The Biology and Management of Red Alder

Book Description

There is no better way to see England, Scotland, and Wales than by train, and there is no better guide to the British train system than Britain by BritRail. For more than twenty years, travelers using a BritRail pass have made this book their rail-travel bible

This guide explains how you can use London, Glasgow, Edinburgh, and Cardiff as base cities for day excursions to outlying points of interest - including Liverpool, a destination new to this edition.

Britain by BritRail is the only book on the market that features fully updated information on fares, schedules, and pass options, personally researched day excursions that take you throughout Great Britain, practical travel tips on keeping costs down, traveling light, conquering jet lag, exchanging currency, understanding British terminology and the latest information on the Chunnel and other Channel crossings.

Customer Reviews:

A useful book on rail travel in Britain.......1999-10-08

Britain by Britrail 1999 seems to me to be a welcome addition to the field of travel books.

As we all know, the train has all but disappeared from the travel scene in the USA; in the United Kingdom, however, the train is alive and well. In using this book, you come away with the impression that not only is the train a viable alternative to other forms of intra-Britain travel, but it the preferred way to go in most instances.

Following an introductory chapter giving lots of valuable information on train travel in Britain, the rest of the book is divided into chapters by country by "base city". For each base city reachable by nonstop flights from the USA, the book provides some very useful information about the airport of arrival, including the location and hours of things like the banks or foreign exchange counters, baggage storage facilities, and most importantly, the different means of transportation between the airport and the center of town (time, cost, etc.) In point of fact, the entire cost of the book can well be amortised by using public transit, rail link, or shuttle service rather than taxis.

The heart of the book is found in the sections about rail travel, and the rail stations which the tourist is likely to use. If one is the type of traveler who needs very precise and specific directions to find things, this book does it all for you. Detailed information for each station is provided, including the location of the tourist office (if there is one), the currency exchange facilities, the location of baggage lockers and/or baggage check room, where to have one's Britrail pass validated, etc.

Furthermore, the author suggests, for each base city, a brief description of the major places to be visited, as well as a certain number of one-day sidetrips to points of interest easily reachable by train from the base city.

Finally, the book provides train schedules for trains between different base cities. While these are, of course, subject to change over time, they do provide useful information for the traveler, in particular the length of any given trip (in hours and minutes).

A useful book for anyone planning a trip to Britain.

Got to big and too heavy........1999-03-04

I truly enjoyed and constantly used the 16th edition, 1996-97. I used it constantly, and it never let me down. The discriptions of areas to see were lucid and enjoyable. Never missed a train, and only bought the newer edition in case the time tables had changed. Now I shall have to compare time tables, and if the same, or almost the same, I shall take the old tried and true edition back to Britain with me. This newer edition would give me a hernia if I have to carry it about with me.

Britain By Britrail How to Tour Britain By Train (Ferguson's Britain By Britrail How to Tour Britain By Train)

Average customer rating:

Britain By Britrail How to Tour Britain By Train (Ferguson's Britain By Britrail How to Tour Britain By Train)
George Wright Ferguson
Manufacturer: Burt Franklin & Co., Inc.
ProductGroup: Book
Binding: Paperback
ASIN: B000KQN2AY

Britain by Britrail, 1991-1992: How to Tour Britain by Train (Britain by Britrail)

Average customer rating:

Britain by Britrail, 1991-1992: How to Tour Britain by Train (Britain by Britrail)
George Ferguson , and Laverne Ferguson
Manufacturer: Globe Pequot Press
ProductGroup: Book
Binding: Paperback

Britain by Britrail, 1992-1993: How to Tour Britain by Train (Britain by Britrail)

Average customer rating:

Britain by Britrail, 1992-1993: How to Tour Britain by Train (Britain by Britrail)
George Ferguson , and Laverne Ferguson
Manufacturer: Globe Pequot Press
ProductGroup: Book
Binding: Paperback

General | Travel | Subjects | Books
ASIN: 0871062461

Britain by Britrail, 1998-99: How to Tour Britain by Train (Serial)

