to my surprise that Proust is full of genuinely helpful hints on how to live better. I bought How Proust Can Change Your Life because I was interested in Proust not because I wanted to change my life; the helpful hints are a fringe benefit.
Vincent Poirier, Tokyo
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Monsieur Proust's masterwork.(French author Marcel Proust): An article from: New Criterion
Joseph Epstein
Manufacturer: Foundation for Cultural Review
ProductGroup: Book
Binding: Digital
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ASIN: B00098RNAS
Release Date: 2005-07-28 |
Book Description
This digital document is an article from New Criterion, published by Foundation for Cultural Review on April 1, 1998. The length of the article is 6699 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
From the supplier: "Remembrance of Things Past," the book by Marcel Proust, is a masterwork. Proust writes in an elegant language. He has a particular genius for perceiving the character of people and the mechanisms of society. He challenges the reader to improve not only one's education but also, in the experience of reading, one's life.
Citation Details
Title: Monsieur Proust's masterwork.(French author Marcel Proust)
Author: Joseph Epstein
Publication:
New Criterion (Magazine/Journal)
Date: April 1, 1998
Publisher: Foundation for Cultural Review
Volume: 16
Issue: 8
Page: 19(1)
Distributed by Thomson Gale
Average customer rating:
- Not bad- not great
- A great, well done book!
- A Problem with Binding of the book
- A Great Book for New Final Cut 3 Users
- High Price but HIGH VALUE!!
|
Final Cut Pro 3 and the Art of Filmmaking
Jason Cranford Teague , and
David Teague
Manufacturer: Sybex
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Final Cut Pro 3 Editing Workshop (2nd Edition)
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Final Cut Pro 3 for Dummies
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50 Fast Final Cut Pro 3 Techniques
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Final Cut Pro 3 and DVD Studio Pro Handbook (Digital Filmmaking Series) (Digital Filmmaking Series)
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Final Cut Pro 3 for Macintosh (Visual QuickPro Guide)
ASIN: 0782140270 |
Amazon.com
Since the cost of entry into the world of filmmaking has plummeted with the introduction of such technologies as the DV camera, Apple's FireWire protocol, and the ever-increasing speed of desktop computers, there are more people than ever creating high-quality independent films. Final Cut Pro 3 and the Art of Filmmaking teaches these new filmmakers the necessary, basic skills for polishing their elementary work.
The authors begin their approach with an introduction to the necessary hardware and software, installing Final Cut Pro, and a tour of the interface. They focus on editing and adding transitions, then take a look at adding titles and filters. You'll learn about compositing, keying, and using Final Cut Pro's motion controls, as well as fine-tuning audio tracks. The last part of their book discusses what to do with your film after the editing is done: compressing for DVDs and the Web, archiving the project, and printing to video.
It's worth noting that this book does not come with a CD-ROM. The authors have included instead a DVD full of project files, raw footage, and a short but complete documentary. This offers an editor the excellent opportunity to look over the shoulder of a working professional, discovering how and why something is cut the way it is. The DVD also contains the project files and source clips needed for most of the chapters throughout the book, giving the reader a chance to work along with each chapter using the very same footage.
Final Cut Pro 3 and the Art of Filmmaking offers a sound introduction to editing in general and using Final Cut Pro in particular. Each chapter is well illustrated and written, and almost every feature of Final Cut Pro is explained. While this book lacks the depth sought by more advanced users, it presents a friendly and informative approach for the new one. Through a tutorial-based approach and supplied material, the features of this powerful editing tool become accessible and familiar, making this book a worthy asset to any beginning Final Cut Pro editor. --Mike Caputo
Book Description
Despite its intuitive interface, Final Cut Pro still requires craft and skill to use well.
This full-color book provides a hands-on, practical guide to all aspects of editing digital movies, with an emphasis on the kinds of tips, tricks, and shortcuts that professionals rely on to quickly get polished results.
Whether you're approaching Final Cut Pro from a purely creative angle or from a more corporate perspective, whether you're an emerging filmmaker or a seasoned vet, Final Cut Pro 3 and the Art of Filmmaking gives you the insights, information, and lessons you'll need to complete tasks that film editors face every day, including:
* Mastering Final Cut Pro 3's new features, such as Voice Over, G4 Real-Time Effects, Titling, QuickView, and more
* Editing clips in the Timeline
* Creating transitions and complex overlays
* Adding effects, applying filters, and working with text
* Using the audio tools to make your film sound as good as it looks
* Readying your finished product for delivery--on the Internet, on videotape, or on DVD
In the course of this book, you'll learn shooting tips designed to help later in the edit room. You'll also hear from experienced editors on how they're using Final Cut Pro to capture the immediacy that digital video makes possible, while meeting the twin challenges of limited time and money.
