Student's Solutions Manual Calculus: Graphical, Numerical, Algebraic

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Great Product.......2007-09-19

Great Product, exactly as described and shipping was free! I enjoy ordering from amazon and will continue doing so.

Calculus: Graphical Numerical Algebraic Student Solutions Manual Part 2 (Calculus Part. 2)

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Calculus: Graphical Numerical Algebraic Student Solutions Manual Part 2 (Calculus Part. 2)
Ross Finney
Manufacturer: Addison Wesley Publishing Company
ProductGroup: Book
Binding: Paperback

ASIN: 0201569086

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A photographic and informative guide to over 160 varieties of wildflowers in the Berkshires.

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DO'S & DON'TS AROUND THE WORLD was written to guide foreign travelers and to spare them of mistakes that could embarrass them, hurt them, cost them money, land them in jail and ruin their trip abroad. The book describes hundreds of country-specific cultural and social do's and don'ts. The book contains separate listings for each country in the region. Information contained in the book came primarily from representatives and officials of the countries through an extensive world-wide questionnaire survey.

Do's and Dont's Around The World Africa: A Country Guide to Cultural and Social Taboos and Etiquette (International Traveler's Resource Guide)

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Do's and Dont's Around The World Africa: A Country Guide to Cultural and Social Taboos and Etiquette (International Traveler's Resource Guide)
Gladson I. Nwanna
Manufacturer: NY
ProductGroup: Book
Binding: Paperback
ASIN: B000MUGPWU

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A Pocketful of Dreams

They were sisters yet strangers: realistic sixteen-year-old Alfreda Anderson and fanciful ten-year-old Erna, divided by hardship but united in the adventure of sailing to America. Alfreda dreamed of new beginnings, far from the drugery of life with her aunt and uncle on a small islad off the coast of Sweden, while Erna already missed her home and feared the journey to Chicago and the father they hadn't seen in years. Papa had sent tickets for Mother and their sick little brother, Karl, but only the girls would make the journey -- on the splendid new ship Titanic.

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Yet another Titanic books..... but it's good........2000-08-05

Erna and Alfreda Anderson were two real passengers that traveled third class on the Titanic, but nothing is known about them, except that Erna survived, and Alfreda did not. The author of this book has written a novel that imagines who Erna and Alfreda Anderson were, why they were on the Titanic, and how Erna made it out of the tragedy alive when Alfreda, her relative, did not. The Erna of this book is a ten-year-old dreamer living in the Swedish countryside, often at odds with her realistic, sixteen-year-old sister Alfreda. Their father has been in America for several years, and sends tickets for the family to join them. But their mother must remain behind, so the sisters set off without her, arguing along the way. They board the Titanic in England, and they're on their way. Along the way, they finally manage to become friends. And how Erna survives, and her sister does not, happens in a tragic plot twist that was painful to read and had me nearly in tears. I highly reccomend this book. It goes along well with Voyage on the Great Titanic, from the Dear America series.

An Excellent Titanic Book.......1999-10-27

This book was EXCELLENT!!! It was so intersting, I couldn't put it down!! It starts off a little slow, but stick to this book, you won't regret it!!

Erna and her sister are on the "Titanic".......1998-10-20

Erna and her sister live in Sweden where they are very poor. Their little brother dies and their mother gets sick. Their father is in America and he sends tickets for the sisters to come to America. They will sail on the "Titanic." What will happen to the sisters when the ship sinks? A really cool author! She describes everything so well!

A great American Sisters book........1998-09-12

Ten year old Erna Anderson and her sixteen year old sister Alfreda lived lives of poverty in Sweden. Their father went to America seven years ago, and finaly sent for Mother and their little brother Karl. But Karl had died, and Mother was ill, so Erna and Alfreda would have to make the journey to America alone, in third class on the Titanic. The two sisters, seperated at first by poverty and sorrow, soon become friends. But when the Titanic hits an iceberg and begins to sink, can they survive?

Book Description

Clinical Embryology: A Color Atlas and Text unravels and illuminates the complex process of both normal and abnormal prenatal human developments. Vivid color drawings and photographs, many in three dimensions, clarify difficult concepts and bring contemporary clinical examples to life. Each section of the atlas includes pertinent case reports, clinical photographs, radiologic studies, and examples from the pathology lab - emphasizing the importance of embryology across the field of medicine.

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This outstanding lab book uses an exploratory approach which encourages students to inquire and discover concepts as they experiment. The interesting and challenging experiments have been selected to maximize educational impact while minimizing hazards and cost. In this edition the "Prelaboratory Exercises" have been extensively expanded and printed on isolated pages so that they can be torn out and handed in without disturbing the "Procedure" section. Numerous new questions have been added to provide a much stronger connection between the lecture and lab portions of the course. A new feature, "Chemical Capsules," presents provocative subjects to stimulate interest and discussion.