Average customer rating:

Britain by Britrail, 1998-99: How to Tour Britain by Train (Serial)
George Ferguson , Laverne Ferguson , Christina Dilorenzo , and Stephanie Bell
Manufacturer: Globe Pequot Pr
ProductGroup: Book
Binding: Paperback

General | Europe | Travel | Subjects | Books

Guidebooks | Reference & Tips | Travel | Subjects | Books

General | Travel | Subjects | Books
ASIN: 0762701080

Britain by Britrail, 1980-81: How to tour Britain by train

Average customer rating:

Britain by Britrail, 1980-81: How to tour Britain by train
George Wright Ferguson
Manufacturer: B. Franklin
ProductGroup: Book
Binding: Unknown Binding
ASIN: 0891022287

Britain by Britrail: How to Tour Britain by Train, 1995-96

Average customer rating:

Britain by Britrail: How to Tour Britain by Train, 1995-96
George Ferguson , and Laverne Ferguson
Manufacturer: Globe Pequot Pr
ProductGroup: Book
Binding: Paperback

Guidebooks | Reference & Tips | Travel | Subjects | Books

General | Travel | Subjects | Books
ASIN: 1564405028

Book Description

Summer camp is different from high school. Something about spending the night.

Things happen.

Geography Club's Russel Middlebrook is back, and he and his friends are off to work as counselors at a summer camp. Brent Hartinger's third novel is the story of Indian legends, skinny-dipping in moonlit coves, and passionate summer romance. It's also the story of Russel's latest club, the Order of the Poison Oak, a secret society dedicated to helping its members see life's hidden beauty and accept its sometimes painful sting.

Customer Reviews:

Great Follow up to The Geography Club.......2007-06-08

The Order of the Poinson Oak is the follow up book to Brent Hartinger's Geography Club (GC). And for a follow up book it's great. The characters are true to who they were in GC.

Russel, Min, & Gunnar are back, but this time they are going to Summer Camp. If you have ever been to summer camp, then you may read things happening in this book that you may have actually experienced. Because of this, I found the story believable, and well done. Hartinger also does a great job of that eternal question that all LGBTQ teens, and even adults have to deal with, "Should I come out to these people or not?"

The story is written from the perspecite of Russel, and you get to read the thoughts that are going through hims mind. The narrative is done in the form of a recolection, or retelling of a story, so the narrator has a little more insight than the characters, which takes nothing away from the story, but does give you a sense of what's to some.

The plot was pretty predictable, and if you have read a moderate amount of books, the hints at the ending that Hartinger gives are glaringly obvious. But the journey to the end was very enjoyable. Sometimes it's not the ending that counts, but the journey we take to get there. And this book is just like that. You already know what's going to happen, but you really want to see how the characters get there.

All in all this was a great book, and I would highly reccomend it.

Another Home Run!.......2007-05-12

After reading Geography Club, I had to immediately go buy The Order of the Poison Oak.

I was not disappointed. If it's of any consequence, I read the whole thing in one sitting. I simply could not put it down - even when the wee hours of the morning were creeping up on me and I could barely keep my eyes open from lack of sleep (and I had to get up the next morning).

This book, an extremely strong sequel to Geography Club, can stand alone on its own (just like Geography Club) and is an amazing work of literary genius. Brent manages again to help bring emotion, vision, and strength to another story that contains many things that many of us have dealt with throughout our lives. This book, like Geography Club, seems to be mainly geared towards teens, but being 25, I can still seriously relate - and I think anyone can.

Brent helps us all to realize that we're all special, regardless of the person that we are - and that it's truly our autonomy that makes us special as people: being unique is what truly brings us all together in a world and society that stresses conformity.

Magnificent!!.......2007-04-02

In a span of 4 days I have read both Geography Club and The Order of the Poison Oak. Russel Middlebrook is my new hero, along with Brent Hartinger. I cannot wait to get my eyes on the rest of his novels! Absolutely Awesome!!!