Note: Our thanks to Ken Stone for his Final Cut Pro expertise. Ken has an excellent online resource center that we encourage you to visit: www.kenstone.net/fcp_homepage/fcp_homepage_index.html
Customer Reviews:
Not bad- not great.......2003-10-08
The book has many great techniques and explains every function in FCP very well with step by step guides and suggestions. Unfortunately, many of the examples are not tailored for real world editing (the chroma-key section for example). Would have preferred that they use some real world situations for their examples.
And I can't help but concur with everyone else about the quality of the book. Within the first few minutes of reading, the book was falling apart and pages were dropping out of the book. Shoddy workmanship by the publisher!
A great, well done book!.......2003-04-10
A wish that other software books would be as this... beyond Final Cut it cover many aspects of video editing and is a great source of tips of any kind, very useful for beginners (but also good for experienced video editors who have forgotten some aspects about their work).
The design layout and color images of the book are very nice too.
A Problem with Binding of the book.......2002-11-30
This is a great book with the exception that the construction of the book is defective. It is not sewn and the long rectangular shape caused my copy to fall apart in spite of my careful handling. Too bad because I love the book. But it is literally now all over the place and pages are stacked together . A definite problem with construction of the book.
A Great Book for New Final Cut 3 Users.......2002-07-16
As a "rank beginner" I was very impressed with the author's ability to convey the information. He covered Final Cut Pro 3 in a wonderful step by step process. Along the way he made sure that each process was clearly stated. Since I have no prior knowledge of working with Final Cut Pro 3, I appreciated the approach that was taken.
If you are in the market for a FCP3 book, give this one STRONG consideration.
High Price but HIGH VALUE!!.......2002-06-16
The authors do a bang up job of covering Final Cut Pro. The content of this book is only surpassed by the excellent execution of its design. Content is well-written, clear and easily understandable. As if this weren't enough, the authors outdo themselves by using a design concept for their FCP3 topics that make already clear explanations, crystal clear. It's obvious that much of the book's high price is due to the high quality screen shots and illustrations all of which are in color. Color makes all the difference, especially when talking about FCP3 where color in the application itself conveys information to the user. The screen shots chosen by the authors to illustrate their explanations make this book a perfect choice for beginners or intermediate users. An excellent book, an excellent buy.
Average customer rating:
- This book is great, people you have to think when you use it
- Waste of money
- Problems with certain chapters
- Does this book even talk about DVD?
- Especially recommended for novice digital editors
|
Final Cut Pro 3 and DVD Studio Pro Handbook (Digital Filmmaking Series) (Digital Filmmaking Series)
Adam Watkins
Manufacturer: Charles River Media
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Final Cut Pro (R) 3: The Complete Reference
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Final Cut Pro 3 and the Art of Filmmaking
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ASIN: 1584502002 |
Book Description
With recent advances in technology, the exciting realms of digital editing and DVD authoring are now within reach of most graphics professionals. Until now, editing and rendering animations to fit on VHS and compressing digital images for delivery meant sacrificing quality. But with Apple Final Cut Pro 3, DVD Studio Pro, and the practical guidance found in this book, designers and animators can edit and deliver their creations with excellent results. Written for graphics professionals, animators, video artists, and users of Final Cut Pro and other popular video packages (iMovie, iDVD, Premiere), the Final Cut Pro 3 and DVD Studio Pro Handbook provides hands-on practice for the entire digital editing process. The book is broken into two main parts. Part One provides an in depth look at FCP and basic cinematography and editing concepts. It includes a detailed review of non-linear digital video editing (NLDVE), outlines the technical specifications for DVD, and provides a comprehensive overview of Final Cut Pro 3. From there the book delves into the process of editing and delivering media productions. Using raw video files from the book?s companion DVD, users work through every step of the editing process, from importing and editing media, to audio techniques, effects, outputting FCP data, and exporting to DVD. In Part Two, users learn how to use the core features of DVD Studio Pro, such as creating compressed media, importing streaming media, designing still and motion based menus, adding fully functional interactivity, and integrating subtitles.
Customer Reviews:
This book is great, people you have to think when you use it.......2003-02-28
All the previous reviews people are talking about things like the labels on the clips. You need to write those labels in yourself. That was designed from a teaching stand point. You have to start working right from chapter one with the tutorials. They all build on each other.
All I can say is this my second time though the book. A lot of the things people are unsatisfied about, are missed due to hasty studying. You have to label those clips yourself, right from the start! That book has helped me tremendously. I made the same mistakes the first time through the book. Final Cut Pro is very complicated, first time through you are going to miss things.