Book Description

Should damaged trees be clear cut and replanted or allowed to recover naturally? Is the deer herd large enough to survive hunting pressure? Managing forest resources entails numerous decisions. Making these decisions intelligently requires sound information about the resource in question. Ideally, assessments should be based on the entire population involved. However, the costs in time and money often prevent this, and evaluations - or sampling - are done on a small portion of the whole. The most complete treatment of systematic sampling in one volume, Forest Sampling Desk Reference explains the uses and limitations of individual sampling designs in forest inventory operations. This text contains detailed derivations of the most commonly used statistical methods in forestry. It provides examples that highlight the statistical methods. The author covers probability and probability distributions and the development of logical regression models. The text discusses systematic sampling, describing its benefits and shortcomings in detail. It provides an in depth examination of the controversial 3-P sampling procedure. The validity and strength of sampling results vary from option to option, along with their costs in terms of money and time. Before selecting a sampling procedure you need to know their strengths and weaknesses in relation to their expense. Forest Sampling Desk Reference supplies the background necessary for making these decisions.

Book Description

The Arden Shakespeare is the established edition of Shakespeare's work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden guides you a richer understanding and appreciation of Shakespeare's plays. This edition of Twelfth Night provides, a clear and authoritative text, detailed notes and commentary on the same page as the text, a full introduction discussing the critical and historical background to the play and appendices presenting sources and relevant extracts.

Customer Reviews:

Excellent Resource.......2007-09-10

Arden, in general, has the definitive series for those studying or teaching Shakespeare. The footnotes are very valuable resources for the language, history, and even staging of the plays. If you only have room or money for one set of Shakepeare's plays, make Arden your choice.

A warm and delightful comedy - great edition.......2004-12-16

To call this a good natured comedy would be true as far as that goes, but would work against convincing you about its many delights. It is indeed full of many preposterous situations, which are tied into a converging and almost insane plot.

Let me give the broad strokes of the plot. Duke Osrino is infatuated by Countess Olivia who wants nothing to do with him. Viola and Sebastian are twins who are separated in a shipwreck that has happened before the play began. Both are alive, but think the other dead. Viola sees the Duke and is attracted to him and wants to win him over, but cannot approach him as a woman from her station in life. So, she dresses as a man, Cesario, and offers her (his) services to the Duke. He is taken with this young man and uses him as a go between to help him win Olivia's heart.

When Cesario (Viola) approaches Countess Olivia, she dismisses the Duke's entreaties, but is taken with Cesario. She finds reasons to have Cesario return several times without furthering the Duke's intentions.

Malvolio, one of the Countess's stewards, is taken with her and flatters himself that she is interested in him despite his lowly station. Others in the Countess's entourage note this and forge a letter from Countess Olivia that expresses interest and asks him to dress in cross-gartered yellow stockings (which was, apparently, a ridiculous form of dress in the time of the play). He does and becomes the object of even more ridicule.

Viola's twin-brother, Sebastian, comes to town with the sea captain who had saved him, Antonio. In one of the several duels or near duels in the play, Viola as Cesario is being put upon by one of the play's foolish characters. Antonio steps in to save Sebastian, but it is really Viola as Cesario. In the meantime Sebastian has met Countess Olivia who takes him for Cesario. She is so smitten she makes a direct proposal of marriage to Sebastian (assuming he is Cesario). He, for some reason unknown to us, is so smitten upon meeting Olivia he accepts and they make an agreement to marry in front of a Priest.

Anyway, you get the idea and can assume that all is finally revealed and there is a happy ending for everyone, except poor Malvolio. And this summary says nothing of the delightful Clown, Sir Toby Belch, Sir Andrew Aguecheek, Fabian, or Maria.

This wonderful edition also has a wonderful opening essay (half the book), on the play's origins, textual problems, performance history, and performance issues. The appendices also include the likely source story for the play and the music for the songs sung in the play. There are also the usually wonderful textual helps and notes.

Fine edition of a wonderful play.

Twelfth Night (Arden Shakespeare Second Series)

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Good, But It Is Flawed.
Maybe Shakespeare's Best Comedy
True scapegoat which we should pay attention to
Good formula comedy, but not hilarious. Rich characters and plot.
"That you do think you are not what you are."