Stephen R. Moore author of Dancing in the Arms of Orion and Home Sweet Home.

Order of the poison oak.......2006-12-20

I enjoyed reading the Order of the Poison Oak because there is a lot of excitement but it's realistic. It shows that even if you are different than most people there are still those that care about you, all you have to do is find them. It also shows that if one of your friends says they are going out with someone you like you should believe your friend no matter how much you don't want to and be loyal to them no matter what. I also enjoyed the Indian legend told by Russ in the story. you can learn a lot from this book.

An Improved Sequel.......2006-11-20

This book is better than GEOGRAPHY CLUB - there is more detail and more character development.. but not a whole heck of a lot more. There is still room for better images and better emotion. I don't feel like I got to experience Brent's full vision of this work because there wasn't enough depth. Each character get's a little part and just when you get interested it's over and on to something else. I bought all Brent's books. I hope he grows as a writer..

Average customer rating:

Order of the Poison Oak
Brent Hartinger
Manufacturer: HARPERCOLLINS @ PUBLISHERS
ProductGroup: Book
Binding: Hardcover
ASIN: B000WDROIQ

Average customer rating:

The Order of the Poison Oak
Brent Hartinger
Manufacturer: HarperTeen
ProductGroup: Book
Binding: Paperback
ASIN: B000OEZONU

Average customer rating:

ORDER OF THE POISON OAK -LIB
Brent Hartinger
Manufacturer: HarperTeen
ProductGroup: Book
Binding: Paperback
ASIN: B000OF4N86

Customer Reviews:

Woodenly Conventional.......2000-08-19

When I first read this book, I thought it was a reasonableoverview of the ethical problems facing us in the world of biotechnology. However, on second thought (always a good idea to think twice!), the book represents EXACTLY what we expect to hear with regard to the topic. Little to no original material is presented, and there is no effort made to evaluate or even examine alternative points of view in the realm of ethics. Unsurprisingly, the tired and overused metaphor of the slippery slope - long the faithful friend of ethical doomsayers everywhere - rears its ugly head again here. The authors also take the attitude that they are explaining "common knowledge" just for the sake of getting it on paper, and seem immune to the idea that someone might do something so horribly vile as to - gasp! - support cloning.

The conclusions are painfully predictable: genetically modified foods might be dangerous to wild stocks, there is a moral gulf between somatic and germ-line gene therapy, cloning of humans is utterly immoral. Fewer knee-jerk emotional reactions and more critical thought on these topics - especially cloning - would be deeply appreciated by everyone. Many people are sick of hearing only one side of the issue presented as if the case is already closed. And the "Genethic Principle" paragraphs beginning each section make the book sound like a textbook, reinforcing the reader's conception that he is being instructed in something everyone already knows.

IMHO, the "dangers" of these biotechnologies are significant and should be appreciated, but have been vastly inflated by sensationalist media, public paranoia, and a few ill-advised experiments. Cloning especially is the victim of sensationalization (if indeed that is a word), and the maxim "Never clone humans!" is widely taken as basically gospel. In fact, there is little scientific evidence that cloning would present much of the famed danger, and it certainly isn't the threat to individuality people like to claim it is (what about environmental differences? what about identical twins?) And no, cloning couldn't be used to make a slavishly obedient army of mini-Hitlers bent on world domination, either. Try Gregory Pence's "Who's Afraid of Human Cloning?" or any Richard Dawkins article on the subject....

