Book Description
We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists.
Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, The Tears of Things is itself a collection of exemplary art objects—literary and cultural attempts to control and possess things—including paintings by Georgia O’Keeffe and René Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell’s boxes; Edward Gorey’s graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin.
However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over—debris and waste—and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation.
Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature.
Customer Reviews:
A beautiful treatise on melancholy.......2007-08-22
I found Schwenger's model of melancholy, locating it in the tensile space between self and other, drawing on Freud and Lacan, to be utterly compelling and persuasive. I am an author who is writing academically for the first time about creating and I was very moved and inspired by this beautifully written, approachable book. From a personal point of view, being very interested in childhood poetics, I would have loved to have seen more attention paid to toys and Winnicott's concept of the transitional object in terms of melancholia, but I understand there are always limitations in any work. I do love the way Schwenger writes - it's a dream narrative in its own right.
mostly bull.......2007-05-13
I had to read this book for a graduate seminar that tried to apply Phenomenology to Northern Renaissance painting. The prof seemed to buy into Schwenger's ideas, but I mostly did not. He tends to quote major philosophers, especially Kant and Merleau-Ponty, and accept all their arguments as Truth without interrogating them. Also, even though he is talking about objects, he tends to approach them through writing - literature as well as philosophy. He's an English professor, so I guess this approach makes sense. But he would have done better to frame his argument as an exploration of what major writers from the Enlightenment forward have said about things, rather than as an independent analysis of the things themselves. Basically, there are lots of assumptions, and I guess you either buy them or not. I personally don't.
essay on the inevitable distance between persons and the objects of their surroundings .......2006-04-02
In his book-length essay with elements of philosophy, art criticism, and literary critique, Schwenger ruminates on the incompleteness of perception, "always falling short of full possession [as comprehension or understanding], giving rise to a melancholy that is felt by the subject and is ultimately for [italics in original] the subject." The author--a professor of English at Mount St. Vincent U. in Canada--detects the limits of the connection with things in a world of physical objects, including an individual's own body; which limits inevitably give rise to feeling of melancholy and loneliness. Art works of Georgia O'Keeffe and Rene Magritte, writings of Borges and Virginia Woolf, and sculpture by Duchamp and Louise Bourgeois are among the many and varied art by recognized modern artists the author brings in for his illumination of this mood of melancholy which is ordinarily faint in the hustle and bustle of daily life and its simple, practical relationship with things. One appreciates the author's unapologetic use of psychology in this sensitive movement in this central, yet for the most part unrealized feature of human existence. The psychology brings an illumination and reach to the subject which semantics, semiology, aesthetics, and the study of "material culture" cannot with their formalistic, postmodernist methods and styles. Schwenger finds in the end that although it is bound in with anxieties over "real and metaphysical death," since it is essentially a desire refusing "to conclude...always impelled past conclusion," melancholy is a part of the life force.
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Screen-printing Project Teaching Pack
S.M. Buckle
Manufacturer: Artworkshops
ProductGroup: Book
Binding: Ring-bound
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ASIN: 0955021596 |
Average customer rating:
- interesting enough
- What Price Justice?
- Graphic SF Reader
- The Best Series Out There
- Not Great
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100 Bullets Vol. 1: First Shot, Last Call
Brian Azzarello
Manufacturer: Vertigo
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100 Bullets Vol. 2: Split Second Chance
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100 Bullets Vol. 3: Hang Up on the Hang Low
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100 Bullets Vol. 4: A Foregone Tomorrow
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100 Bullets Vol. 5: The Counterfifth Detective
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100 Bullets Vol. 6: Six Feet Under the Gun
ASIN: 1563896451 |
Book Description
What would you do if you were given the opportunity and the means to get away with murder, scot-free? Thats the question posed in 100 Bullets, a new graphic novel that combines elements of hard-boiled crime stories and paranoid espionage thrillers. The mysterious Agent Graves offers his clients a gun and immunity from prosecution, enabling them to get revenge against those who ruined their lives. Suggested for mature readers.
Customer Reviews:
interesting enough.......2007-09-27
Well, I don't quite know what to say about this book. I have always liked noir world, whether on film or in Raymond Chandler novels. So I might say that I was kinda pre-influenced, and my reception and judgement of this books is somewhat less than adequate.
May it be so, but I must say my two words about it. Many of you out there watched movies by Quentin Tarantino. Well, you take Reservoir dogs, Kill Bill, Pulp fiction, mash it all up, and voila you just have perfect stage for a comic book series.