Twelfth Night (Arden Shakespeare Second Series)
William Shakespeare
Manufacturer: Arden Shakespeare
ProductGroup: Book
Binding: Paperback

Classics | General | Literature & Fiction | Subjects | Books

General | Drama | Literature & Fiction | Subjects | Books

ASIN: 0174435827

Customer Reviews:

Good, But It Is Flawed........2006-07-17

Many of you probably recall this as the play Shakespeare began to write at the end of "Shakespeare In Love." As far as the movie goes, Shakespeare was to write something where love triumphed after it failed in "Romeo and Juliet." This comedy is often hailed as one of Shakespeare's best comedies. But there are reasons I can not quite place it on the same level as "Comedy of Errors," "Taming of the Shrew," "Midsummer Night's Dream," or "As You Like It." We meet Orsino the duke who is love with Olivia. But Olivia chooses to avoid men. (She never quite got over the death of her brother and father.) We also meet Viola. She has survived a shipwreck but fears her brother Sebastian did not. Fearful of possibly being raped, she disguises herself as a man and enters Orsino's servant under the alias name Cesario. Shakespeare then introduces us to the characters of a subplot. (Maria, Toby, and Andrew.) They will plan a practical joke on Malvolio. Moving on, Orsino hires Viola/Cesario and asks him to woo Olivia on his behalf. And here we have irony both tragic and funny. Viola loves Orsino but must woo another woman on his behalf. And if as this was not difficult enough, Olivia falls in love with her! Later, we see that Viola's brother Sebastian has survived, and we meet Antonio. Antonio is wanted in the area for theft, but his touching loyalty will not allow him to dessert Sebastian. There is a comical scene where Orsino has a man to man talk with Viola/Cesario. Now we come to one problem I have with the play. Maria, Andrew, and Toby plan an over the top practical joke on Malvolio. Malvolio represents the Puritans. Shakespeare did not like Puritans because they opposed his theatre. But there is no denying that practical jokes and ridicule are lower forms of comedy than human misunderstandings such as in "Comedy of Errors." In "Taming of the Shrew," Katherine certainly draws some comments, BUT, if we understand her character, we can see that she really deserves our sympathy. Well, the conspiracy (with the help of a fake letter from Maria) makes Malvolio plan to woo Olivia in an absurd looking outfit. Olivia will think him mad, and he will be thrown in a dungeon to recover his mental health. Moving on, Andrew becomes jealous and wants to fight Viola. (Because Olivia likes her.) In a comical scene, Toby pretends to want peace, but forces the hands of both Andrew and Viola/Cesario. Now here is another major problem I have with the play. Antonio mistakes Viola for Sebastian and saves her. But he is wanted in the area, and the duke's officers arest him. Viola knows she has been mistaken for Sebastian and is happy her brother is alive. Now if she had any element of human decency, she would have indicated herself as a servant of the duke and protested Antonio's arrest. Or if this failed, any decent person would have followed Antonio to the Duke and tried to get Antonio released. Toby, Fabian, and Andrew all have a point when they rebuke her. I am not saying a hero or heroine can't have faults, but this extreme fault was sickening. Moving on, we have some "Comedy of Errors" nostalgia. Olivia mistakes Sebastian for Cesario, and of course there is no problem with this love. In the end scene, Viola and the Duke run into the captured Antonio. To be sure, Viola confesses he rescued her, BUT SHE STILL DOES NOT EVEN ASK THE DUKE TO RELEASE HIM. CERTAINLY, THE DUKE WOULD HAVE GRANTED THIS MERCY TO A MAN WHO HAD RESCUED SUCH A USEFUL SERVANT! The errors of the day are sorted out when Sebastian comes on the screen married to Olivia, and Viola is able to confess her love to Orsino who reciprocates. Shakespeare allows us to infer that Antonio will not be severely punished, and of course Malvolio comes in threatening to get revenge. Overall, it is a good play with intertwined plots, comedy, and enough tragic elemenets to make it plausible, but there are some flaws that prevent me from considering it one of Shakespeare's greatest comedies.

Maybe Shakespeare's Best Comedy.......2005-12-31

Last semester, I took a course on comedic drama in which the class read numerous classics of the genre. Twelfth Night was, in my opinion, pretty easily the best work that we read. While it's not necessarily Shakespeare's own best work, it is one of the true masterpieces of comedic literature, a work of surprising humor and depth.

The romantic plot is absurd, though of course, satisfying. In true comedic fashion, the play takes place is something of a fantasy world, with the laws of the world suspended. There is a chance for something divine to happen here, a chance for human masks to be torn away and for authentic connection to be made. Of course, something like that is what happens. Comedy (particularly that produced by the fool) pierces through the false barriers the people have build and allows for them to create for themselves a new life.

I think that's why I like the play so much. The farcical plot and the clever wordplay are delightful, but it's really that there is a subtle wisdom in this play that draws me irresistibly toward it. I think that you can read and reread Twelfth Night and always come away with a sense of something genuine.