You are getting taught with this book. Making it though the book is not easy,however once you do make it. You will have a very good skill. This author is a teacher! The way he writes makes you think! He really takes you through at a good fast pace, and it is tough for the student(reader) to keep everything staight. There are so many details. Everyone tends to think that it is the author who is incorrect, I can tell you from experience that it is the reader, not the author or the book. I get that, Ohhhhhhhhhhh Yes, now I get it. But it took me the second time through.
This book gets you rolling. This book will get you right into it. You will learn extremely fast. If you take the free downloaded manual from Apple with this book you are set. Even better is Lisa Brenneis's and the DVD studio Pro manual too. I had these manuals for a year and did not get anything going. Then I got the Watkins book. I thought the same thing hey these clips are not labeled, I was in chapter four or five, I thought it was the author. No NO No you have to lable the clips yourself. And chapter stops are on page 289. You finish Adam's tutorials you will be able to take the book, computer, camera hook them all together and get very nice work accomplished. It is not an easy study it takes effort. Once you learn it, you can do a big project. You learn a lot from Adam Watkins, he is good teacher. I would easly buy this book again, I would only buy it sooner.
My past I used imovie for two years. I bought FCP and did not due a project for a while. Then I got Adam's book and started to get my hands dirty right away. I am not afraid to do anything with final cut pro. I learned a lot. The tutorial is great, good beat beat sound to set clips to. I can match sound and a clip together. I learned an awful lot from this book.
Waste of money.......2003-02-12
This book is badly structured, verbose and chatty. A seasoned editor could have reduced it by at least 20 percent. More important, the book omits crucial features in FCP 3/DVDSP, such as using Markers to indicate Chapters. As a matter of fact, the subject of Chapters in DVDSP isn't even touched upon!
Further, in spite of the title, the book is heavily biased to FCP, with just a few scant chapters on DVDSP.
I'm very disappointed and consider this book a waste of money.
Problems with certain chapters.......2003-01-19
First thing I had to rename all of the files on the DVD to get started with the Tutorial. It was a problem but I over came it. Things worked out ok, then came chapter 7. This chapter was very confusing. He tells you to select the wrong tracks, he forgot to tell you to set up certain things in the canvas before you started the chapter and then he leaves you with a whole bunch of questions. The final project of this chapter left me more confused then before I started it. The DVD chapters do nothing for me that I didn't learn in the tutoral that came with the DVDSP. He gives us only 2 chapters on DVD Construction. I mean they dont even tell you how to make chapter tracks. Or outputing a master DLT for mass duplication. If you are trying to find a book that helps you beyound the manuals you get with these 2 softwars. Look for other books. If you are a beginner to FCP and DVDSP also look elseware. This book helps with shortcuts and Editing with DV only. He never touches on the un-compressed cards or outputing for true broadcast video in component or SD. I am sorry I spent the money and the time on this one.
Does this book even talk about DVD?.......2003-01-01
So I got this book and first thing out of the box you have to rename all of the files on the DVD.... Great.....This really gives me a bad feeling about the whole book after this point. Then you spend about 3/4 of the book on FCP3.. which is fine, the writing is clear and easy to read, but ..... they only have 2 chapters on DVD Construction. I mean they dont really even talk about how DVD studio pro works. they dont even tell you how to make chapter tracks. If you are trying to find a book that helps with DVD studio pro don't buy this book it is a waste of money and time.
Especially recommended for novice digital editors.......2002-10-08
Final Cut Pro 3 & DVD Studio Pro Handbook by Adam Watkins (Director of Computer Arts, University of the Incarnate Word, San Antonio, Texas) is a straightforward user manual and self-teaching guide to making the most of the Final Cut Pro 3 and DVD Studio Pro computer softwares for editing and delivering computer animation. Covering everything from technical specifications, to step-by-step how-to instructions, Final Cut Pro 3 & DVD Studio Pro Handbook is an excellent resource which is especially recommended for novice digital editors who seek to take full advantage of these fine softwares to produce work to professional standards of excellence.
Average customer rating:
- It's all here.