Now, another thing that is quite essential for good comic book is a charismatic character. If these come in plural, even better. 100 bullets has some of these, and along with interesting storyline, number of cliffhangers and allusions, they make dark and broody, misterious world that is yet to unravel. Watching this world breathe is an adventure in itself. Of course, you can't make noir without some classic clichés, but for the sake of the genre, you should really close one or two eyes on this.
Biggest problem of this comic book is drawing. It has been drawn in clasic DC (Vertigo) style, with pale coloring, without care for details, with rough scetching of characters, and some unskilfull shading. I couldn't help but wonder what would this world be like if it were drawn in more realistic manner, adding some tone and background to the story. The way it looks now, one could say that text far surpasses the picture, and for comic book that does not belong to the magical "indie" label, that is saying much.
All in all, you should really give it a go. It may, as it has done to me, lure you into its pages. And once in there, you will want to continue with your role as a voyeur. Nothing should stop you in that.
What Price Justice?.......2007-09-08
100 Bullets is an ambitious crime drama comic series, of which this graphic novel reprints the first five issues.
These first two story lines, "100 Bullets" and "Shot, Water Back", set up the premise the series is built upon. Individuals from all walks of live are approached by a mysterious man bearing an unusual gift; a suitcase containing a gun, one hundred untraceable bullets, and evidence pointing them to someone who has wronged them in the past.
But the offer of unpunished retribution is far from simple than it sounds, as the people suddenly faced with this blank check for revenge suddenly find themselves dealing with the concepts of Justice, Innocence, Morality, Loyalty, and Retribution.
Azzarello not only brings these philosophical dilemmas into the light, but also enhances them with mystery surrounding 'Agent Graves' and his offer. A chance at vengeance is a tempting offer, but what are the ulterior motives of the man with the briefcase? Does the chance to settle a score outweigh the risk of being used as a weapon for someone else's battle? What is truly at stake here, and who is really pulling the strings?
The first two story lines in 100 Bullets take us from crooked cops and greedy gang bangers in the urban jungles, to internet crimes and corporate power brokers. The stories and situations are modern, yet there is an undeniable Noir tone throughout, an unrelenting mood that never lets you forget that, despite the occasional moments of brightness and levity, there are no happy endings when violence and vengeance become a part of the background.
Graphic SF Reader.......2007-09-03
The title hook is introduced here. Graves, who you presume is some sort of scary super spook, offers 100 bullets and a gun, which if you want to shoot one, is a get out of jail free card. If a cop finds these bullets at a scene, and looks them up, the evidence will completely disappear, and everyone will walk away, is the implication.
This case of weapon and ammo is offered to someone that has a wrong in their past that they would definitely consider doing some shooting over.
The Best Series Out There.......2007-06-29
This is the beginning volume of a series that just blows your mind. The story is more of a crime novel than a classic comic or graphic novel but maintains all the qualities of the latter. The art is outstanding;I got a lot of great tattoo ideas from these books as well. Characters developemnt is very good and new characters continue to be introduced. There are characters from all walks of life. You never know who to route for or who the good guys and bad guys really are and the story never competely unfolds. I am eagerly awaiting volume 11 to come out. Wheher this is your first graphic novel or you are an old pro, pick this one up.
Not Great.......2007-02-07
I heard alot of good things about 100 Bullets, but this book didn't live up to them.
The art is mediocre and it's hard to keep track of who is who. The story is a great concept, but it's not done as well as it could be.
If you're a crime fan pick the book up. I think I'll pick up vol. 2 before calling it quits.
Average customer rating:
- Buy this Book!
- Don't loan this one out!
- Look like a professional con artist.
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Harry Anderson's Games You Can't Lose: Guide for Suckers
Anderson
Manufacturer: Pocket
ProductGroup: Book
Binding: Paperback
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ASIN: 0671745522 |
Customer Reviews:
Buy this Book!.......2000-06-22
When I was in high school I bought this book at Disneyland, and read it from cover to cover on the plane-ride back. It's absolutely the funniest, most memorable book I've ever read, and even now, 7 years later I still share anecdotes with my friends, such as "How to take your vest off without taking of your jacket", "Fooling the 3-card Monty", and various other tricks and stories.
I too have lent this book out to my "friends" and have never had it returned to me. It's really a shame the book is out of print, because I really wanted to buy it all over again.