Average customer rating:
Genethics - the Clash Between the New Genetics and Human Values
David et al Suzuki
Manufacturer: Harvard
ProductGroup: Book
Binding: Paperback
ASIN: B000O6G7NY

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Facts for Visitors: Poems (New California Poetry, 12)

Average customer rating:

poetry is far from dead, and life is full of possibilities
my main man
Innovation and the Individual Talent

Facts for Visitors: Poems (New California Poetry, 12)
Srikanth Reddy
Manufacturer: University of California Press
ProductGroup: Book
Binding: Paperback

Classics | General | Literature & Fiction | Subjects | Books

General | Poetry | Literature & Fiction | Subjects | Books

ASIN: 0520240448

Book Description

Speaking in the wake of empire, of terrestrial love and of the collapse of traditional literary forms, the protagonist of this collection of poetry reconstructs a world from the language of encyclopedias, instruction manuals, and the literary legacies of Wallace Stevens, W. G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "then's" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.
Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves' Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

Customer Reviews:

poetry is far from dead, and life is full of possibilities.......2007-09-12

I met Chicu Reddy, briefly, at a poetry reading in Boston whereat he autographed my copy of this book. His poetry is great stuff. Reddy injects new life into all the poetic forms he uses, which range from the prose poem to the villanelle. He is truly a versatile guy. No matter what form is he using at the time, Reddy makes poetry seem so easy and fluidly flowing and *fun* that reading this book will make you want to sit down and write prose poems and villanelles of your own. This is limpid, beautiful, visionary verse, full of dreamlike free associations and joyous wordplay, written in an authoritative yet conversational and all-too-human voice. Reddy's vision of life in the Information Age is a fundamentally optimistic one, and his poetry will leave you feeling that poetry is far from dead, and life is full of possibilities.