- Raucous, chilling, exuberant, revealing -- right on target
|
Rock and Roll Is Here to Stay: An Anthology
Manufacturer: W. W. Norton & Company
ProductGroup: Book
Binding: Hardcover
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Turn That Down!: A Hysterical History of Rock, Roll, Pop, Soul, Punk, Funk, Rap, Grunge, Motown, Metal, Disco, Techno & Other Forms of Musical Aggression Over the Ages
ASIN: 0393047008 |
Book Description
An electrifying collection of the most entertaining and illuminating writing on and from the rock-and-roll scene. The exhilarating, endlessly creative work of rock and roll has fascinated us since the earliest days of the genre. This book assembles the writing of those who played the music and pushed it to new limits, as well as those who were there to witness and celebrate its power. Here you'll find all the crazy magic of rock and roll, from the earliest days to the present, from the brightest moments of the biggest stars to obscure but compellingly significant treasures, including Joan Didion sitting in on a Doors recording session, Roddy Doyle's Commitments searching for Irish soul, Tom Wolfe turning his pen to the Beatles phenomenon, Patti Smith evoking her first response to the Rolling Stones, Frank Zappa testifying before Congress, and Yoko Ono explaining John Lennon's death to their son. Enjoy performances by the great rock critics, and share tributes remembering in their glory some of the stars who are making noise in the hereafter. Introduction by Peter Guralnick. 20 b/w photographs.
Customer Reviews:
It's all here........2002-10-10
The whole sweeping saga of rock and roll is here in one book. This book will endure as the best way to tell the history of rock and roll -- in the words of the people who played it, produced it, sold it and studied it.
Raucous, chilling, exuberant, revealing -- right on target.......2000-11-09
OK, so we all know a lot about rock n roll, right? But when you read William McKeen's anthology of great rock writing, you realize that you have only scratched the surface. This book, in a word, rocks. McKeen clearly had a tough assignment: track down the best writing about rock n roll, and use those writings to define the elusive beast that is rock music. He succeeds on both accounts. Sure, there are the expected authors -- Lester Bangs, Peter Guralnick, Greil Marcus, Charlie Gillett, and Robert Palmer -- but also unexpected gems and defining lyrics from Patti Smith, Tom Wolfe, Don DeLillo and Terry Southern. Each section of the book illustrates a facet of rock n roll, and the usually bite-size chunks of writings make it easy to pick this book up anytime and blow through a couple of dozen pages without knowing time has passed. I guess my favorite aspect of the book, however, is that it touches a place deep inside of us that music also touches. Two stories stand our for me in this regard: Alan Lomax's account of his visit with blues legend Robert Johnson's mother, who relates her son's dying moments in stunning vividness (the dying Johnson, allegedly the victim of a lover's poison, gives his devil-cursed guitar to his mother and tells her to hang it on the wall "cause I done pass all that by." He dies while she was hanging it on the wall.) The final moment of goosebumps comes in the book's ultimate selection, the legendary producer Phil Spector's induction speech for the late Doc Pomus, who wrote "Save the Last Dance for Me," among other early rock gems. The writing in this book is stunning. The arrangement of chapters and selections by McKeen, a University of Florida journalism professor, borders on the genius also. For anyone who ever had a melody stuck in their head, who ever slam danced at their first punk concert, who ever saw Duane Allman play slide guitar, who ever jammed with their buddies in a miniwarehouse till dawn, or who ever just simply turned on a car radio, this book is indispensible.
Book Description
The RC Motor Black Book is the most extensive collection of RC electric motor information available anywhere. Never before has there been one place to find all the motor information you need to get the most out of your RC motors.
The RC Motor Black Book eliminates the need to scour years of magazines, search the Internet for information of questionable nature and pick the brains of the local hotshots. You will find the answers and information you need on all aspects of electric motors that are used in RC. Everything from basic maintenance to detailed tuning information, design theories and dyno setup are in the RC Motor Black Book.
Customer Reviews:
Excellent compilation, some organizational problems.......2002-03-15
Big Jim's Motor Black Book is a compilation of advice written by Jim Greenemeyer on various web forums over the past several years. Hank Hagquist compiled, organized and published the information in this paperback volume. Big Jim covers all kinds of tricky questions about RC car motors -- timing, brush selection, comm cutting, gearing selection, maintenance and cleaning, etc.
My only criticism: the book is fairly disorganized, despite Hank's noble attempts to impose order on it. It's a collection of chatty, first-person essays loosely organized into titled chapters. At times it can be difficult to follow, and more reference information would be welcome for RC novices. However, there is a tremendous amount of valuable information here for the RC car performance enthusiast, and it is not available in compiled form anywhere else.
Average customer rating:
- Radio's Bright Black Wave
|
Swingin on the Ether Waves
Henry T. Sampson
Manufacturer: The Scarecrow Press, Inc.
ProductGroup: Book
Binding: Hardcover
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ASIN: 0810840871 |
Book Description
Documents the historical contributions of African Americans to broadcasting in the United States over a period beginning with the birth of commercial radio in the 1920s and ending in 1955.
Customer Reviews:
Radio's Bright Black Wave.......2005-07-31
It is a major contribution to the literature of radio and America to have this wonderful new resource on the role of African Americans in the nation's airwaves and culture. Another great addition to the canon of radio studies.
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