Don't loan this one out!.......1998-06-15
If you find a copy of this book, BUY IT! If you own a copy of this book, don't loan it out. It will not return to you. (If you borrowed this book from me, I want it back.) This book is fun, enlightening and educational.
Look like a professional con artist........1997-11-06
Harry Anderson is one of my favorite magicians. His style and presentation are outstanding. It's a shame that this is the only book he's written. This book starts out showing you some fabulous cons you can pull on people. The first 92 pages teach you exactly what the book says. Unfortunately, the last 70 pages are about "Games you can't win" and tell you all about casinos and carny scams. It's a shame that the book starts out so good, then fizzles like it does. It's still worth the money and will make you look quite sly around your friends.
Book Description
Here in this funny, insightful and deliciously wicked book Harry Anderson unveils the tricks behind cons, swindles, and wagers that separate fools and their money in streets, bars, carnivals, casios and racetracks every day.
Customer Reviews:
Excellent!.......2006-09-07
I first read "Games You Can't Lose" by Harry Anderson over a decade ago. This book sparked my interest in gambling and betting (maybe not a good thing...). That having been said, "Games You Can't Lose" is an amusing little overview of games of chance which is chock full of proposition bets and tricks that would work perfectly at the local tavern to win you a couple of drinks. Anderson has amusing games, such as playing poker by picking the cards you want right out of the deck! (Read the book for the angle.) When you see Anderson playing Judge Stone in Night Court or the recurring bit part in Cheers as "Harry the Hat" you will realize that he really was not acting!
It's called "A Guide for Suckers".......2006-03-06
You probably are a sucker to buy this book. I enjoy Harry Anderson and the book is amusing, but pretty thin on actual games you can't lose. In fact, it gives more coverage to games you cannot win. I was hoping for a book on what Harry Anderson calls "Cunning Stunts" but there are only a few in the book and a couple of those require cheating. On the other hand, if you think you can win at a casino or at 3 card monte, this book is a fun and simple way to show you just how wrong you are and will easily save you twice what you pay for it.
Entertaining and quick read.......2005-05-12
Harry Anderson won acclaim as the affable judge in Night Court. He was also well known for his cameos on Cheers, where he swindled Norm, Cliff and crew with relative ease. Harry Anderson was also a successful magician, and has hosted several cable specials on the subject.
Before all of that, Harry Anderson was a con man, and a good one at that. In this little volume, Anderson sets forth a number of entertaining cons, and strategies that can be used at the bar. For the most part, these swindles are not going to make you rich. In fact, these cons are immediately apparent for most people. If they are not apparent from the start, they will be apparent at the conclusion. It is because of this that Mr. Anderson declares that you must perform these tricks in an entertaining way, or else you might run into some well deserved violence.
This book is not supposed to be a definitive list of street crime. What this book really represents is a system of thinking, a system that you can use to create more of your own games that can provide some fun at the bar.
Anderson also has a decent field guide to avoiding scams. Casinos, carnivals, and street cons are all described. For many people, this should be required reading.
This book is extremely entertaining. Harry Anderson writes in a quick and witty style that gives the reader the sense that Anderson is a throwback to the speakeasies and mobster era.
If you're looking to make money scamming John Q. Public, don't buy this book. If you're looking for a quick and entertaining read that is fairly informative and will provide you some interesting time killers, get this book.
a good way to get money.......2002-05-14
this book has a lot of very cunning tricks you can do to other people and you are guaranteed not to lose at any of them ,which leads to collecting a lot of bets.
One of my favorite books!!!.......2001-05-10
This book is great. The guy who gave it 2 stars is misguided. The bits in this book are priceless. There are several bar bets, stunts, gambling advice and cons. The best part is that it is such a fun read. Definitely read this book some day before you die!!
Average customer rating:
- An earlier version
- this is it, so far.......
- Lesbian Focus aside
- Setting But Not Character
- Lacking something here...
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Parker & Hulme: A Lesbian View
Julie Glamuzina , and
Alison J. Laurie
Manufacturer: Firebrand Books
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Heavenly Creatures
ASIN: 1563410656 |
Amazon.com
The movie Heavenly Creatures was based on New Zealand's notorious 1954 murder case in which two teenage girls, Pauline Parker and Juliet Hulme, killed Pauline's mother. The polite society of Christchurch was shattered not only by the murder, but also by suggestions of the girls' lesbianism. Feminist scholars Julie Glamuzina and Alison J. Laurie began researching the case in 1986, almost 10 years before the film's release, to contextualize the anti-lesbian hysteria surrounding the trial. This fascinating book looks at how and why that society viewed lesbianism as evil or insane.