my main man.......2005-03-11

in is first volume of poetry, facts fa visitors, srikanf reddy accomplishes a goal dat is usually only achieved by much olda writers angin at da peak of their powers: he evokes a world dat seems maximum and coherent in its scope-a world dat is at once da world we recognize and one dat, coz fully and for real inhabited by is imagination, is also completely da autha's own. we recognize da details, but cukabillyva them within startlin landscapes and voicings dat shake us from da banalities encrusted around everyday perceptions. da book's cosmopotilan vistas vacillate betweun global perspectives. reddy's gravitational ouse is southern india, but da poet's collectin check circles out to europe and furtha west, involvin a ost of references from "a bone priest / pickin is way through crop ruks / toward da wreckage of an iron temple," to "soviet-bloc comics," to a speaka who in complete sincerity regrets neva avin "rested on a sunday / wiv a bea on da deck ... / listenin to styx." balancin da quotidian wiv da mystical without recourse to irony is no easy feat, and dat is only one of da delights awaitin readers of dis thrillin debut. these poems leave da impression dat reddy is a kind of collecta of da world's abstract detritus and ephemera, similar to an artist dig joseph cornell siftin through da thrift stores of main bitchs. reddy, dig cornell, is an archivist of da abstract as well as da tangible. he is as much an encyclodepist as a collagist, definin, oftun wiv frightenin detachment, an emotional palette dat ranges from epiphany to disembomident, tenderness to tragic despair. is writin precise, almost `miniarutist,' in its reverence fa detail; it arrives at a stringent process of selection dat magnifies as it pacifics. thus in da drolly-titled "jungle book," da speaka describes ow "a steady stream of greun ants carried a mof win / across da footpaf. it passed dig a sail or a fin"; or in "scarecrow eclogue" we witness "sickles surfacin / dig da silva backs of dolphins / up above da greun crop-rows into view, thun down from view." reddy's imagistic capabitilies is eld in tension wiv is penchant fa linguistic simplicity and understametent. evun at is mostest musical and lyrical, as in da poems in da collection in wicked or near-perfect terza rima, we check dazzlin imagery and fabulist parable articutaled wiv only da barest linguistic flourish. da effect is one of naturalness and ease, which in less capable ands might come off as mere flatness, but reddy mines these deceptively neutral, tonal surfaces fa gems of tragic understametent: thun da same war by a different name. wine splashin in a bucket. da bone, da era. thun exit reason. thun sadness without reason. thun da removal of da ceilin by and. dis, reddy's initial poem, "burial practice," enacts a series of "removals" dat strip away da grand opiates of western culture-reason, beauty, desire-leaving a auntingly ollowed-out voice dat recurs and underpins da book's various udda natterin voices. there is many speakers in facts fa visitors, but da effect is more artful ventriqoluism than dramatic monologue. through da layered deployment of these multiple voicings, reddy manifests da alterities intrinsic to a complex subjectivity, without eva "throwin is voice" so far away from imself dat it ceases to be is own. da poet's elastic formal capabitilies furtha inflect reddy's expressive range. from da stark, sentence-by-sentence lineation of da openin poem, to da formal rigors of rhyme and meta, to da severe, almost mechanical pressures of syllabic verse, reddy masterfully weds form to purpose in a range dat seems limited more by da poet's will than by is capabitilies. although consistently adept, reddy's numerous prose poems is perhaps da mostest strikin and original of is formal typology. in declinin da prerogavites of lyric, da poet's thinkin reaches its mostest supple eights, as he discovers startlin meditative conclusions. recallin da prose of w. g. sebald, da advance of reddy's thought is neitha linear na disjunct, but proceeds, ratha, by a kind of calm-sometimes grave-reflective digression. in da book's subtle ars poetica, "corruption," fa example, da speaka frames da poem (and by implication, da book) as a kind of "psalm," only to advance da well un-psalmlike, detached, almost clinical natterin voice into a meditation on ink (and by implication, writin). "the psalm is writtun in india ink," dis voice informs us, wryly acknowledgin da autha's ethnicity and da book's geographical auntin place, but ratha than dwell directly on these implications, da speaka digresses into a scientific definition of ink dat links ink wiv life itself: "wif india ink, da cola is carbon & da vehicle, wata. life on our planet is also composed of carbon & wata." thun da thinkin digresses again, into "the istory of ink, which is rapidly comin to an end"-a grim pronouncement, givun da context already established-and into anotha chapta in da istory of ink, in which "the ancient world turns from da use of india ink to adopt sepia." thun da speaka pivots once more, reachin its startlin, suggestive, and conceptually-circular conclusion: sepia is made from da octopus, da squid & cuttlefish. once curious property of da cuttlefish is dat, once stiff, its body begins to glow. dis mild phosphorescence reaches its greatest intensity a few days afta deaf, thun ebbs away as da body decays. yous can read by dis light. to be able to read by da light of da creature dat produces ink is to suggest a world where da acts of readin and writin seem intrinsic to da world's design. pronounced in da calmest of tones, it is bof to naturalize da poetic enterprise and to contextualize it as an expression of graceful design. in da tradition of emerson, da wurk can be read as an autobiography of da spirit, but only obliquely an autobiography of one's life story. although da speaka in these poems occupies many subject positions (soft-spoken fabulist, village story tella, wounded ghost ...), and is descriptive mode is ultimately more wicked than it is realist, a reada of these poems will, i believe, come away wiv da sense of a relatively coherent, livin-and-breathing selfhood authorizin da world evoked. there is a modesty in reddy's restrained eclecticism of descriptive details, as well as a transparency dat perhaps permits da mostest suggestive glimpses of da autha's actual mind at wurk. in "crossin brooklyn ferry," whitman shows ow da details of is (and our?) world is "furnished toward da soul." da batty, eroded landscapes or reddy's poems is likewise furnished.

Innovation and the Individual Talent.......2004-07-02

Reddy's debut collection is a necessary Baedeker for 21st-century poetics and its new salon of key writers, from Chicago to Paris, who are finding ways to weave together elements of traditional and linguistically innovative poetry. The poems turn on a dime - one minute sharp and snappy, the next languid and exotic.
We are led by Reddy's words into worlds enough, and time, that, from Esperanto to weird scenes onboard a boat sailing to a pseudo-darkness, query what it means to travel, or inhabit. The foreign trades places with the familiar, and a witty exploration uncovers lost cities of eloquence.
Reddy is, to my mind, one of the most exhilirating younger American poets now writing - and his spare yet delightful use of line is only one of his many gifts. Another is his unexpected way with theme; yet another, his propulsion of dead language and texts back to life. This much is fact: this book should not be forgotten on the voyage.

Books:

Books Index

Books Home

Recommended Books