True scapegoat which we should pay attention to.......2005-12-16

This comedy written by William Shakespeare has a connotation which has a wide range of meaning. Who is sacrificed through out the play misunderstood as a person who has a hypocrite personalities and unacceptable disposition among the characters of Twelfth Night. In superficial level, we as a reader easy to reach the conclusion that he is a man who should be penalized, and not only characters within the Twelfth Night mocking at him but also the readers show sardonic response behaviors toward this eccentric behaviors after reading the Olivia's letter which is counterfeit. Thus, we consider the punishment that Malvolio received was something justified and axiomatically accepted one. However, that sort of view is not rightful judgement. We should aware that people who planned this clandestine of fake letter to make fun of Malvolio are truly an undiscovered villain. There's a lesson implied on the play that we as a human being should always pay attention to minors who overwhelmed by an unjust and huge mainstream.

Good formula comedy, but not hilarious. Rich characters and plot........2005-12-06

The ending of the play is a foregone conclusion from the beginning, and there is never a question of where it's going, but then that is the aim of the New Comedy/Romantic Comedy genre. What makes the ending interesting is how the couples fall in love. Shakespeare's comedies are like a radio song, with formulaic verses, choruses and no real surprises. We don't come back for the last chord of a catchy song, but for the chorus and verses that makes us sing out loud. Shakespeare uses mistaken identity and disguise to mix up the characters, and the exposure at the end unties the knots in a believable manner. He unties the mess and then unites the characters again. The stress builds quickly as the twin siblings Sebastian and Viola cross paths, with each one foiling the other. Shakespeare manages to create New Comedy endings better than anyone else, but even so, the ending leaves the audience without any deep or self-reflective feelings about the characters.

"That you do think you are not what you are.".......2005-08-02

TWELFTH NIGHT is probably one of the most unthreatening and reader/audience-friendly Shakespearean plays in its accessibility. The plot of intrigue in the play, which amazingly affords a marked absence of powerful authority figures, draws on the conventions of popular inveighing comedy. In this whimsical plot, the calculating Sir Toby, who assumes a father figure to his cousin Lady Olivia, aims to dupe the foolish Sir Andrew out of his money. When the lady's steward Malvolio rebukes Sir Toby's rowdy drinking debauchery, his accomplice and eventual wife, Maria, takes over and makes the steward object of her gulling ingenuity. This neatly, dazzling interlocking of plot also contributes to the relaxing atmosphere on top of the usual Elizabethan theatrical embodiment of gender misconception and identity.

TWELFTH NIGHT on top of the festive spirit and dramatic forgery and facetious gulling is a search of human identity in all its strangeness and paradoxicality. It has gone beyond mistaken identity as traditionally understood in comedy to include disguise and gender misrecognition, a definitive phenomenon in which boy actors play women's parts. It addresses a subtler and yet precarious issue in the situation of identical twins teetering on the risk of being mistaken. Identical twins are automatically ripped off their uniqueness, the unmistakable self. The broad appeal of TWELFTH NIGHT as a good-humored play is sharpened by its comedy of mistaken identity between the long-lost twins Sabestian and Viola. Although they are of different sexes, other characters in the play cannot distinguish them from one another when Viola disguises as a young man. This is a significant message from the play: in addition to the concomitant non-recognition and loss of identity, a conditional identity exists only under particular conditions of place, time, and context. The peculiarity of such a disguise and the duration of which is an interesting paradox that concerns what Viola has to lose rather than to gain by ceasing to be the young man.

Folly permeates the language of TWELFTH NIGHT. The device used against Malvolio is nothing but one aspect of the play's satirical character. Folly reigns in the seat of wisdom (and maybe even the truth) in order to expose the foolishness of those who count themselves wise. And when the confusions of the masquerade bring home to all the truth, in sober daily life, we know neither our own identities nor the identities of our peers. The play sustains the idea that if the fool will become wise at the expense of persistent folly. The salient outcome is a play that is richly composed of deceptions: self-deception, delusion of love, alienation. And yet through all these confusions and carnival-like disguise clarification and self-knowledge are reached, just as a masquerade releases people from their everyday inhibitions and enable them to discover themselves.

TWELFTH NIGHT is not faultless despite its immediate accessibility and broad appeal. The unresolved tension that concerns the steward and numerous loose ends in the play constitute to the slight imperfections that are difficult to overlook.

Twelfth Night - Arden Shakespeare : Second Series (Arden Shakespeare 2nd Series)

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Twelfth Night - Arden Shakespeare : Second Series (Arden Shakespeare 2nd Series)
J. M. Lothian
Manufacturer: Arden
ProductGroup: Book
Binding: Paperback
ASIN: B000OK86Z2

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