Customer Reviews:
An earlier version.......2006-02-16
The Evil Friendship (1954) was the first book about this case, written by VIN PACKER. It will be reissued by Stark Press in 2006. This book came many years after, but it is a fair read, just as Heavenly Creatures was okay. Marijane Meaker
this is it, so far..............2004-01-20
So far, this is the only book I have been able to find on the Parker-Hulme matricide case. I normally wouldn't read a book about lesbians, and I thought lesbianism figured very little in the movie, but I didn't find it distracting here in the book, it didn't take away from the facts of the story. There are loads of details here that aren't in the movie, but I agree with others: why hasn't this been written about before, and especially now since Hulme is known to be the mystery writer Anne Perry? All in all, a very good book, and I read a lot of true crime!
Lesbian Focus aside.......2002-11-13
This is to my knowledge the only book out there exclusively about the Parker/Hulme case.Its a little shocking that another book hasn't been written about such a well known murder case, and in light of the fact that Juliet Hulme is now known to be Anne Perry,the famous mystery writer.I do agree that the lesbian angle was focused on a bit too much, even though that is a big part of the book.But it gives a lot of info about the case I hadn't heard before and a pretty clear picture of what happened.If anybody wants to know more about the story behind "Heavenly Creatures", read this book.
Setting But Not Character.......2001-11-09
It would be unfair to expect this book to react to Peter Jackson's film "Heavenly Creatures," inasmuch as it was written before the film was made. As a companion piece to the film, however, it fleshes out the New Zealand of the 1950's and gives the murder a societal context. Unfortunately I found it difficult to be engaged by the book's distance from its subjects; Pauline Parker and Juliet Hulme seem rather remote from the author's concerns, and the focus falls rather on the case's impact on contemporary and later lesbian politics and individuals. While I have no particular quarrel with the authors' politics, the title would suggest a closer examination of the girls themselves. In particular I question the authors' decision not to attempt to contact the grown-up Parker and Hulme for some comment. All in all, although this book places the events in context, it fails to illuminate the girls themselves.
Lacking something here..........2000-03-16
Okay, this book, as the other reviews have stated, is interesting in it's description of what followed the murder of Honora Parker. Heavenly Creatures left us with so many unanswered questions. Unfortuantely, while intersting in parts, most of the book is pretty superficial, pretending to delve into the history and psyche of Pauline and Juliet when it is actually a rather lazy analysis which only scratches the surface. The chapter which supposedly gives serious, important information from Pauline's diary to prove she's not "mad" or "bad" made me crack up...about 2 pages of continuous 1 or 2 line excerpts describing the housework Pauline helped her mother with. And that was it. That was the whole of the "analysis" of the diary. Washing dishes for her mum. What in the hell is this supposed to prove? All in all, a dissappointment, but interesting for the account of events after the murder and the (few) photographs.
Average customer rating:
- Musician. Lexicographer. Raconteur. Polymath. Zappatista.
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Perfect Pitch: A Life Story
Nicolas Slonimsky
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
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ASIN: 0193151553 |
Book Description
A man of untiring energy and humor, Nicolas Slonimsky has led a long and accomplished musical life, and today in his nineties he is a vital presence in American music. In 1985, an extensive New Yorker profile described him as "a man of countless daffy stunts and almost as many authentic
achievements." Indeed, Slonimsky pursued four distinct careers, each with its own degree of success: as a pianist, as a composer, as an pioneering conductor who championed modern American composers, among them Ives, Varese and Cowell, who long afterwards came to be acknowledged as giants of the new
century. It was in his fourth career, as a musical lexicographer, that he achieved world-wide recognition, particularly as editor of the highly respected Baker's Biographical Dictionary of Musicians, a reference work renowned for its highly imaginative, lively, and gem-like entries.
He is also a master raconteur. In Perfect Pitch, his fast-paced and often hilarious autobiography, he recounts in fascinating detail a life that spans the whole of 20th-century music, ranging from his childhood in St. Petersburg, where he studied piano with his illustrious aunt, Isabelle
Vengerova, to his years as secretary and "piano pounder" to Serge Koussevitzky, to his present career as musical lexicographer. He describes the extraordinary accomplishments of members of his family; Russia before, during, and after the Revolution; his successful appearances as conductor in Paris,
Berlin, and New York, and his fall from grace at the Hollywood Bowl; the whimsical pleasures of lexicographical detective work; unexpected fame and fortune as a game show contestant; and much, much more. Along the way, the reader meets famous personalities as seen through Slonimsky's eye, names such
as Igor Stravinsky, Aaron Copland, George Gershwin, Eugene Ormandy, Leonard Bernstein, John Cage, and Frank Zappa. Also included is the correspondence from Henry Cowell in prison, providing a stirring commentary on the persecution of this remarkable American musician.
Crowded with illuminating anecdotes, Perfect Pitch captures a life packed with odd and arcane developments, related in a style full of wit, spice, and irreverence.
Customer Reviews:
Musician. Lexicographer. Raconteur. Polymath. Zappatista........2002-10-26
I might well have called this "While I Slept" (with apologies to Art Buchwald). For, despite the facts that [a] Nicolas Slonimsky lived for more than 101 years (from 27 April 1894 to 25 December 1995), [b] because of this longevity, my life overlapped his by some 55 years, and [c] Slonimsky played a major role in a good part of the music I love (that of Charles Ives), he is a quite "new" discovery for me.
Born a Jew in St. Petersburg but baptized in the Orthodox church, Slonimsky was just one of many overachievers in his family. (As one example, his maternal aunt, Isabelle Vengerova, who - like him - was to emigrate to the United States, taught piano not only to Slonimsky but to Dmitri Tiomkin, the famous Hollywood composer, while both were still in Russia, and then to the likes of Samuel Barber, Leonard Bernstein, Aaron Copland, Lukas Foss and Gary Graffman, when she lived in New York and served for many years on the faculty of the Curtis Institute in Philadelphia.)
The 1917 Revolution led to Slonimsky's 1918 emigration from the Soviet Union, but not before he became known to a number of St. Petersburg composers and musicians of fame, not the least of whom was Alexander Glazunov, the director of the music conservatory there. His migratoy path while wending his way eventually to the U.S. is a story all in itself, with "pit stops" in Kiev, Karkhov, Yalta, Constantinople, Sofia, and, eventually, Paris, where he met Koussevitsky, Stravinsky and Prokofiev, assisting all three of them in various (and humorous) ways.
Arriving first in the U.S. at Rochester (NY), where he had been invited to coach the newly-instituted American Opera Company at the Eastman School of Music, Slonimsky had his initial conducting experiences (not a total success, but one which nonetheless demonstrated that he had a unique ability to "decouple" his two arms, permitting him to conduct in two different meters at the same time [something that would stand him in good stead when he later conducted the music of Ives]). From there, he went to Boston, as Koussevitsky's assistant (also not without its humor). It was in Boston that he met his wife-to-be, Dorothy Adlow (another Russian Jewish immigrant who became famous in her own right as the only Jewish editor on the staff of the Christian Science Monitor), and formed his own small chamber orchestra - made up largely of musicians from the Boston Symphony - for the performance of "new, modern" music. It was here, in 1928, that he first met Henry Cowell, which was to factor importantly in his early championing of Charles Ives and his music.
Skipping (temporarily) the Ives - Slonimsky connection, in 1933 Slonimsky was invited to be the conductor of the Hollywood Bowl Orchestra, an assignment that ended in disaster when he programmed too much modern music for the tastes of the audience, not the least of which was Edgar Varèse's "Ionisation."
Later in life - in fact, largely for the balance of what was to turn out to be an exceedingly long and rich life - Slonimsky turned his attention and activities toward writing on musical matters, mostly as a musical biographer and lexicographer for various music encyclopedias such as Theodore Baker's "Biographical Dictionary of Musicians." His bulldog determination for "accuracy at whatever cost" knew no bounds, even going so far as to check historical newspaper accounts of the weather on the date of Mozart's funeral, to put the lie to claims that friends did not attend Mozart's funeral because of snow: the snow, not the funeral, was in fact canceled.
Among Slonimsky's other writings were treatises on music theory, including some rather abstruse writings on the theory of harmony that represented true inventions on his part. In one of the strangest juxtapositions - and truly one of the most hilarious chapters of the book - Slonimsky crossed paths, in 1981, with none other than Frank Zappa, who took a personal interest in Slonimsky's theories and actually applied portions of them to his compositions.
But it was the Ives connection which brought my attention to Slonimsky in the first place, on account of the anecdotes that Jan Swafford, in his "Charles Ives: A Life With Music," related regarding Slonimsky's early championing of Ives's music, decades before others (incuding Bernstein) did. In what for me is the "gravitational center" of the book, a chapter entitled "Three Places in New England," Slonimsky, with the greatest of warmth and a wealth of detail, describes his initial meeting of Ives (through the auspices of Cowell) and his concertizing in both the U.S. and Europe, including Ives works on the programs. Certainly a highlight largely lost to history was Slonimsky conducting the Berlin Philharmonic, on 5 March 1932, in a program of works by Ives, Ruggles and Varèse, to both critical and popular acclaim, as well as enthusiastic acceptance by the Berlin orchestra musicians for whom this music would have been impossibly difficult had it not been for Slonimsky's conducting expertise. Ives and Slonimsky were to remain lifelong friends, and Ives, despite his infirmaties later in life, and often with the greatest of physical difficulties, would correspond with Slonimsky. One can only wish that some recording or another of a Slonimsky performance of an Ives work would have survived, but apparently - and regrettably - this is an idle wish.
There is a sequel - of sorts - to this autobiography, called (with Slonimksy's tongue placed firmly in his cheek) "The First Hundred Years." Not an update that adds another five years to "Perfect Pitch," this one is a compendium of excerpts of some of his best writings (including excerpts from "Perfect Pitch"). There is no better way to gauge the length, breadth and depth of Slonimsky's interests and expertise on matters musical than this "sequel." But do read "Perfect Pitch" first. If you can stop laughing long enough to complete it.
Bob Zeidler
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Perfect pitch? Will a new baseball pitch take over at the ballpark?(physical science)(Cover story): An article from: SuperScience
Andrew Klein
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ASIN: B000Q9O5TC
Release Date: 2007-05-04 |
Book Description
This digital document is an article from SuperScience, published by Thomson Gale on May 1, 2007. The length of the article is 1044 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Perfect pitch? Will a new baseball pitch take over at the ballpark?(physical science)(Cover story)
Author: Andrew Klein
Publication:
SuperScience (Magazine/Journal)
Date: May 1, 2007
Publisher: Thomson Gale
Volume: 18
Issue: 8
Page: 12(4)
Article Type: Cover story
Distributed by Thomson Gale
Book Description
The three reasons The Boston Globe Sunday Crossword Puzzles has been named "one of America's best" by Games magazine are Henry Hook, Emily Cox, and Henry Rathvon. The puzzles in this volume are filled with the original themes and clues, pop-culture references and whimsical wordplay that make this series a favorite of solvers.
Customer Reviews:
Decent Work!.......2005-04-13
I've been having a blast with the puzzles in this book. The Boston Globe puzzles are not quite as difficult as the Times ones, but they sure are hilarious. Hook chose puzzles that were challenging, and funny. I must be honest and say that there were some definate head scratchers in here! Good coolection; time well spent.
The Best.......2001-05-30
When I was in the Peace Corps in Africa, my friend's mom used to clip and send the crossword puzzles from the Boston Globe. I was hooked! They're the best--interesting, just the right level of difficulty to do with the morning coffee. I end up looking up a word or two each and time and learn something, but they're not so hard I can't finish them. I was delighted to find collections of them.
Boston Globe Crosswords Vol 10.......2001-04-29
These are fun puzzles, challenging enough to be amusing, but not so difficult you want to give up on them. New Englanders may find these particularly enjoyable since many clues and sometimes entire puzzles are Boston-related. The spiralbound books are easy to handle and write in, and all puzzles are "one pagers" so there's no turning back and forth.
Book Description
Sound, sensible advice from a hero to frustrated investors everywhere
William Bernstein's The Four Pillars of Investing gives investors the tools they need to construct top-returning portfolios--without the help of a financial adviser. In a relaxed, nonthreatening style, Dr. Bernstein provides a distinctive blend of market history, investing theory, and behavioral finance, one designed to help every investor become more self-sufficient and make better-informed investment decisions. The 4 Pillars of Investing explains how any investor can build a solid foundation for investing by focusing on four essential lessons, each building upon the other. Containing all of the tools needed to achieve investing success, without the help of a financial advisor, it presents:
- Practical investing advice based on fascinating history lessons from the market
- Exercises to determine risk tolerance as an investor
- An easy-to-understand explanation of risk and reward in the capital markets
Customer Reviews:
A Must Read!.......2007-09-24
One of the best books I have ever read on investing. I have been recommending it to everyone I know.
Can't give this book enough stars.......2007-08-23
I wish every investor would read this book. Well, maybe not because I feel like I have a leg up on every other investor who believes he can time the market, get rich quick, or knows where the market is heading (well, after reading this book you'll see where the market is heading over the long term, and long term does not mean 6 months). This is by far the best book I've ever read, I cannot express enough how this book has open my eyes to investing, trading, saving for retirement, planning for the future, etc. Anybody who is at all interested in any sorts of financials, saving money for retirement, day trading, investing in stocks, bonds, mutual funds, etc. this is the first book you should read. I would then recommend reading...
Common Sense on Mutual Funds
A Random Walk Down Wallstreet
The Future for Investors
The Intelligent Investor
The Smartest Investment Book You'll Ever Read
The Boglehead's Guide to Investing
Essential Reading for Investors.......2007-06-14
The title led me to believe this recommended book would be a boring waste of time, but I found it to be a summary of many books I'd already read.
Many of the books it recommends as further reading I've already digested and I'll say this book does a good job of summarizing the major points of those books.
I'm a believer that it is hard to beat the indicies over time and don't try anymore.
Fabulous overview of investing fundamentals.......2007-04-13
I'm a beginning investor who was tired of piecemeal advice. This book saved me a lot of headaches. It taught me the basic fundamentals of investing, so I was able to reconcile the often conflicting advice I received from other people. Bernstein uses many fascinating historical examples to illustrate these basic principles. Although there's no formula for becoming rich, he shows the average investor how to make wise decisions for strategic portfolio growth. Overall, I found this book very useful.
Get this book NOW!.......2007-03-24
If you are even slightly considering purchasing this book, get it NOW. It was a very fast read (I finished it in 3 days) due to the writer's natural style, and it will open your eyes to things like actively managed funds vs. index funds, fees associated with mutual funds, and the importance of asset allocation and diversification. I completely changed my long-term investment strategy after reading this book and I already feel like I am doing better than I had been for the past few years as far as increasing my portfolio's return while lowering its risk. Like I said, get this book now. I am getting a few copies for friends that deserve to make more money over the long term and I don't want to see make the same mistakes I did like paying for actively managed mutual funds with high fees that don't even perform well as the market!
Book Description
This book presents an easy-to-follow, step-by-step program for achieving long-term investing success.
Customer Reviews:
The best book on investment ever.......2007-06-12
This book is superbly written and can enormously benefit all investors whether novices or experts. It is patrticularly suited for investors who want to manage their own money.
It starts with pillar one(the theory) and explains asset alloction with scientific and historical data that are convincing. It explains the risk and reward of diferrent asset classes throughout history.Diversification into domestic stock, international and fixed assets are explained with historical returns and asset correlation.
The chapters on history of the different markets are excellent and tell you what to expect in the short, medium, and long run.
Behaviour finance discusses the mistake investors almost always make, following their intuition and the conventional wisdom of the era, and how to realize them and avoid them.
Withdrawing money in retirement is discussed in great detail with different scenarios, very useful.
The book is eminently readable; I have read it 3 times to reinforce some tough to implement ideas, including rebalancing, not selling in a panic, and to look at stocks as if they were tomatoes. Try to buy them when the're cheap and on sale.
After reading over 50 books on investments, this is the one to go to and to recommend to friends. You will not be disappointed
Must Read.......2007-03-09
One of the best investment books I have read. It is a must read for all the investors.
Four Pillars.......2006-04-18
The "Four Pillars of Investing" CD was very useful. Very easy to follow the basic fundamentals of investing. Explored some complex issues but broke each idea down to its most fundamental form. Well worth listening to for the beginner or intermediate investor.
From an Information hound.......2006-03-29
Read this book as I was researching the topic of Index-funds. I have to say the first section has excellent historical perspective, to start your understanding of why Index funds are statistically more of a sure thing, than most mutual funds. The book should be a "MUST READ' for all beginners, AND to anyone who has spent any time investing and scratching their head wondering why they're not doing better. There's a reason - your part of 'the Market', which is made of both winners and losers. I get the idea that I'll be going back to this book from time to time, as a way to remind me of all the things I've forgotten along the way. A solid 4, maybe even 5 stars... enjoy.
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- Version 2.0: More BYTE-ing Humor
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